Programs/Content
Utah’s KUED amps up local production with magazine series
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The creators of “This is Utah” say it’s as unique as the state where it’s produced.
Current (https://current.org/author/barry-garron/page/2/)
The creators of “This is Utah” say it’s as unique as the state where it’s produced.
The PBS president told an audience at the Television Critics Association Winter Press Tour to “stay tuned” for possible announcements involving Sling TV and YouTube TV.
“We’re making changes so that you’ll still love it,” says Marsha Bemko, EP of PBS’ most popular ongoing prime-time series.
With a stable of correspondents and producers from WNET and CNN, the hourlong show aims to deliver “mind-expanding” interviews for American audiences.
Look for more talent from PBS stations on “NewsHour” and a toolkit for distributing up-to-the minute election-night coverage with customized graphics.
Beyond his achievements as a veteran TV executive, Perry Simon’s involvement with regional theatre distinguished him as a candidate, PBS’ president told critics.
The new series focuses on the scientific process, with less emphasis on actual discoveries.
No deadline has been set for replacing Charlie Rose and Tavis Smiley, but options include retaining Christiane Amanpour’s show.
Robert Costa told TV writers that he wants to focus on “fact-based analysis” in his role as moderator.
“There is no plan B” to replace federal funding, Paula Kerger told TV critics during her executive session at the Summer Press Tour.
With examinations of Vietnam and the Great War, the documentarians are focusing on stories to help younger viewers understand today’s conflicts.
PBS President Paula Kerger assures critics that stations are communicating with members of Congress about the importance of CPB funding.
Two brothers clashed over who would complete ”Soundbreaking,” a series shaped around legendary Beatles producer George Martin.
Even panels about shows not overtly dedicated to politics were immersed in campaign theories and analyses.
Kerger said PBS’s handling of its broadcast of the annual Fourth of July fireworks on Washington’s National Mall was contrary to policy.
To keep pace, creators of new and legacy shows must think far beyond the television screen.
Paula Kerger spoke with TV critics Monday about the FCC spectrum auction, the success of Downton Abbey and the future of Mercy Street.
Of the scripted series on TV this season, it’s unlikely that any come close to the demanding standards of historical authenticity found in Mercy Street.
”We really have an abundance of programs that have been pitched to us.“
With a new American Masters documentary in the wings, the filmmaker says he prefers to let his projects find him.