Programs/Content
WNET keeps indie docs on Monday nights, while PBS plans to boost promotion
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PBS will also reach out directly to public TV stations that don’t air independent film showcases at feed time.
Current (https://current.org/tag/documentaries/page/3/)
PBS will also reach out directly to public TV stations that don’t air independent film showcases at feed time.
WNET and PBS officials recently concluded a “listening tour” to hear the concerns of documentarians. Did it change their outlook?
With a new American Masters documentary in the wings, the filmmaker says he prefers to let his projects find him.
Foundation funders have plenty at stake in PBS’s pending decisions about scheduling and promoting independent films.
Representatives from PBS spurred discussion about promotion, distribution and scheduling of independent films on public TV.
Check our list of pubmedia-related sessions — and let us know if we missed yours.
Any benefits from the town-hall-style “listening tour” that stopped here Monday courtesy of PBS and several other public media organizations were strictly therapeutic.
A dustup between independent filmmakers and the New York City station has co-opted a national “listening tour.”
Testimonials from a wide variety of passionate speakers were followed by assurances from panelists that those voices were being heard.
This week, we contemplate how much children’s public television has changed since Fred Rogers’ day, and the news isn’t all bad — far from it, in fact.
Firelight Media, based in New York, gets $500,000 to expand its reserves and establish an innovation fund to experiment with digital storytelling platforms.
The discussion was friendly, but emotions ran high as filmmakers and public TV executives examined their often stormy relationship.
The station later delayed its plans.
At least three filmmakers affiliated with public media will receive part of $2 million in grants for documentaries announced today by the MacArthur Foundation. The foundation received nearly 400 proposals and is awarding 15 projects with cash ranging from $50,000 to $300,000. Filmmaker Robert Kenner, who previously directed the Academy Award nominee Food Inc., is receiving $200,000 to direct Command and Control for WGBH in Boston. The film is based on Eric Schlosser’s critically acclaimed book that examines the safety of America’s nuclear weapons arsenal. Chicago-based filmmaker Ines Sommer is getting $150,000 for Count Me In, which follows several residents in a “participatory budgeting” experiment that gives them direct say over portions of taxpayer spending in the city’s budget.
At least two public television networks opted not to air this week the POV documentary After Tiller, which profiles four late-term abortion providers and prompted a campaign among anti-abortion organizations. POV’s plans to air the film’s national broadcast premiere at 10 p.m. Sept. 1 spurred an Aug. 27 online statement from Judie Brown, president of the American Life League, who called the documentary “nothing short of pure propaganda intended to demonize the entire pro-life movement and drum up support for late-term abortion.” Several other anti-abortion websites urged visitors to contact PBS headquarters or PBS Ombudsman Michael Getler to protest stations airing the film. South Carolina ETV in Columbia and Mississippi Public Broadcasting in Jackson declined to air After Tiller.
Plus: A libertarian op-ed calls on pubradio listeners to open their wallets, and Pacifica faces yet another lawsuit.
Ken Burns decides on films through a deliberative process, involving both his creative team and accommodating PBS’s desire for multipart series that draw monster ratings and acclaim.
Most nationally distributed public TV series are docile and dull. The system could learn much from the bold, daring AJAM.
After plumbing the global repercussions of America’s war against terrorism, documentary filmmaker Laura Poitras helped expose how that war has stripped away the privacy of U.S. citizens.
WEDU’s Too Close to Home, which was previewed to a packed theatre before its Sept. 26 broadcast debut, reports personal stories behind a troubling trend in the Sunshine State: Florida has become a huge destination state for human trafficking, ranking third in the nation.