JJ Yore, co-creator of public radio’s Marketplace and a former v.p. and executive producer with American Public Media, will step into a station leadership role Aug. 1 as g.m. of WAMU-FM in Washington, D.C.
“It feels great to be coming back to Washington,” said Yore, who lived and worked in the area before heading west to start Marketplace. “WAMU is a station I have been close to and listened to since the mid-80s. I was listening to Diane Rehm before she had a national show. I feel like this is a culture I understand deeply.”
Yore served as v.p. and g.m. of American Public Media’s portfolio of Marketplace programming for two years until his job was eliminated in June 2013.
Pacific Islanders in Communications, part of the National Minority Consortia, has promoted Leanne Ferrer to executive director and announced two additional appointments. Ferrer, a filmmaker who joined PIC in 2008 and created PIC’s first series, Pacific Heartbeat, steps up from her job as program director. PIC also promoted Amber McClure from content coordinator to digital engagement manager and hired Cheryl Hirasa to direct program development and content strategy. The changes were announced May 1. Ferrer previously worked for Disney Films and PBS Hawaii.
Philanthropist, investor and former cable TV executive Jarl Mohn will join NPR as its new c.e.o. July 1, the network’s board announced Friday. Mohn has served on the board of KPCC in Los Angeles since 2002 and is currently chair. He has worked mainly in commercial media, with a run as g.m. of MTV Networks from 1986–90. From 1990–98 he was c.e.o. of E! Entertainment Television, which he also founded.
Tomlinson, a former Reader’s Digest editor and CPB Board chair who mounted a behind-the-scenes campaign to balance what he saw as a liberal bias in PBS programming, died May 1 in Winchester, Va., after a long hospitalization.
Jacquie Jones, executive director of the National Black Programming Consortium (NBPC) since 2005, has resigned, effective immediately, but will continue to produce for public media. Stepping in as interim is Leslie Fields-Cruz, programming director, who has supervised distribution of programs to PBS since 2001. NBPC, a 35-year-old nonprofit that is affiliated with the CPB-backed National Minority Consortia, develops, produces and funds public media content focusing on the African American experience, such as the Peabody-winning documentary, 180 Days: A Year Inside An American High School. The 2013 film, which Jones directed and produced, portrayed day-to-day challenges of students and educators at an alternative high school in in Washington, D.C.
Jones will return to film production with the follow-up, 180 Days: Hartsville, a coproduction of South Carolina ETV and NBPC. Her previous television production credits include 1998’s Africans in America— another Peabody winner — and Matters of Race in 2003 for PBS; From Behind Closed Doors: Sex in the 20th Century for Showtime; and The World Before Us for History Channel.
The Center for Public Integrity, a nonprofit investigative newsroom, has hired William Gray and Eleanor Bell. Television producer Gray joins as media relations specialist, focusing on increasing the visibility and impact of CPI’s journalism. Gray previously worked at C-SPAN as an operations producer handling breaking news and live and overnight coverage for the cable broadcaster’s three networks. He also created and curates the Floor Charts archive, which tracks and tags props, charts and posters used by politicians. Bell joins as multimedia editor.
Bell will manage public relations for US Pharmacopeia (USP) in Rockville, Md., a nonprofit that works with the Food and Drug Administration to set quality and safety standards for medicines and food.
A new executive producer is joining PBS’s biography series American Masters as the former e.p., show creator Susan Lacy, embarks on a new career as an independent filmmaker.
Vermont Public Television and its president, John King, “parted ways” Wednesday, according to a statement from the VPT Board. King’s departure follows months of tumult at the Colchester-based community licensee over his relationship with the board. “VPT is very grateful for John King’s many years of service to VPT and the public television industry,” said Pam Mackenzie, VPT board chair, in the statement. “We wish him nothing but the best in his future endeavors.”
King declined comment to Current. He joined VPT in 1987 as chief financial officer and rose to president in 1998. Charlie Smith, a Vermont business consultant and former state executive, took over Wednesday as interim president and c.e.o. for the next six months.
Chicago Public Media announced Tuesday that Goli Sheikholeslami will become the organization’s CEO May 5, ending an eight-month national search to replace Torey Malatia. Sheikholeslami is the former vice president and g.m. of the Washington Post, where she worked from 2002 to 2010, overseeing the paper’s digital strategy. She has also worked at Condé Nast and Time Warner and most recently was chief product officer at online health-resource network Everyday Health Inc. She is new to public media. “Goli brings the perfect blend of experience to this role,” said Steve Baird, CPM board chair, in a release announcing her hiring. “Her extensive media background, proven leadership in digital innovation and enthusiasm for the mission of public media will be invaluable as she focuses on growing the audience for existing programs and engaging the next generation of fans across all of Chicago Public Media’s platforms.”
Sheikholeslami will oversee all broadcast and digital content at the network and also lead the search for a new programming and content manager, according to the release.
SOCIETY OF AMERICAN BUSINESS EDITORS AND WRITERS
Pubcasters honored with SABEW Best in Business awards. NPR’s coverage of the “Health Care Website Launch” was named best radio/TV segment or interview, citing reporter Elise Hu and editors Uri Berliner and Neal Carruth. NPR’s Planet Money won in the innovation category for its episode “Planet Money Makes a T-Shirt.” WAMU 88.5 News’s Patrick Madden, Julie Patel and Meymo Lyons won for best radio/TV or investigative report for “Deals for Developers.” “Lots of ground covered, great interviews with lots of players and lots of tough questions asked,” said SABEW. “This is local accountability journalism at its best.”
ProPublica received three awards in the digital arena. ProPublica’s Jesse Eisinger won for digital commentary for “The Trade,” which addressed the banking and financial industries; T. Christian Miller and Jeff Gerth were cited in the digital explanatory division for “Overdose,” a series investigating the dangers of acetaminophen; and A.C. Thompson and Jonathan Jones won for the digital feature “Assisted Living.”
The digital investigative prize went to Chris Hamby of The Center for Public Integrity for “Breathless and Burdened: Dying from Black Lung, Buried by Law and Medicine.” (“Breathless and Burdened” also won the Goldsmith Prize for Investigative Reporting presented by the Joan Shorenstein Center on the Press, Politics and Public Policy at Harvard University’s Kennedy School of Government for CPI’s Hamby, Ronnie Greene, Jim Morris and Chris Zubak-Skees plus Matthew Mosk, Brian Ross and Rhonda Schwartz of ABC News; it was presented March 5 in Boston.)
The 19th annual BiB awards will be presented March 29 at the SABEW conference in Phoenix.
KQED has created two new multiplatform desks to expand the San Francisco station’s coverage of culture and politics. Two executives will oversee the Arts Desk. David Markus is executive in charge; he spent the past five years as editorial director of Edutopia, the George Lucas Education Foundation’s K–12 education support website. Arts Managing Editor Joe Matazzoni was the founding senior supervising producer of the Arts & Life section and NPR Books on NPR.org. The desk’s staff includes Arts Partner Manager Siouxsie Oki, previously KQED’s director of external affairs, and Arts Education Manager Kristin Farr, who has produced arts videos for the station.
Ken Burns decides on films through a deliberative process, involving both his creative team and accommodating PBS’s desire for multipart series that draw monster ratings and acclaim.
