PBS programs win three at 2013 Creative Arts Emmys

American Masters and Downton Abbey led the opening round of the annual Primetime Emmys Sept. 15 by claiming three Creative Arts Emmys for PBS. American Masters, a production of New York’s WNET, topped the category for outstanding documentary or nonfiction series. Credit for the Emmy went to Susan Lacy, executive producer; Julie Sacks, supervising producer; Prudence Glass, series producer; and Jessica Levin, producer. The Emmy for direction in nonfiction programming was awarded to Robert Trachtenberg for his direction of the American Masters biography “Mel Brooks: Make a Noise.”

PubTV commits to weekend news show

Public TV stations are backing PBS’s first foray into weekend news by committing airtime to PBS NewsHour Weekend, which debuts next month, although several program directors question PBS’s decision to invest in the broadcast when its flagship weekday program is struggling financially.

San Diego Comic-Con will include Sherlock panel

PBS will have a presence at the San Diego Comic-Con for the first time in 44 years, with a Sherlock panel in the upcoming conference, Entetainment Weekly reports. The panel will feature co-creators Steven Moffat and Mark Gatiss (also executive producers and writers for the show), and producer Sue Vertue — but alas, star Benedict Cumberbatch will not be there. EW writer James Hibberd will moderate at the event, on July 18. Masterpiece, the British drama showcase that brought Sherlock to PBS, hosted a screening and Q&A with Moffat, Verte and Cumberbatch in New York last year, which brought out screaming throngs of fans. In 2011, it introduced U.S. audiences to the BBC show at the New York Comic-Con.

CPB recognizes Moore, an author and youth advocate, as a pubcasting “Thought Leader”

Wes Moore, the host of Beyond Belief on OWN: Oprah Winfrey Network and author of the bestseller The Other Wes Moore, won CPB’s Thought Leader Award, which honors those who assist public media in the areas of education, journalism and the arts. A U.S. Army combat veteran who serves on the board of the Iraq and Afghanistan Veterans of America and as founder of STAND!, an organization that supports youth caught up in the criminal justice system, Moore also hosts the forthcoming PBS primetime series Coming Back, which chronicles the returns of nine veterans from conflicts in Iraq and Afghanistan. “Wes Moore is an inspiring advocate for America’s youth and a champion for public media’s American Graduate initiative,” said Patricia Harrison, CPB president. The award was presented during the PBS Annual Meeting in Miami Beach, Fla.  
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PBS buys more of what works in primetime

As public television’s chief program exec and top producers unveiled highlights of the fall 2013 primetime schedule at the PBS Annual Meeting May 13–16 in Miami Beach, Fla., the network also signaled its willingness to invest in genres with track records of building viewership and differentiating public TV from its cable competitors. PBS paired with BBC Worldwide to acquire Last Tango in Halifax, a hit contemporary British drama starring Derek Jacobi and Anne Reid as childhood sweethearts who reunite after 60 years apart. Call the Midwife, a drama that PBS chief programmer Beth Hoppe bought to boost Sunday-night viewership in fall 2012, will return for a third season in 2014. PBS’s strategy to build affinities between programs scheduled together during primetime, initiated last year, appears to be paying off. As network and member-station programmers in Miami celebrated their recent ratings successes, they also looked ahead at plans to build on them.

Kerger describes factionalism within pubTV as system’s greatest threat

MIAMI BEACH, Fla. — PBS President Paula Kerger called for local public TV stations and PBS to move beyond their reputations as a “dysfunctional family” to embrace “the power of a collective system” to strengthen their public service. In a keynote speech opening this year’s PBS Annual Meeting, Kerger said public television has reached an important moment in its history — one that she considers to be “the most important moment of my tenure” as PBS president. Kerger pointed to the outpouring of support for public TV when its federal funding came under attack during the fall presidential elections and the international attention and praise that accrued to PBS and stations following the blockbuster Masterpiece Classic hit Downton Abbey. “We have the potential to accomplish great things,” Kerger said.

Merrill Brockway, Emmy-winning Dance in America producer, dead at 90

Merrill Brockway, a producer and director of several PBS arts programs who was best known for his work on the Great Performances spinoff Dance in America, died May 3 in Santa Fe, N.M. He was 90. Brockway was born in Indiana and began a career as a piano teacher and accompanist before entering TV at the age of 30. He wrote and directed for CBS affiliates in Philadelphia and New York before leaving commercial TV for PBS in 1975, when Dance in America launched. He worked on the program, produced by New York’s Thirteen/WNET, from 1975–88, capturing some of America’s most renowned dancers and choreographers on film. Dance in America spotlighted the work of Martha Graham, Thyla Tharp, and the New York City Ballet as choreographed by George Ballanchine, among many others.