PBS buys more of what works in primetime

As public television’s chief program exec and top producers unveiled highlights of the fall 2013 primetime schedule at the PBS Annual Meeting May 13–16 in Miami Beach, Fla., the network also signaled its willingness to invest in genres with track records of building viewership and differentiating public TV from its cable competitors. PBS paired with BBC Worldwide to acquire Last Tango in Halifax, a hit contemporary British drama starring Derek Jacobi and Anne Reid as childhood sweethearts who reunite after 60 years apart. Call the Midwife, a drama that PBS chief programmer Beth Hoppe bought to boost Sunday-night viewership in fall 2012, will return for a third season in 2014. PBS’s strategy to build affinities between programs scheduled together during primetime, initiated last year, appears to be paying off. As network and member-station programmers in Miami celebrated their recent ratings successes, they also looked ahead at plans to build on them.

Kerger describes factionalism within pubTV as system’s greatest threat

MIAMI BEACH, Fla. — PBS President Paula Kerger called for local public TV stations and PBS to move beyond their reputations as a “dysfunctional family” to embrace “the power of a collective system” to strengthen their public service. In a keynote speech opening this year’s PBS Annual Meeting, Kerger said public television has reached an important moment in its history — one that she considers to be “the most important moment of my tenure” as PBS president. Kerger pointed to the outpouring of support for public TV when its federal funding came under attack during the fall presidential elections and the international attention and praise that accrued to PBS and stations following the blockbuster Masterpiece Classic hit Downton Abbey. “We have the potential to accomplish great things,” Kerger said.

Merrill Brockway, Emmy-winning Dance in America producer, dead at 90

Merrill Brockway, a producer and director of several PBS arts programs who was best known for his work on the Great Performances spinoff Dance in America, died May 3 in Santa Fe, N.M. He was 90. Brockway was born in Indiana and began a career as a piano teacher and accompanist before entering TV at the age of 30. He wrote and directed for CBS affiliates in Philadelphia and New York before leaving commercial TV for PBS in 1975, when Dance in America launched. He worked on the program, produced by New York’s Thirteen/WNET, from 1975–88, capturing some of America’s most renowned dancers and choreographers on film. Dance in America spotlighted the work of Martha Graham, Thyla Tharp, and the New York City Ballet as choreographed by George Ballanchine, among many others.

Blazing her own path as a pubTV broadcast engineer

The first television broadcast in China was transmitted in 1958. The first time that Ling Ling Sun watched a television program was 20 years later, when she was 18. Now she is engineering manager for television broadcast services at WOSU in Columbus, Ohio, and was recently appointed vice chair of the PBS Engineering Technology Advisory Committee.

APT, PBS partner to offer Moyers & Company for viewing on COVE

Moyers & Company has become the first American Public Television-distributed program to be presented on the PBS COVE online video player and PBS mobile apps. The weekly public affairs show, hosted by veteran public TV journalist and independent producer Bill Moyers, has been offered on COVE on a test basis for several weeks, according to spokesperson Joel Schwartzberg. With today’s announcement, PBS and APT signaled their intention to collaborate to bring more APT titles to PBS’s online video player. The arrangement helps to make Moyers & Company more easily accessible for public TV viewers. The series, which launched in August 2010, is the first from Moyers to be distributed by APT.

NEA announces 2013 media arts grants; OVEE and AIR projects among recipients

The National Endowment of the Arts announced $4.68 million in funding to 76 media-arts projects April 23, including new grantees such as the Online Video Engagement Experience (OVEE) developed with CPB funding, a new initiative from the Association of Independents in Radio called Spectrum America and Sonic Trace, a multimedia production at KCRW in Santa Monica, Calif., that was created through AIR’s recently concluded Localore project. For a second year, the NEA will continue to support projects that use digital technologies to go beyond traditional broadcasting platforms. In its announcement, the endowment highlighted a $100,000 grant to OVEE, a digital platform that allows web users to interact while watching PBS and local station content. The Independent Television Service developed the technology with support from CPB. AIR also received $100,000 for Spectrum America, a project that will pair media artists with public stations as they experiment with “new approaches to storytelling.”

Sonic Trace, a co-production at KCRW initiated through AIR’s 2012–2013 Localore initiative, received a direct NEA grant of $75,000 to continue exploring the experience of Latino immigrants. NEA also backed digital media projects at NPR, providing $100,000 for music programming and multimedia content.

PBS FY14 draft budget has $11M content hike, no dues increase, thanks to income influx

PBS’s year-to-date financial results show a net income of $22 million instead of the estimated $100,000 net loss anticipated in its fiscal year 2013 budget, the PBS Board of Directors heard at their meeting April 9 at headquarters in Arlington, Va. “I may never get to say this again, but that’s pretty impressive,” said Molly Corbett Broad, finance committee chair. Thanks to the influx, PBS’s FY14 budget contains an increase of $11 million for National Program Service content without a hike in dues for member stations. The draft budget, unanimously approved by the finance committee and full board, will arrive at public television stations in the coming weeks for comment. Total member assessment is $185.5 million, the same as FY13.

Scarce funding limits public media’s response to gun debate

The mass shootings last year in Colorado, Wisconsin and Connecticut reawakened Americans to recurring tragedies of gun violence and rekindled a national debate about gun control — one that public radio and television have chronicled and analyzed through ongoing programs and the package of special broadcasts that aired on PBS last month.

POV announces 26th season lineup, plans a move to Mondays

After a season of bad press following PBS’s much-maligned 2012 decision to move its flagship independent documentary program POV from Tuesday nights to Thursdays, the show will move to Mondays for its 26th season, which premieres June 24. POV announced the lineup for its new season today. The program is also building off another recent round of good news: a $1 million grant from the MacArthur Foundation on Feb. 28. Its premiere episode will be Homegoings, a documentary about Harlem undertakers that was selected as part of the New York Museum of Modern Art’s 2013 Documentary Fortnight. The lineup, with 15 national broadcast premieres and two encore presentations, will also include the Oscar-nominated Palestinian film 5 Broken Cameras on Aug.

POV’s American Promise wins special jury award for U.S. docs

The 90-minute feature was produced and directed by Joe Brewster and Michèle Stephenson, a married couple who traced the education of two African-American boys — their own son and his best friend — at a private school in Manhattan from 1999 through 2012. “All American families want to give their children the opportunity to succeed. But the truth is, opportunity is just the first step, particularly for families raising black boys,” said Stephenson. “We hope American Promise shines a light on these issues.”

The film had its world premiere at the 2013 Sundance Film Festival in Park City, Utah, Jan. 21 and received the award Jan.

PBS pushes message of digital innovation at SXSW

During a March 10 appearance at the South by Southwest Interactive conference, PBS President Paula Kerger talked the talk of digital innovation, pointing to the network’s recent successes with web-original videos, social media messaging and the unparalleled popularity of online content tied to PBS Kids.