Programs/Content
How Kartemquin Films and public broadcasting built a legacy of democratic storytelling
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Since Kartemquin’s founding in 1966, public broadcasting came to be the production company’s most dependable ally, and sometimes its savior.
Current (https://current.org/current-mentioned-sources/john-salveson/page/303/)
Since Kartemquin’s founding in 1966, public broadcasting came to be the production company’s most dependable ally, and sometimes its savior.
Nine PBS and WHYY are celebrating their 70th anniversaries with branded ales, while Alabama’s WBHM is engaging community members with its Top of the Hour Sour.
A public radio reporter responds to a former NPR CEO who implied the network suffers from liberal groupthink.
“WNED is currently working on the next chapter of ‘Reading Rainbow,'” a station executive said.
“The challenge for this period is fusing the strengths and public support of traditional public media with the energy and competencies of new entrants and civic institutions outside of media.”
BYU Broadcasting says it produces “original programming the entire family can enjoy together.”
WGBH developed the content with input from 50 teacher advisers.
In college, Maggie Martin felt invigorated telling listeners what was happening and why it was important.
As public media heads into its next 50 years, shifting strategies to focus on content “will require a hard turn and painful decisions that affect finances, people and structures.”
The station will hire an on-demand producer, develop podcasts, create content to serve “diverse audiences” and “uncover unique, untold stories.”
Trainers Judith Smelser and Mike Marcotte discuss the new skills required when a reporter moves into a leadership position.
Bloom adapted magazine publishers’ practices of list-buying and direct-mail testing to public broadcasting membership programs.