System/Policy
After delays, WFMU’s Audience Engine aims for early 2017 rollout
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The project’s ambitious scale has prolonged development.
Current (https://current.org/tag/wfmu/)
The project’s ambitious scale has prolonged development.
The show highlighted New Jersey’s legacy of pollution.
RadioPublic joins a cadre of startups choosing the new hybrid structure.
The merger is the latest step in Audience Engine’s plan to help noncommercial radio stations increase engagement and fundraising.
Creators of the open-source software call it “a new tool for media and democracy.”
The New Jersey–based funder has now contributed $500,000 to the crowdfunding and community-building platform.
The content management system is designed to aid content creators in growing audience and digital fundraising.
Plus: WNET goes deep on poverty, and a jazz radio legend has died.
Plus: WFMU opens a new performance space, and Chris Hardwick compares NPR reporters to Star Wars characters.
The federal government awarded funds to transmedia projects as well as traditional broadcast programs.
From WFMU’s tiny studios in Jersey City, N.J., using only rock songs, his own creativity and contributions of guests and callers, Scharpling created a world of comedy unto itself over the course of The Best Show.
New Jersey–based freeform community radio station WFMU will replace The Best Show on WFMU in January with a program hosted by comedian and musician Dave Hill.
After sustaining damage to its studio and transmitters from Superstorm Sandy, independent freeform music station WFMU has resumed broadcasts on 91.1 FM in Jersey City, NJ. The station announced Nov. 5 via its website and Facebook page that its 91.1 FM transmitter is back on the air; it had resumed webcasts on wfmu.org shortly after the storm. A transmitter licensed to 90.1 FM in Mt. Hope, N.Y., which also went dark during the storm, is still silent.
When Superstorm Sandy slammed into the most populated region of the United States Oct. 29, claiming at least 90 lives and wreaking havoc on everything in its path, public broadcasting stations along the Eastern Seaboard couldn’t escape the storm’s wrath.
NPR’s Jerusalem-based foreign correspondent received CPB’s highest award, recognizing outstanding contributions to public radio, during an April 9 dinner attended by top pubcasting execs. Garcia-Navarro reported from NPR’s Baghdad bureau from 2008 to 2009, and was one of the first reporters to enter Libya after last year’s uprising. She made in-depth reporting of events from the world’s most volatile regions a hallmark of her reporting, providing “powerful and sound-rich descriptions” of the conflict in Libya and other hotspots. “It is fitting that Lourdes receive this award named after the famed war correspondent,” said CPB Chair Bruce Ramer. “We honor her dedication and service, as well as the courage of those like her who ensure that we are all informed about important world events and issues.”
“Oh, Lulu — you have made us so proud,” said Margaret Low Smith, NPR programming chief, in a videotape reel of congratulations from colleagues.
The 100 hours that made Glen Jones famous started and ended with a dream. To be precise, they started with “Impossible Dream” from Man of La Mancha and ended with a wistful ballad, Tom Waits’ “Innocent When You Dream.” In between, Jones, who hosts a weekly show on WFMU in Jersey City, N.J., weathered extreme fatigue and, if his feat is verified, broke the Guinness world’s record for most continuous hours of deejaying. Actually, “broke” is not strong enough — he spun records and interviewed guests for a whole extra day longer than the former record of 73 hours and 33 minutes, set last September by a British deejay. [The publishers of The Guinness Book of World Records verified the record later in the year, according to WFMU.]
His marathon featured a comprehensive mix of American pop music, everything from classic rock to big band to show tunes.