WFMT unveils new streaming archive of Exploring Music

The WFMT Radio Network has unveiled a premium subscription service that provides access to hundreds of hours of archived programs from Exploring Music with Bill McGlaughlin. The internationally syndicated classical music series airs on 55 stations and draws a weekly audience of more than 400,000 listeners. “It’s a unique show and Bill is a great host,” said Steve Robinson, g.m. of the Chicago-based WFMT Radio Network and WFMT-FM. “Since the show started we’ve gotten something like 10,000 emails and this has been one of the things people have repeatedly asked us to do.”

At launch, the new streaming service offers 500 hours of content selected from the show’s 10-year archive. More programs will be added weekly until all 850 hours of Exploring Music are available.

APT, PBS partner to offer Moyers & Company for viewing on COVE

Moyers & Company has become the first American Public Television-distributed program to be presented on the PBS COVE online video player and PBS mobile apps. The weekly public affairs show, hosted by veteran public TV journalist and independent producer Bill Moyers, has been offered on COVE on a test basis for several weeks, according to spokesperson Joel Schwartzberg. With today’s announcement, PBS and APT signaled their intention to collaborate to bring more APT titles to PBS’s online video player. The arrangement helps to make Moyers & Company more easily accessible for public TV viewers. The series, which launched in August 2010, is the first from Moyers to be distributed by APT.

KCETLink lays off 22 in reorganization, shifts priority to transmedia content

KCETLink, the independent pubmedia organization created through merger six months ago between pubcaster KCET in Los Angeles and national satellite programmer Link TV, today announced 22 layoffs as a result of a reorganization. Spokesperson Ariel Carpenter told Current that the organization is not disclosing any additional information beyond the release and confirming the number of full-time job eliminations. Five vacant positions also are not being filled. The announcement also said that KCETLink would increasingly focus on “transmedia programming opportunities” for viewing on web and mobile devices. “These are challenging and transformational times that require us to make difficult financial and operational decisions for the continued health of the organization in order to create a public media organization that can grow in the 21st century,” Al Jerome, KCETLink’s c.e.o., said in the statement.

New metasite showcases Localore projects

The Association of Independents in Radio will launch a metasite April 22 that combines its 10 Localore multimedia projects on a single interactive platform, showcasing the results of a yearlong production to develop broadcast and web content in cities across the United States. The website uses a map of the country to direct users to content that public media audiences first discovered on local stations. Designer Drew Schorno chose the map “as a way of representing the U.S. experience” of Localore, he said. A half-hour documentary, This Is Localore, will accompany the launch of the metasite, which will be unveiled during an April 22 event at the Brattle Theater in Boston. Producers from each of the Localore projects will join Sue Schardt, AIR executive director, and Noland Walker, Localore executive editor, in a Q&A session moderated by PBS NewsHour’s Hari Sreenivasan.

Pubradio and TV audiences continue migration to digital, State of News Media study shows

Audiences for public radio and television news continue to spend less time with legacy broadcast platforms as they transition to digital listening and viewing, according to the State of the News Media study from the Pew Research Center’s Project for Excellence in Journalism, released today. The 10th annual report examines all broadcast, digital and print media. NPR’s average weekly broadcast audience fell 3 percent from 2011 to 2012, dipping to 26 million from 26.8 million, according to the report. The weekly number of listeners to American Public Media programs also shrank 2 percent, to 15.2 million. (The report did not detail specific numbers for another major pubradio distributor, Public Radio International.)

On television, the broadcast audience for PBS NewsHour, public TV’s weeknight program, dropped 8.4 percent over the last season to an average of 977,000 nightly viewers — its lowest number since 2008

But both outlets saw lots of action in the digital realm.

Wide-open market for podcasters: programs that feature, and appeal to, women

AUSTIN, Texas — When podcasting stars gathered March 11 at the South by Southwest Interactive conference to discuss the challenges facing their medium, the lack of diversity among creative talents in podcasting — especially the dearth of women in hosting roles — was cited among the most perplexing problems.

A Feb. 26 editorial by Third Coast Audio Festival Director Julie Shapiro provided impetus for the discussion among a panel of four podcasters — each with ties to public media in the U.S. and Britain and one of whom was female.  In her commentary published last month by Transom, Shapiro questioned why only 20 of the top 100 iTunes podcasts are hosted by women. “There’s literally no barrier to entry, so I don’t know what that’s about,” said Roman Mars, creator and host of 99% Invisible, a podcast and pubradio series. Public media, which supports many of the most popular podcasts on iTunes, has a strong history of nurturing female talent, he said. He pointed out that the Third Coast Festival’s Award for Best New Artist has gone to a man only once in the past 10 years.

The name needs revamping, but podcasts are here to stay

If you’re a public radio station without a plan for how to take advantage of the remarkably flexible and creative platform of podcasting — a platform that leverages your existing skills better than anything else in new media — you need to think again.

PBS pushes message of digital innovation at SXSW

During a March 10 appearance at the South by Southwest Interactive conference, PBS President Paula Kerger talked the talk of digital innovation, pointing to the network’s recent successes with web-original videos, social media messaging and the unparalleled popularity of online content tied to PBS Kids.

Wednesday forum to explore public media arts coverage

The latest in an ongoing series of Public Media Futures forums will spotlight public broadcasting’s work surrounding the arts. The Feb. 20 roundtable discussion, “The Future of Arts and Culture on Public Media,” will be hosted by the USC Annenberg’s Center on Communication Leadership and Policy in downtown Washington, D.C. The center is co-sponsoring the forums with American University’s School of Communication, publisher of Current. Confirmed speakers and participants include Alyce Myatt, director of media arts for the National Endowment for the Arts and a former PBS programming v.p.; Roger LaMay, g.m. of WXPN-FM in Philadelphia; Vincent Curren, CPB c.o.o.; Sue Schardt, executive director of Association of Independents in Radio (AIR) and Maxie Jackson, president of the National Federation of Community Broadcasters. Adam Clayton Powell III, senior fellow at the USC Annenberg Center, will moderate the discussion.

KCRW and McSweeney’s partner up for The Organist

KCRW in Santa Monica, Calif., has struck the opening chords for The Organist, a monthly arts-and-culture podcast from McSweeney’s. The program is the latest collaboration between the station and the irreverent San Francisco–based publishing house, founded in 1998 by acclaimed author and screenwriter Dave Eggers. Produced by the editors of the McSweeney’s-published culture magazine The Believer, The Organist will produce 10 hourlong episodes per year covering a wide gamut of pop culture, with the help of some famous voices. The inaugural episode launched Feb. 1.

Latitude News meets Kickstarter goal to fund new weekly podcast

Latitude News, an online news outlet exploring world events and their reverberating effects in local U.S. communities and vice versa,  surpassed the fundraising goal of its Kickstarter campaign to launch a new podcast. As of Feb. 14, 307 backers had pledged $46,200 towards a goal of $44,250. The newsroom currently produces an eponymous monthly 15-minute podcast distributed by Public Radio Exchange; it now will expand its output by introducing “The Local Global Mashup Show,” a weekly 30-minute podcast. Latitude News will use its Kickstarter contributions to fund the first three months of the program and hire a business development staffer to develop a paid subscription model for the podcast.  Latitude News, which is headquartered in Cambridge, Mass., also plans to explore offering “The Local Global Mashup Show” for public radio broadcast, founder and editor Maria Balinska told Current.