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The Association of Independents in Radio is preparing to roll out its next iterations of Localore, the innovation initiative that paired indie producers with local stations.
The second of two commentaries adapted from the Association of Independents in Radio’s recent report on Localore.
Lessons learned from 10 station-based multimedia productions that tested new models of community service and engagement.
The grant will fund a film focusing mainly on the oil boom’s effects on Native tribes.
Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”
NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”
In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.
NPR and the Association of Independents in Radio have launched the Freelance and Station Contributor Resource Site, an online repository of information for reporters interested in filing stories with the network. “This first of its kind site includes Ethics Guidelines, examples of good freelance/station producer stories, ‘how stories go from idea to air,’ key editorial contacts, FTP filing guidelines, the most current AQH audience data for producers airing features on NPR programs, and more,” wrote AIR Executive Director Sue Schardt in an email announcing the site. Freelancers who want to sign up should go to nprstations.org and fill out the registration form, selecting “AIR” under “Station Where You Work.” Non-AIR members are also permitted to join by using the organization’s name. Schardt noted that many of AIR’s newest members are under 34 years old and have never worked with NPR. The site is dedicated to Bill Siemering, NPR’s first program director and a longtime AIR member.
Writer and documentarian Val Wang became fascinated with Chinese takeouts 10 years ago, when she relocated to Brooklyn, N.Y., after living in China.
The project solicits questions from listeners about Chicago to investigate on-air.
The projects will help reimagine how local public broadcasters serve and engage their communities.
Two years after its Makers Quest 2.0 project tapped independent producers to stretch the creative boundaries of public radio, the Association of Independents in Radio is launching Localore, a major CPB-backed initiative designed to jump-start new-media experiments at local public broadcasting stations.