Quick Takes
Thursday roundup: Charlie Rose makes for healthier viewing; Sagal opens up on The Moth
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Plus: Jesse Thorn discusses the businesses of podcasting and radio, and a blogger argues for the greatness of Ken Burns.
Current (https://current.org/author/andrew-lapin/page/3/)
Plus: Jesse Thorn discusses the businesses of podcasting and radio, and a blogger argues for the greatness of Ken Burns.
Kendall had been with the organization since June 2012.
William Greaves, a documentary filmmaker and executive producer and co-host of a pioneering public TV show for African-Americans, died Monday at his home in Manhattan, according to the New York Times. He was 87. Greaves worked as a stage and screen actor and dancer in the 1940s and ’50s and appeared in productions staged on Broadway and by the American Negro Theater. He spent most of the ’50s working as a documentary filmmaker in Canada before returning to the U.S. to form William Greaves Productions in 1964. His early documentaries for public TV included a film about the black middle class.
Infinite Guest, a new podcast network from American Public Media, brings together feeds of broadcast programs, existing podcasts and new shows in an effort to build a digital following for audio content. Headed by Program Director Steve Nelson, Infinite Guest debuted Wednesday with 12 shows, six of them new. The podcasts are headlined by a mix of established pubmedia talent and outside personalities. “We really wanted to be able to have a way to work with people who already have a great fan base, to develop their voices in a new way,” Nelson said. “So we went out and found some people we really think are talented and great and wanted to do something different.”
Three of the network’s shows are existing APM programs Wits, The Dinner Party Download and The Splendid Table, and another is MPR Classical’s Top Score, a program devoted to video game scores.
Partnerships with NASA and a research initiative in Northern California will take iSeeChange beyond its roots in Colorado.
After 16 months of negotiations, unionized employees at KPCC in Pasadena, Calif., have negotiated their first contract with management.
Plus: PBS Kids’ Chromecast strategy.
A dispute over unionization at Baltimore’s WYPR will be resolved by the National Labor Relations Board. WYPR staff voted July 30 on whether to seek representation from broadcast union SAG-AFTRA. Nine voted in favor and 11 against, with seven votes contested by one of the parties, according to an NLRB official who requested anonymity when commenting on an ongoing proceeding. The NLRB will review the contested votes to determine their eligibility, with the vote recounted only if at least three of the contested votes are determined eligible. SAG-AFTRA can only enter the workplace with a majority vote.
A former New York Times reporter teams up with WNYC, KQED and KPCC to cut through the mystique surrounding the cost of health care.
Plus: Mike Starling starts an LPFM station, and NPR’s creative director talks about her work process.
The company says it no longer intends to sue podcasters who make only “modest amounts of money” from the technology.
Plus: Poynter visits St. Louis Public Radio’s newsroom, and Vme tries sponsored content.
The opera house is on track to premiere its 2014-15 season as scheduled, with public radio broadcasts to follow.
Current contributor Adam Ragusea’s July commentary “Why you’re doing audio levels wrong, and why it really does matter” has become one of our most popular posts in recent months. Today Public Radio Exchange and the Association of Independents in Radio continue the conversation with a webinar on audio levels hosted by Ragusea and American Public Media technical coordinator Rob Byers, whom Ragusea interviewed for his Current piece. The hourlong session starts at 1 p.m. Eastern time; register here.
Plus: Frankenstein M.D. launches, and the difficulties of regulating Elmos in Times Square.
The Metropolitan Opera has reached a tentative agreement with two of the three bargaining units representing its workers.
A lockout at the New York opera house would force more than 300 stations to make tough choices.
Plus: The legal fight over podcasting takes an odd turn, and Kai Ryssdal takes the Ice Bucket Challenge.
The Washington Post had a blockbuster front-page investigation with a lengthy Aug. 3 story about an unreliable witness in a Texas execution case. But the story came from a new kid on the block. “The Prosecutor and the Snitch” was the first story to be published by The Marshall Project, a nonprofit news site focused on criminal justice reform. The Marshall Project, named after former Supreme Court Justice Thurgood Marshall, plans to officially launch in October.
Plus: Paula Kerger takes her interns to breakfast, and Planet Money hops on Reddit.