Programs/Content
KQED acquires ‘Snap Judgment’ and ‘Spooked’
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Both the flagship program and “Spooked” are produced by Snap Judgment Studios, based in Oakland.
Current (https://current.org/tag/snap-judgment/)
Both the flagship program and “Spooked” are produced by Snap Judgment Studios, based in Oakland.
WNYC Studios has distributed the show since 2015.
“I’ve done plenty of talking about my own troubles,” Shannon Cason said on the debut episode of “The Trouble.” “But I want to talk to other people about theirs.”
The program will become the fifth show distributed by the New York station.
The show will include animation, short stories and live storytelling.
Starting Oct. 1, WNYC will sell the show’s podcast ads.
NPR will continue to distribute the radio show to stations.
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The five winners of American Graduate’s Raise Up hip-hop and spoken-word competition performed their original poems on the stage of Washington, D.C.’s Kennedy Center during a star-studded celebration Sept. 28. The Raise Up competition aimed to include more young people in conversations about high-school dropout rates. It came about through a partnership between CPB’s American Graduate initiative and Youth Speaks, a San Francisco–based nonprofit that seeks to empower young people through writing and performing. The contest was part of the American Graduate: Lets Make It Happen initiative, which focuses on helping communities reduce dropout rates.
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Snap Judgment, one of three new shows conceived from the CPB-backed Public Radio Talent Quest, has become a whirlwind of multimedia production with the launch of its weekly radio programs in July, live stage shows, and television piloting. “We kind of just go-go-go all the time,” says Mark Ristich, co-executive producer with Glynn Washington, a Talent Quest winner who is host and creator of the series. “We’re going to try to keep the content as fresh as possible, because we’ll lose people if we don’t.”
The small production team is busy creating 26 weekly radio episodes and a series of live storytelling performances, the first of which was recorded in June at San Francisco’s Brava Theater. The performances will be adapted for radio and television programs.
Public TV’s World multicast channel, now in redevelopment at Boston’s WGBH, is considering picking up the TV pilots, which mix segments from the live shows with short films and animations. “We’re going to rock the small screen with the same intensity as we’re rocking the radio,” says Washington, who was one of three contestants who won pilot funding and a shot at public media stardom through Public Radio Exchange’s online talent contest in 2007.