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With a signal boost and rebranding of WFOS as the Time Machine Radio Network, WHRO aims to reach a new audience of listeners and future donors. “There’s nothing else like it on the air,” said CEO Bert Schmidt.
”With the amount of time and effort and love that we put into this, it should be available again,” said Sonja Williams, a producer of “Black Radio: Telling It Like It Was” who worked to bring the series back to the airwaves.
Fifty years ago, Pacifica Radio correspondent Saul Bernstein recorded a 62-minute speech delivered in London by Martin Luther King Jr., in which the civil rights leader spoke about apartheid and the then-recent sentencing of Nelson Mandela. The recording, believed to be the only full record of King’s speech, was thought to be lost to time. But a half-century later, Pacifica Archives Director Brian DeShazor uncovered Bernstein’s recording in a dusty box while working on a Saturday, researching another project, “American Women Making History & Culture, 1963-1982,” a two-year effort funded by the National Archives to preserve hundreds of recordings. Now listeners to Democracy Now!, which airs on Pacifica’s five stations around the country, will hear the speech on the show’s Martin Luther King Day edition, and donors to the financially struggling network can receive a copy as a premium. DeShazor said he found the tape due to a lucky break.
Boston classical music station WCRB has leveraged a partnership with the Boston Conservatory to compose a new branding tool: a musical logo. The station opened a contest for Conservatory students in the spring of 2014. Out of 18 entries, WCRB staff chose a 6-second sonic logo, or “sounder,” submitted by Paul Fake to be its new trademark sound. Fake, 27, lives in the Boston area and composes concert music. “What you look for in a sounder is something that won’t become annoying or repetitive,” said WCRB Station Manager Tony Rudel, who initiated the project.
To report its special series on the economic forces and societal changes of gentrification, Marketplace embedded a team of journalists in one of the hottest real estate markets in the U.S.
A behind-the-scenes look at Invisibilia, NPR’s new radio show.
We asked our reporters to reflect on a year’s worth of trends, events and change in public media. Here’s what stuck with us.
The show’s interview with a newspaper editor spurred a listener to take action.
Colorado Public Radio and the Colorado Symphony have ended their 15-year relationship after a disagreement over the value of the symphony’s performances to the station and a demand for editorial control over coverage of the ensemble. CPR stopped airing symphony performances as of Nov. 30, ending an arrangement that had been in place since 1999. Colorado Symphony CEO Jerome Kern said that in addition to providing performances to CPR free of charge, the symphony had bought underwriting on the station, to the tune of about $91,000 in the last fiscal year. In the symphony’s eyes, it was giving CPR not only valuable content but cash as well, Kern said.