Programs/Content

Women and Girls Lead goes global, extending outreach to five countries

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Women and Girls Lead, a public media–based outreach and empowerment program, has evolved into a broader international effort, seeking to drive positive societal change in Kenya, India, Bangladesh, Jordan and Peru. The public-private initiative grew out of the national documentary-based campaign created in 2011 by the Independent Television Service with funding from CPB. It is designed to build engagement around issues such as women’s leadership, violence prevention and economic empowerment. Films presented through the initiative include the five-part Women, War & Peace; The Interrupters, about a Chicago woman working to defuse gang violence in her community; and Strong!, profiling a champion woman weightlifter. More than 50 films have been distributed through the initiative so far, according to ITVS, and they have attracted an audience of more than 42 million through broadcast and online distribution.

Programs/Content

Panelists testify to inspiring global power of documentary films

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This article has been updated and reposted with additional information. Women and Girls Lead Global, a public media–based international outreach program, is helping drive positive change in five countries, participants said last week during panel discussions in Washington, D.C.

The public-private initiative grew out of the national Women and Girls Lead, a 2011 documentary-based campaign created by the Independent Television Service and backed by CPB. Partnering with ITVS in the international effort, which launched last summer, are USAID (the United States Agency for International Development), the Ford Foundation and the humanitarian organization CARE. The March 13 event, “Media as Multiplier: Using Documentary Film to Boost Global Development,” provided a forum for the international development community to discuss the value of using media as a development tool, Kimberley Sevcik, ITVS director of international engagement, told Current. Speakers at the Meridian International Center included New York Times journalist Nicholas Kristof, whose book Half the Sky inspired a four-hour PBS film; Rajiv Shah, who leads USAID; David Ray, head of policy and advocacy for CARE; Judy Tam, e.v.p. of ITVS; and ITVS country engagement coordinators from Bangladesh, Peru, India and Kenya.

Programs/Content

AFI Docs festival screens diverse pubTV films

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Public TV was less visible at this year’s American Film Institute documentary festival. Yet several of the 10 films that had received financial support from public TV grant-makers or broadcast commitments from PBS stood out among the 53 documentaries in the lineup. One even took the top prize.

Programs/Content

Scarce funding limits public media’s response to gun debate

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The mass shootings last year in Colorado, Wisconsin and Connecticut reawakened Americans to recurring tragedies of gun violence and rekindled a national debate about gun control — one that public radio and television have chronicled and analyzed through ongoing programs and the package of special broadcasts that aired on PBS last month.

Quick Takes

POV announces 26th season lineup, plans a move to Mondays

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After a season of bad press following PBS’s much-maligned 2012 decision to move its flagship independent documentary program POV from Tuesday nights to Thursdays, the show will move to Mondays for its 26th season, which premieres June 24. POV announced the lineup for its new season today. The program is also building off another recent round of good news: a $1 million grant from the MacArthur Foundation on Feb. 28. Its premiere episode will be Homegoings, a documentary about Harlem undertakers that was selected as part of the New York Museum of Modern Art’s 2013 Documentary Fortnight. The lineup, with 15 national broadcast premieres and two encore presentations, will also include the Oscar-nominated Palestinian film 5 Broken Cameras on Aug.

Programs/Content

A growing push for data-driven documentary filmmaking

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Wendy Levy, the director of arts consultancy group New Arts AXIS, called for documentary filmmakers to embrace big data tools as a permanent part of their storytelling process during the keynote address at the Media That Matters Conference, held Feb. 15 in Washington, D.C.

People

Great Expectations exceeds expectations by winning four of PBS’s 11 Creative Arts Primetime Emmys

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As a Masterpiece production competing against other miniseries, movies and specials, Great Expectations received Emmys for outstanding achievement in costume design (Annie Symons, Yvonne Duckett), art direction (David Roger, Paul Ghirardani, Jo Kornstein), main title design (Nic Benns, Rodi Kaya, Tom Browich) and cinematography (Florian Hoffmeister). In addition, the Masterpiece production Page Eight won an Emmy for original main title theme music (Paul Englishby). Other PBS winners included the Independent Lens production Have You Heard From Johannesburg, a seven-part series about the global anti-apartheid movement that received a juried award for exceptional merit in documentary filmmaking. Cited were Connie Field, producer; Lois Vossen, series senior producer; and Sally Jo Fifer, executive producer. Geoffrey Ward received the Emmy for nonfiction writing for scripting Ken Burns’s Prohibition: A Nation of Hypocrites.