Diversity in Public Media
To serve diverse audiences, you can’t walk the walk until you know where you stand
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Almost every public media organization is prioritizing diversity. Yet beyond hiring, what are the next steps for content strategy?
Current (https://current.org/category/programs-content/page/17/?wallit_nosession=1)
Almost every public media organization is prioritizing diversity. Yet beyond hiring, what are the next steps for content strategy?
“Based on projected funding, we had anticipated a longer run,” said Mark Newman, IPBS’ executive director.
“Reading Rainbow Live” premieres this month after a long hiatus of new “Rainbow” shows and legal disputes over a reboot.
The brainteaser with a public media theme is back!
Stations are using TikTok to connect with local audiences and expand their reach to younger viewers.
“We’re trying to get inside the minds of most Americans in terms of how they now view the systems that return a democratically elected government.”
The creators of the award-winning podcast about prison life discuss the show’s future and how they wrote their new book, “This Is Ear Hustle.”
The collection of audio and other materials amassed by Nikki Silva and Davia Nelson represents one of the largest acquisitions in the history of the library’s American Folklife Center.
“January 6 crystallized this — this was not just something where a politician was throwing out spin. This goes beyond anything we have experienced.”
Through a partnership with the company Epilogg, the station is offering a platform for shareable video obituaries.
Latif Nasser and Lulu Miller will continue as hosts.
Criticism that the first season was racier than Austen would have intended “speaks to a difference between the British audience and the American audience,” said the show’s head writer Thursday during the Television Critics Association press tour.
“The reporting I have been doing for the last five years involves interviewing people who are armed and oftentimes very not happy with the mainstream media, not happy with me,” ProPublica’s A.C. Thompson told TV critics.
“We get to learn from our guests as much as listeners do.”
“I think the most important aspect of all the conversations, particularly with diverse filmmakers, over this last year has been for us to listen and try to understand where there are barriers and how we can bring more work forward, how we can better support filmmakers no matter what stage of their professional career they are in,” said PBS President Paula Kerger.
The new handbook will go beyond NPR’s existing ethics guide to focus on station-specific issues, such as editorial independence from university and school district licensees.
In an excerpt from her book “Listen Wise: Teach Students to Be Better Listeners,” Monica Brady-Myerov recalls the “lightbulb moment” that led her to launch the digital education platform Listenwise.
Even with omicron surging, your newsroom can still engage new communities.
The station began offering news in French, Spanish, Somali and Portuguese to deliver public service information amid the pandemic.
The goal for “Hawai‘i Kulāiwi” is “to help the audience just see Hawaii the way that Hawaiians do,” says Paige Okamura, known to listeners as “DJ Mermaid.”