Programs/Content
Black Public Media awards $225,000 for three film and technology projects
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The grants were announced Thursday night at the PitchBLACK Awards.
Current (https://current.org/category/programs-content/page/16/?wallit_nosession=1)
The grants were announced Thursday night at the PitchBLACK Awards.
A segmentation study identified three groups that Vermont’s public media organizations can attract and engage with a different approach.
“What we have consistently experienced is three-strikes being put on the shelf every time something else comes up as if it’s someone’s pet project, but in reality, these are people’s lives,” said Earlonne Woods.
The station relied on participatory journalism to inform its project “After the Assault,” which examined how support systems fall short in helping survivors heal and find justice.
The short-form radio program has aired for more than 30 years.
A music director argues that while classical music can soothe, it’s more than just “aural wallpaper” to its fans.
The CPB-funded Next Gen Public Media Accelerator jump-starts content development for 12 stations targeting the “Missing Middle.”
Under Maribel Lopez, who became head of PBSDS in December, the unit is branching out nationwide and developing STEM content aimed at women and people of color.
“One thing that … is really important is not to frame the work we’re doing as farmers versus environmentalists,” says Executive Director Sara Shipley Hiles. “I never want to see that headline or that framing on the story. because I don’t think that’s accurate and it’s not helpful, either.”
The three-year grant program backs five stations as they build digital platforms, sponsor intergenerational music collaborations and rethink the definition of jazz.
Two public media stations and 13 independent projects received nearly $4.3 million supporting films, podcasts and archival preservation.
The two-year grant is part of a more ambitious plan to raise the profile of the NPR podcast on race and identity.
Challenge your wits with our latest public media–themed crossword.
WCAI in Woods Hole, Mass., has teamed up with a community radio station in Cornwall, England, on the project “Falmouth to Falmouth.”
While some stations are welcoming the show, other programmers are wary of furthering public radio’s relationship with for-profit producers.
“We believe that bringing production and distribution under the same roof will provide a more streamlined process for our station partners and be a seamless experience for our listeners,” said an APMG executive.
“People really felt the value of the station to a greater degree during the pandemic and wanted to make certain that the station had the funding it needed to not just survive but thrive,” said Brenda Barnes, CEO of KING FM in Seattle.
“I watched the ‘Car Talk’ guys actually die and still be on the radio … and I said to myself, ‘At some point, this is going to end, or it’s going to morph into a new form,” said host Krista Tippett.
The network said that in fiscal year 2021, 51% of its nationally programmed prime-time schedule “included diverse on-screen talent; was produced, written or directed by diverse makers; and/or explored diversity-related topics.”
“I thought it was incredible the way the story was told and how things we’re seeing today are encapsulated in this man’s story,” says Judy Greenspan, director of multiplatform initiatives for the New York–based producing station.