12/16/13: This item has been updated. Oregon Public Broadcasting is preparing to open a permanent bureau in Southwest Washington state by early 2014, and has surpassed $400,000 in funding to make it happen. The bureau will allow OPB to deepen its reporting on Washington’s Clark County, which is located just across the Columbia River from OPB headquarters in Portland, as well as cross-border issues and the Washington State legislature in Olympia. It will contain one staff member, a full-time multimedia reporter, to start. Stories produced by the bureau will be shared across public radio stations and for-profit media organizations in the Pacific Northwest, and with national outlets such as NPR and the PBS NewsHour.
Oregon Public Broadcasting has a track record of launching effective news collaborations. Its newest project to create a statewide news network is featured in a recent report from American University’s J-Lab, “News Chops: Beefing up the Journalism in Local Public Broadcasting.”
WLRN in Miami won large-market radio Murrows for feature reporting and use of sound. Chicago’s WBEZ also won for news documentary and hard-news reporting. The award for investigative reporting went to KQED and the Center for Investigative Reporting, both based in San Francisco, for “Broken Shield: Exposing Abuses at California Developmental Centers.”
As consumer use of tablet devices continues to rise, more public media stations are moving onto the platform with supplementary content and increasingly ambitious niche apps.
Underwriters of public radio programs increasingly want to link their names more closely to particular stories and reporting projects, according to station executives, a trend that is requiring journalists to be more vigilant in fighting perceptions of potential conflicts of interest.
Oregon Public Broadcasting is making major changes to its broadcast radio lineup as of Aug. 6, reports The Oregonian. “All the long-form music programs are going away from OPB radio,” John Bell, director of member communications for OPB, told the newspaper. Gone are The Thistle and Shamrock, the Celtic music show the station has carried since the 1980s; the local In House and American Routes are moving to opbmusic.org and HD radio. The variety show eTown is canceled, as are the comedy program Michael Feldman’s Whad’Ya Know?
Attempts to mediate the months-long dispute between Southern Oregon University and the Medford-based Jefferson Public Radio network were put on hold last week after Gov. John Kitzhaber requested that the parties renew negotiations after a 90-day cooling-off period. Members of the board of the JPR Foundation, a sister organization to JPR, voted June 22 to approve the hiatus and the renewed attempt at mediation. The university also agreed to back down from threats of lawsuits against individual members of the board. An adviser to the governor told the Medford Mail Tribune that the governor made that request to the chancellor of the Oregon University System. “That allows mediation to be resumed without a gun to the head of the foundation,” says Ron Kramer, JPR executive director.
NPR tapped CNN veteran Edith Chapin to run its foreign desk
News chief Margaret Low Smith announced Chapin’s appointment last week along with another change on its foreign desk: Didi Schanche, a former Associated Press correspondent and editor who joined NPR in 2001, is to become deputy senior foreign editor. When Chapin officially signs on May 14, she will oversee NPR foreign correspondents based in 17 bureaus worldwide as well as a team of editors and reporters in Washington, D.C. She succeeds longtime foreign desk editor Loren Jenkins, who departed last November. Chapin has spent her entire career at CNN, beginning in 1987. Based in London in the early 1990s, she covered events in Bosnia, Rwanda, Zaire and Ireland. For seven years she directed editorial coverage from CNN’s New York bureau, including its reporting on 9/11 and its aftermath.
When three unlikely partners — a conservative newspaper in the nation’s capital, a blue-state Republican organization and a public broadcasting station in a quirky, liberal city — set out last fall to change the tenor of GOP primary debates.
Oregon Public Broadcasting will produce and provide to NPR and PBS stations exclusive coverage of a Republican presidential debate from its Portland studios March 19, 2012. The 90-minute debate “will come at a critical time in the campaign” before anyone sews up the GOP nomination, OPB President Steve Bass predicted in a memo to stations. “Super Tuesday is on March 6, but delegate counts indicate that it will not be possible for the nomination to be won by any candidate by then. Political observers believe that the nomination contest could very likely go into the late spring.”
The Republican National Committee has officially sanctioned the debate, which “virtually assures the participation of the front-running candidates,” Bass said. OPB is partnering with the Oregon GOP and The Washington Times to present the debate.
Zeleznik tapped for Leo C. Lee Award
Maryanne Zeleznik, news director of Cincinnati’s WVXU, received the annual Leo C. Lee Award from the Public Radio News Directors Inc. during its annual conference in Louisville last week. PRNDI also bestowed 93 awards for public radio work produced in 2009. Among Division A stations, with five or more full-time news staffers, WAMU received three awards, Chicago’s WBEZ, Oregon Public Broadcasting and Pasadena’s KPCC won two each. In Division B, with three or four full-timers, Nashville Public Radio, Connecticut’s WSHU and Cincinnati’s WVXU took home two apiece. Among smaller stations, KCLU (Thousand Oaks, Cal.) and KLCC (Eugene, Ore.) won four awards each.
Producers for public broadcasting — and developers for its websites — received 14 Peabody Awards, announced March 31, 2010
Regarding websites, the judges honored two in public media:
Sesame Street’s (“prodigious adaptability . . . delightfully educational, interactive,” the Peabody announcement said) website
NPR’s (“one of the great one-stop websites. And there’s music you can dance to”) website
Peabodys went to six PBS programs — double the number won by any other organization:
“Jerome Robbins: Something to Dance About,” about the great New York choreographer, from WNET/American Masters, produced and directed by Judy Kinberg, with Susan Lacy, e.p. — website
“The Madoff Affair” from RAINmedia and WGBH/Frontline, written and produced by Marcela Gaviria and Martin Smith, edited by Jordan Montminy, with Chris Durrance, co-producer — website, watch online
two films on Independent Lens—
“The Order of Myths,” about the black and white Mardi Gras traditions of Mobile, Ala., by Margaret Brown, with Folly River Inc., Netpoint Productions, Lucky Hat Entertainment and ITVS (“highly original, moving and insightful”) — website
“Between the Folds” from Green Fuse Films and ITVS about the art of paper-folding (“makes you gasp at the possibilities — of paper and of human creativity”) — website
“Endgame,” a dramatization of secret talks that helped end apartheid in South Africa, from Daybreak/Channel 4/Target Entertainment, presented on WGBH’s Masterpiece Contemporary — website
“Inventing LA: The Chandlers and Their Times,” from KCET, Los Angeles (“drama enough for several feature films”), written, directed and produced by Peter Jones, with Brian Tessier, supervising producer, and exec in charge, Bohdan Zachary — website
KCET also scored with with its regional broadcast SoCal Connected—specifically two reports on the medical-marijuana conflict (“lively, eye-opening coverage”)—“Up in Smoke” by correspondent Judy Muller, producer Karen Foshay and editor Alberto Arce, and “Cannabis Cowboys” by reporter John Larson, producer Rick Wilkinson, editor Michael Bloecher, and associate producer Alexandria Gales.
Katy June-Friesen talks with talks with Oregon Public Broadcasting producer Ed Jahn about the documentary Silent Invasion, which won a duPont-Columbia University Award last month.
