A mobile tipping point came earlier this year. For the first time, mobile devices accounted for 55 percent of Internet usage, according to January data from comScore, while laptops and desktops accounted for 45 percent of usage. The proportion of Americans who read email on their mobile devices has also crossed the halfway point, with a 2013 Pew Research Center survey finding that 52 percent of cellphone owners used their devices to send or receive email. For development professionals planning email appeals for year-end fundraising campaigns, these technology shifts will support or undercut the effectiveness of your efforts. Most donors who open your messages will read them on smartphones and tablets.
In the first and potentially only government-backed grant program supporting arts coverage by California’s public media stations, KQED, PBS SoCaL and Radio Bilingüe each received one-time funding from the California Arts Council. The Council created its Arts on the Air program as one of several initiatives funded by a special $2 million allocation from the California state legislature. The state aid was split between two arts education initiatives and three grant programs; the council created Arts on the Air specifically to support public, nonprofit media outlets and directed $200,000 to be distributed through a competitive grants process. “It’s a modest program, but the council really wanted to find organizations that would really impact public feeling about the arts, that would build public will and understanding about the value of the arts in our communities,” said Caitlin Fitzwater, spokesperson for the Arts Council. In San Francisco, KQED’s $75,000 grant will help fund an expansion of Spark, a weekly television show and educational outreach program that profiles local artists and art organizations.
NPR is preparing member stations to provide local news for the network’s new mobile app, slated for release by summer. NPR content chief Kinsey Wilson discussed and previewed the app Feb. 24 for station execs attending the Public Media Summit in Washington, D.C. It builds on the Infinite Player, an NPR platform released for bigger-screened devices in 2011, moving it to a mobile interface and adding local station content to NPR’s own programming. Summit attendees heard an NPR newscast item about the Winter Olympics segue into a segment from San Francisco’s KQED about a labor dispute. The audio included a plea for donations to KQED.
Raul Ramirez, executive director of news and public affairs at San Francisco’s KQED, died Nov. 15 in Berkeley. He was 67 and had been fighting esophageal cancer since his July diagnosis. Born in Cuba, Ramirez began his career in the 1960s as a print journalist, working at major dailies such as the Miami Herald, the Washington Post and the San Francisco Examiner. He joined KQED in 1991, signing on as news director.
The San Francisco–based startup accelerator, funded by KQED and the Knight Foundation and owned in part by Public Radio Exchange, has announced a new round of seven early-stage companies joining Matter.
A group of some 80 pubcasters will gather Friday night in San Francisco to celebrate the return of KQED Newsroom, that title of a groundbreaking early public TV series that has been revamped as a multiplatform production. Many attendees worked on past versions of the program, which debuted during a 1968 newspaper strike. KQED Newsroom was the first nightly news series to be produced and broadcast by a public television station. It preceded The Robert MacNeil Report, a national news show that debuted in 1975 and was later renamed The MacNeil/Lehrer Report. KQED Newsroom aired for nine years, backed by a $750,000 Ford Foundation grant. The new TV series premieres Oct.
Several public broadcasting journalists now count a bike helmet among their essential reporting equipment as they pedal to cover news events and interview sources.
WLRN in Miami won large-market radio Murrows for feature reporting and use of sound. Chicago’s WBEZ also won for news documentary and hard-news reporting. The award for investigative reporting went to KQED and the Center for Investigative Reporting, both based in San Francisco, for “Broken Shield: Exposing Abuses at California Developmental Centers.”
As consumer use of tablet devices continues to rise, more public media stations are moving onto the platform with supplementary content and increasingly ambitious niche apps.
Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”
NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”
In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.
NPR stations won 82 large-market regional Murrow Awards, while small-market pubcasters captured 91. Among all stations, WLRN in Miami topped public radio’s regional winners by taking 11 awards in 13 Murrow categories: overall excellence, breaking news, continuing coverage, feature reporting, investigative reporting, news documentary, new series, hard-news reporting, use of sound, writing and website. “We feel thrilled and humbled by the honor,” said Dan Grech, news director. “I couldn’t be prouder of the team.”
Four additional large-market pubcasters each won six Murrows: KQED in San Francisco, WBEZ in Chicago, KUT in Austin and WBUR in Boston. And four large-market stations each won four Murrows: KUOW in Seattle; St.
ImageMakers, the indie film showcase curated by San Francisco’s KQED TV, will debut the Oscar-winning film Curfew, May 12. Every year, KQED Program Director Scott Dwyer makes the film festival rounds and screens over 2,000 productions to curate a new season of ImageMakers, a series featuring short independent films from around the world. He rushed to buy broadcast rights to Shawn Christensen’s Curfew in January 2012, as soon as he watched it and well before the drama started gaining recognition. “In order to compete with places like Starz, Sundance Channel and HBO, I have to buy them really fast, before they start to win awards,” said Dwyer, whose film festival circuit includes the Aspen Shortsfest and the Palm Springs International Film Festival. Dwyer, series creator and producer, conceived of ImageMakers in the late 1990s, when he realized that Masterpiece Theater was the only regular drama on PBS.
SoundCloud, the Berlin-based web company that serves as a hub for listening to and sharing audio, added a new tier of service this month for producers and media companies seeking more exposure to its users.
Maryland Public Television can thank the Baltimore Ravens this week for helping the station win a supply of sourdough breads and chocolate. The station laid some local cuisine on the line with San Francisco’s KQED as part of a friendly wager leading up to the Feb. 3 Super Bowl match between the Ravens and the San Francisco 49ers. If Baltimore won, KQED promised to ship the bread and chocolate to MPT. If San Francisco won, MPT would send crab cakes and Bergers cookies, a Balmer fave, across the country.
The start-up accelerator unveiled a year ago as an experiment in bringing Silicon Valley’s culture of innovation to public media has rebranded itself in a move to attract a wider range of ideas and investors.
The series covered the 30th anniversary of the year the Centers for Disease Control reported that five previously healthy young men in Los Angeles had come down with a rare lung disease, later identified as HIV. For The California Report series, Scott Shafer interviewed medical researchers and activists involved in the early days of the epidemic. Established in 1993 to recognize excellence in journalism about issues related to the LGBT community, the NLGJA’s Excellence in Journalism Awards were presented at the UNITY 2012 Convention and NLGJA Awards Reception Aug. 3 in Las Vegas. The UNITY: Journalists, Inc. coalition consists of the NLGJA, the Asian American Journalists Association, the National Association of Hispanic Journalists and the Native American Journalists Association.
