Programs/Content
WBGO adds jazz gems to public broadcasting archive
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In the process of preserving the station’s musical legacy, retired jazz producer Becca Pulliam is rediscovering her own body of work.
Current (https://current.org/tag/jazz/)
In the process of preserving the station’s musical legacy, retired jazz producer Becca Pulliam is rediscovering her own body of work.
The three-year grant program backs five stations as they build digital platforms, sponsor intergenerational music collaborations and rethink the definition of jazz.
The grant will create a “unique opportunity to learn from each other and to help and support each other,” said WBGO CEO Steve Williams.
Respond to concert cancellations by opening your studios and airwaves for live performances by local musicians.
Rusty Hassan has seen shows and stations come and go during his long career on Washington, D.C., airwaves, and he’s still at it.
Audio from the festival will air in China and Europe.
WMOT partners with Music City Roots for the new format.
The station needs to raise $150,000 by the end of the year to broadcast on a new FM signal.
KUOW will unveil a preview of Planet Jazz next week.
Pittsburgh Public Media bought the 101.1 FM signal from State University of New York.
Jazz, blues and news station KPLU has increased its focus on local jazz and has seen a 20 percent bump in revenue year-to-year.
Parlocha hosted Jazz With Bob Parlocha, syndicated by the WFMT Radio Network in Chicago.
It don’t mean a thing if it ain’t got that swing — and a handy role in a Cold War propaganda campaign. In the late ’50s, U.S. government officials eager to make a case for America’s superiority to Communist regimes found a new vehicle to deliver the message to a global audience. They staged a series of global tours of top jazz musicians to showcase the popular and inclusive art form, promoting the democratic values enshrined in the music while also offsetting the backlash brewing among African Americans fed up with discrimination. Those tours wound down in the ’70s, but a new film next year will revisit their legacy. Presented by New York’s WNET, the 90-minute Jazz Ambassadors will showcase the overseas adventures of jazz legends such as Dizzy Gillespie, Louis Armstrong, Dave Brubeck and Duke Ellington.
Atlanta’s WCLK-FM, a jazz station licensed to Clark University, aims to double its audience share with a new approach to programming music that went into effect Aug. 26.
The FCC has approved the sale of a West Virginia college station to Pittsburgh Public Media, a jazz webcaster run by former employees of the city’s defunct WDUQ-FM. PPM will pay $135,000 for the 1,100-watt WVBC-FM, currently operated by Bethany College in Bethany, W.Va. It plans to switch the station at 88.1 MHz to a jazz format starting in April, says Chuck Leavens, PPM president. The station now airs music and college sports. PPM was established in 2010 in a bid to buy WDUQ, which broadcast both NPR News and jazz to southwestern Pennsylvania.
Public radio listeners are hearing more local news in Buffalo, where two stations that competed against each other are now operating as one.
Judy Jankowski, who held top management positions at several public broadcasting stations, died Dec. 17 [2011] at Kindred Hospital in Westminster, Calif. She was 61. She started her long pubcasting career as a traffic manager at WOUB in Athens, Ohio, worked as g.m. of Pittsburgh’s WDUQ from the mid-1980s until 1994, and then managed another leading jazz station — KLON, now KKJZ in Long Beach, Calif. — until retiring in 2005.
Possibilities include a jazz show for NPR and PBS stations, and an HD channel dedicated to the musical library.
Public radio stations shopping for a plug-and-play jazz stream now have double the options to consider, with two newcomers to the field offering mainstream jazz services. Last month KPLU in Seattle/Tacoma announced that it will soon offer its Jazz24 stream, which it now broadcasts online and locally on an HD channel, to stations around the country. KPLU says the channel now draws a monthly web audience of 100,000 listeners, 90 percent outside the Seattle area. Meanwhile, some former hosts and creators of JazzWorks, a service that changed hands in May along with Pittsburgh’s WDUQ-FM, are now offering a jazz service under the name of Pubradio Network, competing with their old channel. Add those to the incumbents — JazzWorks, now operated by WDUQ’s buyer, Essential Public Media, and the Jazz Satellite Network from Chicago’s WFMT.
The Recording Academy presented a 2004 Trustees Award to jazz pianist and public radio host Marian McPartland. The award recognizes “music people who have made the greatest impact on our culture,” said Neil Portnow, president of the Academy. “Their outstanding accomplishments and passion for their craft have created a timeless legacy that has positively affected multiple generations and will continue to influence generations to come.” Through her public radio series Piano Jazz, McPartland has introduced generations of listeners to the genre. The series, which received a George Foster Peabody Award for excellence in broadcasting, celebrates its 25th anniversary this spring.