Programs/Content
WUNC to end its music stream and HD2 service
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Radio listening trends and economics are too challenging to justify acquiring a terrestrial signal for the Triple A music service, says GM Paul Hunton.
Current (https://current.org/tag/hd-radio/)
Radio listening trends and economics are too challenging to justify acquiring a terrestrial signal for the Triple A music service, says GM Paul Hunton.
The station in Syracuse, N.Y., has started a stream of programs “about local people, local perspectives and positive stories about the community.”
At the NAB Show, broadcast tech companies rolled out FM boosters that enable “zonecasting” and previewed the next-generation capabilities they’re developing for HD Radio.
Seattle’s KUOW often hears from listeners who say that their car radio is always set to 94.9. But now some drivers don’t have a choice.
We discuss these technologies with Steve Bass, CEO of Oregon Public Broadcasting.
HD Radio may not have met high expectations in the industry, but some station leaders still see value in its capacity to expand services.
Cincinnati Public Radio hopes to attract WNKU listeners after the station is sold.
“We’ve been dreaming about this for years, and it’s thrilling to see it finally launch.”
The deal is expected to close later this year.
Plus: grants, HD Radio and public radio in classrooms.
The University of South Florida’s student-run radio station has forged a three-year partnership with Tampa’s WUSF Public Media to broadcast its programming as a digital multicast FM channel. The partnership, initiated this spring by student leaders of Bulls Radio, also provides mentorship and internship opportunities for USF students with the public radio station. WUSF is a full-service pubcaster also licensed to the university. It operates two public radio stations — NPR news and talk WUSF 89.7 FM and all classical WSMR 89.1 FM — as well a public TV station with four digital multicast channels. Last month, Bulls Radio began airing on WUSF’s HD 3 channel.
Nearly a decade after HD Radio went live on its first station, iBiquity Digital Corp., the company that developed and sold the technology to terrestrial broadcasters and electronics manufacturers, has yet to convince consumers that they must have HD Radio in their cars and homes.
Philadelphia’s WXPN began independent syndication of XPoNential Radio, its 24-hour stream of Triple A music programming, after NPR discontinued its service providing packaged HD Radio feeds to member stations. XPoNential Radio offers a blend of “blues, rock, world, folk and alternative country,” according to a news release announcing the new syndication offer. WXPN General Manager Roger LaMay said about 20 stations already subscribed to the stream. “With XPoNential Radio being the most popular of the HD streams NPR offered, we decided to offer it on our own,” LaMay said. “It’s a 24-hour, plug and play stream that can be used on an HD2, HD3 or for streaming on the Internet.”
The stream, which is priced at $3,000 a year, is an inexpensive way to bring the music to NPR news stations, LaMay said. Subscribers have the option of picking up the stream via Content Depot or via satellite.
Two of NPR’s top technologists recently back from the NAB Show share the microphone to weigh the pros and cons for stations that might boost their digital signals to improve listeners’ reception of HD Radio. Dennis: Digital radio broadcasting is a reality now in most American communities, though adoption is still modest. About 2.5 million receivers have been sold, but assuming multiple receivers for early adopters and counting methodologies, household penetration might be roughly 2 percent — about as many households as in a market the size of Washington. Public radio has aggressively invested in digital radio transmission. Some stations, such as WAMU in Washington, have also made significant programming investments in new channels.
As a self-proclaimed evangelist for HD Radio, I am often asked why I have inculcated it so deeply in the workings of WAMU in Washington. We devote several full-time employees to produce more than 50 hours a week of live original programming for our multicast channels — bluegrass and Americana music on Channel 2, and news and information on Channel 3. We further demonstrate our commitment to multicasting on our main channel. For the first year after we started multicasting three HD Radio channels, we spent at least 15 seconds of every hour on our flagship signal cross-promoting Channels 2 and 3, and our hosts still give them at least four spots a day. Reminding listeners of the other offerings in our “radio community” requires a sizable investment in airtime, as well as the traffic department’s writing and logging.
An extensive study by NPR Labs points to significant trade-offs between the audience reach of digital HD Radio and the amount of interference to analog FM. Even though its transmission power is just 1 percent of analog FM’s, its range for listeners in cars comes close to equaling analog, the CPB-funded study found. But HD reaches areas including little more than one-third as many indoor listeners. To extend its range, the National Association of Broadcasters in January joined other industry groups advocating an optional power boost for HD Radio, permitting stations to emit digital signals at 10 percent of analog transmitters’ power. The FCC has not yet begun a proceeding to consider the change.