System/Policy
NPR receives $5.5M grant to expand collaborative journalism efforts
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The grant will support the creation of an Appalachia newsroom and experiments with short-form video.
Current (https://current.org/tag/grants/)
The grant will support the creation of an Appalachia newsroom and experiments with short-form video.
The grant will help the program expand to YouTube and add a daily podcast.
Daniel Alarcón, host and EP of NPR’s “Radio Ambulante” podcast, was among this year’s recipients.
Funds are enabling stations in current and potential COVID-19 hotspots to design projects that address their communities’ specific needs.
WBUR plans to hire three journalists to tackle stories such as opioid addiction, climate change and immigration.
The collaboration will involve seven stations in Kentucky, Ohio and West Virginia.
Seven public media projects got a boost July 21 with the announcement of grants from the National Endowment for the Humanities, which included almost $2 million for pubcasters. The largest grants, each for $600,000, will support documentaries from WGBH in Boston and Firelight Media in New York. WGBH will use the grant for a two-hour American Experience episode, “Into the Amazon: The Roosevelt-Rondon Scientific Expedition.” The documentary, produced by American Experience Executive Producer Mark Samels, covers a 1913 expedition to an unmapped territory of the Amazon led by Theodore Roosevelt and Brazilian colonel Candido Rondon. Firelight Media, whose documentaries frequently air on PBS, will use the grant to fund Tell Them We Are Rising: The Story of Historically Black Colleges and Universities. Firelight founder and filmmaker Stanley Nelson is leading the project to produce the two-hour documentary.
The federal government awarded funds to transmedia projects as well as traditional broadcast programs.
A collaborative news hub in New Mexico, sea level monitoring project in south Florida and music visualization project in Texas are among the 12 winners of this year’s Online News Association Challenge Fund for Innovation in Journalism Education.
Foundation support for media-related activities increased 21 percent between 2009 and 2011, according to a study that examined how private philanthropies responded to the increased fragmentation of the media landscape. Grants for traditional public media organizations grew at a slightly slower rate than other categories of media grantmaking, from $100 million in 2009 to $118 million in 2011, an increase of 18 percent. Yet major stations such as New York’s WNET and Minnesota Public Radio are among the top recipients of philanthropic aid. “Growth in Foundation Support for Media in the United States,” released Nov. 12 by the Foundation Center, is a comprehensive look at the scope and size of foundations’ investments in media.
The National Endowment for the Arts will be holding a webinar Jan. 29, 1-2 p.m. EST, to provide guidance for applying to their Media Arts grant opportunities. Applicants have a shot at earning up to $100,000 in individual grants. The webinar registration link can be found on the NEA’s website.
A review of public stations’ financial data over the past 15 years shows that, despite their widely divergent revenue trajectories, public radio and television have both made great progress in implementing structural and cultural changes needed to pursue new revenues.
Halfway through its three-year transition from one of PBS’ leading outlets to an independent public TV station in the world capital of film and television production, the new KCET is still very much a work in progress.
A fast-track request for CPB aid to a digital innovation project morphed into a pointed exchange over the corporation’s overall funding objectives during a June 4 board meeting in Washington, D.C.
Soon, listeners will hear celebrities read James Joyce’s entire masterpiece Ulysses via satellite and Internet radio; a New York City theater will use video-game technology to invent a new medium for the performing arts; and a San Francisco-based organization will craft computer data into interactive visual artworks. The projects are made possible through the newly expanded Arts in Media category from the National Endowment for the Arts, which this year branched out from primarily supporting public TV and radio programs. Last week the NEA announced 78 grants totaling $3.55 million, with an increased emphasis on technological innovation and multiplatform reach (Current, April 23). Several of the largest grants, $100,000 each, went to high-profile first-time recipients with strong digital components. Open-source pioneer Mozilla Foundation of Mountain View, Calif. — parent of the Firefox browser — won for Open(Art), which will commission collaborations between artists and technologists to create and exhibit artwork on the Web.
This year, St. Patrick’s Day was the deadline for pubcasters to ask Uncle Sam for help replacing their ancient, failing transmitters, or for a broadcast starter-set to put a new station on the air. It was also one of those days when Congress lurched toward its budget compromise — and took back the offer. Gone is the 49-year-old Public Telecommunications Facilities Program, a $20-million line item in the Department of Commerce, which had been saved year after year by supporters in Congress. This time they were too busy saving PTFP’s younger and bigger sibling, CPB.
CPB and PBS are completing an agreement that may lead to the agency’s first annual grants for the PBS National Program Service based on measures of diversity and innovation in programming and related projects. Sources tell Current that this funding method would be one of the strongest attempts to encourage diversity and innovation in pubcasting so far, influencing the allocation of $14 million or more over the two-year contract. [Update: The final amount, CPB announced May 13, will be $20 million over two years. PBS request for proposals.]
CPB President Pat Harrison announced to the Board at its January meeting that the two had “reached a signed agreement,” but since then CPB has declined to provide specifics. “Yes, CPB and PBS have a signed agreement that commits funding to projects that emphasize diversity and innovation,” CPB spokesperson Louise Filkins told Current in an e-mail.
The leadership of WNET said a federal investigation into the station’s use of federal grants totaling almost $13 million is wrapping up, and the organization is financially sound. “There was sloppiness as opposed to real wrongdoing in terms of our accounting systems, which has been addressed,” said James Tisch, chairman of the WNET Board, in an interview.
Woodward A. (Woody) Wickham, 66, a strong supporter of independent documentary films and public media producers, died of cancer Jan. 18 [2009] at his home in Chicago. In more than a dozen years at the John D. and Catherine T. MacArthur Foundation, 1990 to 2003, Wickham helped support such projects as Kartemquin Films’ documentary Hoop Dreams, the Creative Commons alternative to copyrights, and Dave Isay’s StoryCorps, for which Wickham was the founding board chair. With MacArthur’s money, Wickham was a consistent supporter of P.O.V. and Frontline, local media arts centers and Kartemquin, says Alyce Myatt, who worked with him at the foundation. Wickham also supported the foundation’s work in human rights, aiding the International Criminal Court, and media reform groups such as the Media Access Project.
With this law, signed by President Kennedy on May 1, 1962, Congress gave the first major federal aid to public broadcasting. The grants for new and replacement facilities and equipment were overseen by the Office of Education in the Department of Health, Education and Welfare. The successor Public Telecommunications Facilities Program (PTFP) was operated by the National Telecommunications and Information Administration (NTIA) in the Department of Commerce until 2011, when budget cutbacks ended PTFP appropriations (Current, April 18, 2001). The act became Part IV of the Public Broadcasting Act:
PART IV — GRANTS FOR EDUCATIONAL TELEVISION BROADCASTING FACILITIES
Declaration of Purpose
SEC. 390.