Programs/Content
Colorado Public Radio podcast explores Latino heritage by celebrating stories of everyday life
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“¿Quién Are We?” is about “how our identities sort of shape who we are and what we do,” says Luis Antonio Perez, lead producer.
Current (https://current.org/tag/colorado-public-radio/)
“¿Quién Are We?” is about “how our identities sort of shape who we are and what we do,” says Luis Antonio Perez, lead producer.
Vic Vela, a journalist and recovering drug addict, hosts Colorado Public Radio’s “Back From Broken.”
CPR will take over operation of the Colorado Springs station.
Colorado Public Radio’s research had found that “OpenAir,” the station’s former brand, wasn’t resonating with listeners.
The two-year project will develop, test and share best practices for cultivating high-wealth donors.
The public radio network will add a team of four journalists to produce long-form, data-driven reporting on climate change.
“Denverite provides extensive coverage of what’s happening in the city, giving CPR News even more opportunity to focus on stories with statewide interest,” said CPR Executive Editor Kevin Dale.
With a multiyear gift from an anonymous donor, the Denver network is hiring an editor for its new investigations team.
Vanderwilt has worked as GM of KUT in Austin, Texas, for 18 years.
With the purchase of an AM station and FM translator, the Denver-based pubcaster nears its goal of providing a statewide news service.
Colorado Public Radio and the Colorado Symphony find some common ground and resume broadcasting partnership.
The pubcaster is issuing a $5.75 million bond to buy the commercial FM signal and try to grow its Open Air audience.
Colorado Public Radio and the Colorado Symphony have ended their 15-year relationship after a disagreement over the value of the symphony’s performances to the station and a demand for editorial control over coverage of the ensemble. CPR stopped airing symphony performances as of Nov. 30, ending an arrangement that had been in place since 1999. Colorado Symphony CEO Jerome Kern said that in addition to providing performances to CPR free of charge, the symphony had bought underwriting on the station, to the tune of about $91,000 in the last fiscal year. In the symphony’s eyes, it was giving CPR not only valuable content but cash as well, Kern said.
Plus: Kinsey Wilson’s move to the Times, plans at Voice of San Diego, and where to hear “Alice’s Restaurant.”
Ange-Aimée Woods, a Canadian journalist who played a key role in the recent expansion of Colorado Public Radio arts coverage, died July 2 in Montreal of apparent heart failure. She was 41. Woods joined CPR in October 2013 as the Denver station’s first full-time arts reporter. She’d spent the previous decade with CBC’s Radio One, working a variety of jobs including as a senior producer on the live drivetime program Homerun and a social media producer. During her seven months at CPR, she worked on launch of its weekly arts program Colorado Art Report.
Colorado Public Radio launches its as-of-yet unnamed weekly arts show today, premiering with an unlikely pairing of mediums — radio and dance. The inaugural episode leads with the first in a special series, Radio Dances, which explores how the medium of dance translates to radio. Producers in CPR’s multimedia arts bureau worked with dance companies, students and members of the public to create 30- to 60-second dance pieces that were choreographed with a radio audience in mind. The segment will be accompanied by an interview with This American Life’s Ira Glass, whose own treatment of live storytelling and dance served as the inspiration for Radio Dances. “Our weekly arts show is intended to shine a light on our state’s cultural diversity and richness, while also raising the level of critical discourse around Colorado culture,” said CPR Arts Editor Chloe Veltman, in a prepared statement.
Alabama Public Television, WHYY, Transom.org and New York Public Radio are among the grantees.
Following legal pressure from another public media outlet, Twin Cities Public Television is rebranding its younger-viewer outreach initiative five months after its initial launch. Andi McDaniel, manager of TPT’s Open Air project, announced Oct. 15 on the project blog that the network would be changing the name, citing “the fact that there are other public media brethren entities using the name” as one of the reasons behind the change. In July, Colorado Public Radio filed a trademark infringement and violation suit against TPT in federal court over use of “Open Air,” which is also the name of a Denver-area Triple-A music station that CPR has operated since 2011. McDaniel also wrote that the Open Air name became less useful for the brand “as our work progressed and we gained focus,” and that TPT began brainstorming a new name in August.
Colorado Public Radio filed a trademark infringement and violation suit in federal court in Colorado earlier this month against Minnesota’s Twin Cities Public Television over the name Open Air.
Presented by NPR’s Scott Simon in Cleveland June 22, Public Radio News Directors Inc. honored the best local public radio news in 16 categories based on the size of stations’ newsroom staff. In addition, PRNDI recognized stations for standout news reporting edited by a national producer; these awards were presented in several categories without consideration of newsroom size. Top winners among this year’s contenders were Colorado Public Radio, Chicago’s WBEZ, WUOT of Knoxville, Tenn., and WBGO in Newark, N.J., which each received four first-place awards in their divisions. Miami’s WLRN and WBFO in Buffalo, N.Y., both topped three categories. CPR, WBEZ, and WLRN competed amongst stations with the largest newsrooms: Division A, for newsrooms staffed by five or more full-time journalists.