Programs/Content
‘On Our Watch’ investigates misconduct in California’s New Folsom prison
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The podcast’s second season focuses on whistleblowers who “went against the code of silence,” says Julie Small, criminal justice reporter at KQED.
Current (https://current.org/category/programs-content/page/5/)
The podcast’s second season focuses on whistleblowers who “went against the code of silence,” says Julie Small, criminal justice reporter at KQED.
Stations and nonprofit news outlets have turned to LinkedIn, WhatsApp and text messaging to see how newsletter audiences respond.
“The appeal of the content must be clearly different than what we currently offer. The people needed to do this work are probably not even in our industry today.”
The multimedia platform initiative Firsthand responds to a “critical moment” in efforts to address housing insecurity in Chicago.
Collin Campbell discusses his return to public media as NPR’s SVP of podcasting strategy and why limited-run podcasts still have a place in the network’s portfolio.
An upcoming “Frontline” documentary looks at the reaction to the Israel-Hamas war on college campuses.
Effective feedback isn’t about “fixing flaws,” it’s about encouraging growth.
The program is “at a crossroads with its current level of production and service to stations and listeners,” a representative said.
PMVG plans to work with up to five stations to build regional partnerships for sharing news coverage.
A grant from the Barr Foundation provides “seed funding” for GBH News to build the “capacity and intention to support this work in perpetuity,” says Executive Editor Lee Hill.
Our latest crossword puzzle takes a cue from the history of public broadcasting for its theme.
From Zach Woods and Mike Judge, the stop-action animated show is chock full of Terry Gross cracks and Ken Burns cameos.
“We all recognize that working together makes us stronger, and it helps us serve our audiences across the state much better.”
“We are going to create a whole new audience and a new way of receiving information in the Black community,” says Tracy Parsons, a community advisory board member involved in developing the new service.
“We need to stop thinking about audiences in terms of technology and start thinking about audiences of the brand, no matter how they access us.”
When done well, newsletters reach new members, uncover audience data and create an alternative distribution channel for journalism.
“Our jobs will become less focused on analyzing data to reveal the stories reporters think are important and more about structuring datasets so that anyone can use the latest AI tools to find answers to their own questions.”
The Mass Humanities Audio Storytelling Project offers participants four months of training, access to equipment, and a stipend to produce a documentary pilot.
The series from Chilean screenwriter Rodrigo Cuevas is the first Spanish-language drama from Latin America to be offered by American Public Television.
The “6 S Audience Engagement Framework” articulates “the crucial elements needed to take hosts and content from ordinary to remarkable.”