Kickstarter crowd backs Seabrook’s Decode DC

Former NPR correspondent Andrea Seabrook, who covered Congress until departing in July to launch an independent podcast called Decode DC, crossed the finish line on her Kickstarter fundraising campaign Oct. 17, hitting her goal of $75,000 and ultimately topping out at over $100,000. Seabrook launched the campaign Sept. 25 and met her fundraising target with two days to spare. Seabrook conceded during an Oct.

Audio amateurs turn heads at ShortDocs competition

Luke Eldridge, a financial services worker from London, and John Musto, an electrician from Chicago, were two of the four ShortDocs winners honored Oct. 6 during the biennial Third Coast Conference. Their entries had each been produced in less than three weeks and beat those submitted by far more experienced public radio producers.

Ken Burns, defending PBS in USA Today, pits Reagan’s words against Romney’s

PBS documentary filmmaker Ken Burns, whose extensive credits include The Civil War, Baseball and the upcoming The Dust Bowl, authored an editorial in Tuesday’s USA Today in which he said that Republican presidential candidate Mitt Romney “knows the price of things, but he clearly doesn’t know their value.” Romney has attracted the ire of the pubcasting community for frequently stating throughout his campaign that he would cut funding to CPB, and he reiterated his intent to do so during last week’s presidential debate. Burns recalled filming The Civil War in the late 1980s, during which time he visited then-President Ronald Reagan in the White House. At the time, according to Burns, Reagan expressed his support and admiration for both the National Endowment for the Humanities and CPB, two government-funded entities that backed the film. “Reagan put both hands on my shoulder and said, ‘That’s it!

New class of MacArthur fellows includes two POV filmmakers

Two acclaimed filmmakers whose work has been featured on the documentary showcase  POV on PBS were among the 2012 “Genius Grant” recipients, announced Monday by the  John D. and Catherine T. MacArthur Foundation. Natalia Almada and Laura Poitras, along with the 21 other grantees, will each receive $500,000 paid over five years. Almada, based in Brooklyn and Mexico City, produces works that spotlight the conflict and turmoil of individual lives in Mexico, as well as the complex realities of immigration. Three of her films have been featured on POV, including 2005’s Al Otro Lado and 2009’s El General. Her most recent work, El Velador (The Night Watchman), aired on Sept.

Radio Netherlands cancels The State We’re In

The State We’re In, an English-language public radio series produced by Radio Netherlands Worldwide in partnership with WAMU in Washington, D.C., will shut down production next month, according to its producers. The show, which relates first-person accounts of life-changing experiences, has an audience reach of 12 million people, but it fell victim to domestic austerity measures imposed by the Dutch government in 2011. When Radio Netherlands’ government funding was cut by 70 percent, The State We’re In was reported to be one of the few programs to survive the transition. “We were assured at that time by Radio Netherlands’ outgoing management that the show was still going to be an integral part of Radio Netherlands, but those assurances didn’t hold,” Greg Kelly, the program’s editor, wrote in an announcement posted Sept. 28 on the show’s website.

Outside consultant says WDET fundraising spots weren’t unethical

Pitch spots requesting donations for an audio preservation project at Detroit’s WDET did not violate fundraising ethics, according to an accredited fundraising consultant who reviewed the campaign at the station’s request. The spots, which simulated tape decay of recorded music in the station’s library to solicit donations for the preservation project, prompted an internal complaint that WDET had misled listeners about the state of its collection (Current, Sept. 10). WDET General Manager J. Mikel Ellcessor, who approved the spots, apologized to staff and to listeners who donated to the campaign, and pledged to have an independent consultant evaluate the matter. Rick Kress, a credentialed advanced certified fundraising executive retained by WDET, reviewed an audio sample from the spots and other materials generated by the fundraiser — including the letters of apology.

WNYC, EarthFix lead pubmedia’s award winners at ONA 2012

SAN FRANCISCO — Public media continues to earn accolades for its online innovations, as multiple outlets racked up trophies at the Online News Association’s awards ceremony Sept. 22. Hosted by PBS NewsHour correspondent Hari Sreenivasan, the gala banquet sought to honor the year’s best work in online journalism across all media outlets. Award categories reflect the size of the operation: small sites, with fewer than 25 full-time employees; medium, more than 25 but fewer than 100; and large, more than 100. With two trophies each, public broadcasting’s big winners were WNYC in New York and EarthFix, the CPB-backed Local Journalism Center focusing on environment issues in the Pacific Northwest.

Pubcasting’s push into online news delivery has built-in limitations

SAN FRANCISCO, Calif. – At a forum of leading public media professionals, participants expressed mixed feelings about whether public media can, or should, replace newspapers as primary gatherers of news. At the fourth Public Media Futures forum, held Thursday at Bloomberg’s offices in San Francisco, more than two dozen public media professionals debated whether the industry’s non-broadcast capabilities are robust enough to allow it to fill the role of a daily newspaper. In some respects, public broadcasting websites have already moved into the up-to-the-minute newsgathering space. Kinsey Wilson, executive v.p. and chief content officer at NPR, said NPR.org functions much like a newspaper website, with breaking news, a story flow that shifts multiple times a day and large quantities of original content apart from radio pieces rewritten for the Web.

Key GOP lawmaker to CPB: Pubcasting needs a new pitch on Capitol Hill

House Republican Don Young, the 39-year veteran representative from Alaska’s at-large district and a longtime backer of public broadcasting, told the Corporation for Public Broadcasting board of directors Tuesday that the field would be more likely to find support in Congress if it presented itself in a more effective manner to its Hill critics. To strengthen public broadcasting’s case, Young stressed the importance of communicating directly with elected officials rather than staff members, and recommended emphasizing the extent to which public broadcasting relies on private funds and donations. “Can we help you? Yes. But you’re going to have to have a better selling program on the Hill,” Young said on the second day of the CPB board meeting, after declaring, “I am a Republican and I support public broadcasting.”

Board members asked Young why congressional Republicans continue to target CPB’s annual appropriation for elimination, and why GOP presidential candidate Mitt Romney puts pubcasting atop his list of programs to lose taxpayer funding if he is elected.  The lawmaker’s  answer was straightforward:  Public broadcasting is an easy target.

CPB report to Capitol Hill countering “continued and pervasive” opposition to federal funding

CPB’s financial analysis on alternative funding sources for public broadcasting, prepared by consultants at Booz & Co.  and delivered to Congress in June, has had little impact on lawmakers’ views about continuation of CPB’s annual federal appropriation to date, CPB staff reported during a Sept. 10 board meeting  in Washington, D.C.

In the report, analysts for Booz examined a range of options for replacing CPB’s federal aid — from selling commercial advertising to tapping spectrum auction proceeds or selling pay-channel subscriptions, among others. They concluded that withdrawal of federal aid would have a “cascading debilitating effect,” starting first with stations serving rural areas and ultimately leading to collapse of the public broadcasting system. The dire predictions haven’t made much difference in swaying lawmakers on Capitol Hill, CPB’s government affairs staff reported to the board.  “I think it’s fair to say that in the past two-and-a-half months there’s been a little change in the conversation regarding funding for public broadcasting, and the idea of commercials,” said Michael Levy, CPB executive vice president.  CPB staff have been meeting with key Republicans and Democrats on the House and Senate appropriations committees to discuss why a purely commercial model for public broadcasting is not a viable option. The Booz analysis predicted that public TV could earn more revenue from commercial advertising sales than it now does from underwriting, but the switch to ads would prompt a large portion of those who provide private support to the field —  individual donors, foundations and underwriters  — to withdraw their support, resulting in a net revenue loss.

WNYC premiering podcast-originated ‘Gabfest Radio’ this weekend

WNYC in New York will launch Gabfest Radio, a one-hour program combining edited versions of two popular podcasts led by editors of online magazine Slate, with two weekend broadcasts. The move is a fast turnaround for WNYC, which first announced the program and collaboration with Slate in a Tuesday press release. Slate’s Political Gabfest, which began in 2005, is hosted by website editor David Plotz,  chief political correspondent John Dickerson and senior editor and legal correspondent Emily Bazelon. Its Culture Gabfest, which originated in 2008, is hosted by deputy editor Julia Turner,  movie critic Dana Stevens and culture critic at large, Stephen Metcalf. Slate and the Slate Group of online properties are owned by the Washington Post Co.