Current (https://current.org/author/andrew-lapin/page/20/)
The fourth season of the Minnesota Public Radio-produced St. Paul variety show Wits, which piloted as an MPR-only broadcast, will be the first debuting in national distribution. All MPR News stations carry the show, as well as “more than a dozen” other stations, according to MPR spokesperson Tara Schlosser. The season premiere, featuring Wait, Wait . .
Michael Toms, the co-founder and co-host of the public radio program New Dimensions for four decades, died in his sleep Jan. 24 at the age of 72. The series is syndicated by 188 stations throughout the United States, Canada and New Zealand.
Personal Audio says it has a patent covering the technology used in podcasting. A representative for the company said no public broadcasters should have received contact from him, but that has not been the case.
A radio broadcaster-turned lawmaker who chairs a key House subcommittee with oversight of CPB delivered a pointed critique to public TV station execs about their prospects for preserving federal aid in the 113th Congress. During a Feb. 26 breakfast hosted by the Association of Public Television Stations at the Library of Congress, Oregon Rep. Greg Walden (R) warned a roomful of station executives that they face an uphill battle in rebuilding bipartisan support for the field. Republican views of public broadcasting are colored by negative baggage carried over from the 2010-11 political scandals over NPR, and the notion that increased competition from cable and digital channels has made public TV less relevant to television viewers, Walden said. The event, part of APTS’s annual Public Media Summit, celebrated Walden as a “Champion of Public Broadcasting,” and the lawmaker used the occasion to deliver what APTS President Patrick Butler later called “tough love.”
Walden referred to recommendations of a 2007 Government Accountability Office report on public TV’s financing to make his point.
Representatives from four sectors of the public service community made a case for more partnerships with public television during the opening session of the Association of Public Television Stations’ 2013 Public Media Summit Feb. 24 in Arlington, Va. Jane Oates, assistant secretary of employment and training administration with the U.S. Department of Labor, was the most vocal of the panel as she urged public television to collaborate more with local and state government workforce-training programs as a way of sharing key information to the nation’s legions of unemployed workers. “Think how much better we could do if you joined with us. Everybody listens to you,” Oates said, pointing to the proven workforce-training success of Vegas PBS as an example of what other stations could accomplish.
For a Localore project hosted by KVNF in Paonia, Colo., Julia Kumari Drapkin set out to invert the traditional model of science reporting.
The Nielsen Co., the stalwart television-ratings tracker, announced Feb. 20 that it plans to track viewing on additional devices beginning in September. The news was reported by the Hollywood Reporter. Among the media Nielsen will include are Xboxes and over-the-top devices that stream programming from services such as Amazon, according to the Reporter. In January, PBS signed a deal to bring some of its local and national programming to Xbox and over-the-top device Roku.
Palestinian documentary filmmaker Emad Burnat, whose Oscar-nominated film 5 Broken Cameras received funding from PBS’s POV, was detained Feb. 20 at Los Angeles International Airport after arriving in the country for Sunday’s Academy Awards ceremony. The news that Burnat had been held for one and a half hours was first tweeted by friend and fellow documentary filmmaker Michael Moore. Burnat later released a statement confirming that he and his family had been detained and threatened with deportation and that they had been forced to provide proof that he had been nominated for an Oscar. “Although this was an unpleasant experience, this is a daily occurrence for Palestinians, every single day, throughout the West Bank,” Burnat said.
More than five months after subpoenaing notes and outtakes from The Central Park Five, a crime documentary about the 1989 arrest and conviction of five innocent young men over the rape and assault of a jogger in Central Park, lawyers for New York City were rebuffed in their attempts to gain hold of the film’s unused footage for evidence in an ongoing federal lawsuit. The decision came on the evening of Feb. 19, as reported by the New York Times. Co-directed by Ken Burns, his daughter Sarah and longtime Burns producer David McMahon, based on extensive research from Sarah, the film was released in theaters in fall 2012 to critical acclaim and will air on PBS in April. The city had accused the filmmakers of biased reporting when it filed the Sept.
The third-season finale of Downton Abbey drew 8.2 million viewers for its Feb. 17 PBS broadcast, the network and WGBH announced Feb. 19. The numbers come from Nielsen and gave the episode a 5.2 household rating. The episode came in with 50 percent more viewers than the season two finale in 2012 and also drew 300,000 more fans than this year’s season premiere.
Maryland Public Television can thank the Baltimore Ravens this week for helping the station win a supply of sourdough breads and chocolate. The station laid some local cuisine on the line with San Francisco’s KQED as part of a friendly wager leading up to the Feb. 3 Super Bowl match between the Ravens and the San Francisco 49ers. If Baltimore won, KQED promised to ship the bread and chocolate to MPT. If San Francisco won, MPT would send crab cakes and Bergers cookies, a Balmer fave, across the country.
KCRW in Santa Monica, Calif., has struck the opening chords for The Organist, a monthly arts-and-culture podcast from McSweeney’s. The program is the latest collaboration between the station and the irreverent San Francisco–based publishing house, founded in 1998 by acclaimed author and screenwriter Dave Eggers. Produced by the editors of the McSweeney’s-published culture magazine The Believer, The Organist will produce 10 hourlong episodes per year covering a wide gamut of pop culture, with the help of some famous voices. The inaugural episode launched Feb. 1.
Wendy Levy, the director of arts consultancy group New Arts AXIS, called for documentary filmmakers to embrace big data tools as a permanent part of their storytelling process during the keynote address at the Media That Matters Conference, held Feb. 15 in Washington, D.C.
The author of The Catcher in the Rye and Franny and Zooey died in January 2010 after living for more than 50 years as a recluse in Cornish, N.H. Shortly after news of his death emerged, Hollywood screenwriter Shane Salerno announced he had been covertly working on Salinger, an independent documentary probing the author’s sheltered existence. Susan Lacy, American Masters executive producer, learned of Salerno’s film while attempting to procure the rights to an unrelated Salinger biography for the program. Salerno — whose screenplay credits include Alien vs. Predator: Requiem and Oliver Stone’s Savages — agreed to produce his film for American Masters after Lacy contacted him. Salerno is a fan of American Masters and says he taught himself the craft of documentary filmmaking by watching the biography series.
Latitude News, an online news outlet exploring world events and their reverberating effects in local U.S. communities and vice versa, surpassed the fundraising goal of its Kickstarter campaign to launch a new podcast. As of Feb. 14, 307 backers had pledged $46,200 towards a goal of $44,250. The newsroom currently produces an eponymous monthly 15-minute podcast distributed by Public Radio Exchange; it now will expand its output by introducing “The Local Global Mashup Show,” a weekly 30-minute podcast. Latitude News will use its Kickstarter contributions to fund the first three months of the program and hire a business development staffer to develop a paid subscription model for the podcast. Latitude News, which is headquartered in Cambridge, Mass., also plans to explore offering “The Local Global Mashup Show” for public radio broadcast, founder and editor Maria Balinska told Current.
Dubbed the “2032 Membership Drive,” the station’s newest citywide marketing blitz encourages young “interesting people” to “make babies” who will grow up listening to public radio. The ads appear on billboards and buses; a Facebook app created for the campaign has a matchmaking feature to help curious listeners connect.
The project solicits questions from listeners about Chicago to investigate on-air.
Sonic Trace seeks to record stories from southern California’s Latino immigrant communities, documenting the many and varied paths they take to get to the City of Angels.
As one of the most popular podcasts of all time, Public Radio International’s This American Life has had to deal with its fair share of imitators and parodies over the years, and many other podcasts have appropriated the “This American…” moniker to draw attention to their own audio. On Feb. 5, SF Weekly spotlighted one such effort that was reportedly getting heat from Glass and his attorneys over trademark violation: This American Whore, a podcast covering sex workers’ issues, created in November 2012 by Siouxsie Q, a San Francisco sex worker. Siouxsie Q first tweeted on Feb.
The latest public radio program to experiment with the big screen, NPR’s fun-loving news quiz show Wait, Wait . . . Don’t Tell Me! will be broadcast live across more than 600 movie theaters on May 2. The live movie-screen simulcast is becoming an increasingly popular tool for public radio.