Programs/Content
With ‘Every Voice’ podcast, Terrance McKnight explores racism in classical music
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WQXR’s new podcast opens with a series of episodes about racist ideas in Mozart’s “The Magic Flute.”
Current (https://current.org/tag/wqxr/)
WQXR’s new podcast opens with a series of episodes about racist ideas in Mozart’s “The Magic Flute.”
Reflecting on her 23 years as CEO of WYNC and NYPR, Laura Walker says success in public media comes from reaching for both ideals.
NYPR has filed three complaints with the FCC.
Efforts to build sustainer files have shifted from conversion to acquisition, according to a recent study by Target Analytics.
If you’ve ever heard some digital slurp, bloop or BOOM in a radio story and thought “How’d they make that?”, listen to this episode of The Pub to find out.
WQXR’s Brian Wise resigned Wednesday after 10 of his stories had unattributed passages from other sources.
Public Radio International will launch a multimedia program focused on women’s empowerment with a grant of about $1.28 million from the Bill and Melinda Gates Foundation. Across Women’s Lives is a “journalism and engagement initiative” examining the connection between women’s empowerment and health and economic development. The program highlights personal stories of women in Africa and India and looks at women’s lives from infancy to old age. The project’s content will be featured on PRI’s global news program The World and online. Additional content includes short video documentaries and educational tools to help listeners learn more about the topics covered.
PORTLAND, Ore. — Chicago’s WFMT announced Wednesday a deal with New York–based WQXR to distribute the 2014 season of Carnegie Hall Live. Entering its fourth season, Carnegie Hall Live kicks off Oct. 1 with a broadcast featuring the Berliner Philharmonker. The show is recorded and hosted by WQXR staffers in partnership with Carnegie Hall and was previously distributed by Minnesota-based American Public Media.
• A lengthy Columbia Journalism Review feature focuses on a conflict over journalistic ethics at Anchorage-based Alaska Public Media. CFO Bernie Washington has been nominated to serve on the State Assessment Review Board, which helps to determine revenues from oil taxes in the state. APM journalists are concerned about Washington’s appointment compromising the network’s coverage of the review board. “We are aghast, quite frankly, aghast that our management doesn’t understand that this is a solid, more than apparent conflict of interest,” Steve Heimel, host of Talk of Alaska, told CJR.
• President Obama will nominate Elizabeth Sembler for a second term on the CPB board, the White House announced Thursday. Sembler joined the board in 2008 as an appointee of President Bush; her term expires this year. She currently serves as the board’s vice chair.
New York Public Radio has applied to the FCC to acquire 90.3 FM in Ossining, N.Y., from community licensee Hudson Valley Community Radio for $400,000. The broadcaster plans to use the new signal as a repeater for WQXR, its classical music station airing on 105.9 FM in New York City. Ossining is about 40 miles north of the city, on the eastern bank of the Hudson River. The addition of 90.3 FM would expand WQXR’s reach to areas of Westchester County that were within its coverage area when it was owned by the New York Times. NYPR’s 2009 purchase of WQXR was a three-way transaction with Spanish-language broadcaster Univision that involved moving the classical station to a weaker signal.
New York Public Radio will launch an opera-focused radio show Jan. 19 on WQXR, its classical station in New York City, and also make the program available nationwide. Operavore will cover opera news, preview new recordings and feature interviews with opera personalities as well as playwright Terrance McNally, Supreme Court Justice Ruth Bader Ginsburg and TV and theater star Tyne Daly. The show will be hosted by WQXR’s Naomi Lewin and will feature mezzo-soprano Marilyn Horne as a weekly guest. Operavore expands on a WQXR website and all-opera web stream of the same name that launched a year ago.
At a time when many radio programmers are experimenting with Internet-based media, it may seem unusual for a station to take on producing content for listeners to “hear it here” — here within its own walls of bricks and mortar. Yet stations across the nation are doing just that…