Programs/Content
WFMT Radio Network partners internationally to broadcast Chicago Jazz Festival
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Audio from the festival will air in China and Europe.
Current (https://current.org/tag/wfmt/)
Audio from the festival will air in China and Europe.
Robinson has worked for WFMT for 16 years.
Radiotopia has announced Podquest finalists, and APM is adding a new podcast.
The organization cut over $800,000 in expenses in February.
Patner was a longtime critic-at-large for WFMT in Chicago and host of the station’s show Critical Thinking.
PORTLAND, Ore. — Chicago’s WFMT announced Wednesday a deal with New York–based WQXR to distribute the 2014 season of Carnegie Hall Live. Entering its fourth season, Carnegie Hall Live kicks off Oct. 1 with a broadcast featuring the Berliner Philharmonker. The show is recorded and hosted by WQXR staffers in partnership with Carnegie Hall and was previously distributed by Minnesota-based American Public Media.
A lockout at the New York opera house would force more than 300 stations to make tough choices.
The expanding portfolio of Public Radio Exchange, the Internet-based distribution platform, has prompted some public radio insiders to question whether NPR’s Public Radio Satellite System can adapt to stiffer competition for business from content producers. The latest program to move to PRX is the widely carried This American Life, whose producers announced May 28 that they would take over distribution of the show and rely on PRX to deliver weekly editions to stations. TAL will split from distributor Public Radio International July 1, ending a 17-year relationship. That announcement came on the heels of a May 7 decision by Chicago’s WFMT to move its 200 weekly hours of music and spoken-word programming to PRX. Other producers have told Steve Robinson, WFMT executive v.p., that they may be interested in following suit.
Plus: Sesame Street and the Great Society, and PRX looks at the technical side of distributing WFMT shows.
The WFMT Radio Network is preparing to release the complete digitized radio archives of Pulitzer Prize–winning oral historian Studs Terkel online by early 2015.
The Chicago network cited rising costs of satellite carriage and a desire to expand internationally as reasons for the move.
The funeral dirge has been played many times for the classical music radio format, but after decades of decline on both commercial and public broadcasting, the tune has changed to a major key, and the melody has sweetened.
Despite the phrase “a face made for radio,” a blogger has started appraising crush-worthy folks in public radio. Babes Of NPR features public radio hosts, reporters and producers whose photos inspire a swoon or a snarky comment from the site’s North Carolina proprietor. Morning Edition’s Steve Inskeep is “the thinking man’s David Hasselhoff.” Peter Breslow, a senior producer for Weekend Edition, is likened to actor Ted Danson. And Joe and Terry Graedon, hosts of The People’s Pharmacy, “look like they might be fun to take home from the middle-aged hippie swingers potluck.”
Babes of NPR was launched after a photo of NPR reporter Ari Shapiro popped up on the Facebook page of creator Katie Herzog. “I thought, ‘That guy is really good-looking, especially for an NPR nerd,’” says Herzog, who works for an academic press in Durham, N.C.
The blog started getting attention from people in public media.
Public radio stations shopping for a plug-and-play jazz stream now have double the options to consider, with two newcomers to the field offering mainstream jazz services. Last month KPLU in Seattle/Tacoma announced that it will soon offer its Jazz24 stream, which it now broadcasts online and locally on an HD channel, to stations around the country. KPLU says the channel now draws a monthly web audience of 100,000 listeners, 90 percent outside the Seattle area. Meanwhile, some former hosts and creators of JazzWorks, a service that changed hands in May along with Pittsburgh’s WDUQ-FM, are now offering a jazz service under the name of Pubradio Network, competing with their old channel. Add those to the incumbents — JazzWorks, now operated by WDUQ’s buyer, Essential Public Media, and the Jazz Satellite Network from Chicago’s WFMT.
So what will journalism and, for that matter, all content look like in five years and how will it be delivered? It will all come together on devices resembling the rumored iTablet …