Merger with CIR brings shift in focus for S.F.’s Bay Citizen

Two years after its launch as a new online news organization covering the San Francisco region, the Bay Citizen is reconsidering its mission and editorial focus under new management. As of May 1, it merged operations with the Berkeley-based Center for Investigative Reporting, one of the granddaddies of the nonprofit news world, and ended its editorial partnership with the New York Times. The combined newsroom now marshals a staff of 70 and an annual budget of $11 million for news reporting from the San Francisco Bay Area. But differences between the news organizations’ editorial priorities and funding structures point to many challenges ahead, according to journalists from both the Bay Citizen and CIR. The Bay Citizen, which was founded and launched in 2010 by the late San Francisco philanthropist Warren Hellman, focused on timely news about Bay Area communities and tried to compete with other local news outlets to break stories.

Output: Producers swarm a conference, an ‘extreme journalist’ trots the globe, and more

A conference about ideas and creativity provided the latest opportunity for a group of adventurous radio producers to challenge their own inventiveness by producing as much radio as they could in a day and a half. The six producers behind Longshot Radio reconvened in New York May 3 and 4 to create crowd-sourced, socially networked audio in conjunction with the 99% Conference, where speakers discussed how to put ideas into action. Longshot covered the event in conjunction with WNYC’s Radiolab, whose host, Jad Abumrad, was one of the featured speakers. Within 30 hours, Longshot emerged with 75 pieces of raw tape gathered at the conference and contributed via Internet by people in 18 cities in the U.S. and Canada. More than 20 people beyond the core producers contributed, and Hsi-Chang Lin composed original music on the spot to score the pieces.

NPR deal will help to measure, and monetize, web streaming

An agreement between NPR and Triton Digital, a provider of digital services to radio stations, will give NPR stations a new option for measuring and monetizing online audiences while also allowing the network to access analytics and metrics for all participating stations. The master agreement between NPR and Triton, announced March 27, provides two services to stations: Webcast Metrics, which measures listening to live streams, and Ad Injector, a system that replaces on-air underwriting credits with online sponsorship credits. “They’re independent products, but the idea is that they can work hand in hand,” says Bob Kempf, v.p. of NPR Digital Services. By more thoroughly measuring online listening, stations expect to raise more revenue through selling local sponsorships of their online streams.

Measurement of listening to web streams is uneven throughout the system, Kempf says. Some stations already use Triton, others measure pageviews of the web pages where links to their streams reside and still others aren’t measuring at all.

PRI adapted Studio 360 segment for an iPad book.

For its foray into e-book publishing, Public Radio International chose “Teacher Redesign,” in which a New York design firm created a branding campaign on behalf of the nation’s educators, and adapted it for Apple’s iPad. The iBook features 32 pages of content adapted from the Studio 360 episode, produced as part of its ongoing series on graphic design and cultural symbolism. With its strong visual elements, the program was naturally suited for the iPad, according to Peter Edstrom, a project manager for PRI. “Our core content is audio, but we’re continuing to experiment with different ways to get PRI content out to people.”

The electronic book is free for download on Apple’s iBookstore. It features slideshows, photos that can be manipulated, diagrams, embedded videos and text.

@acarvin’s example

After the Arab Spring began, NPR’s Andy Carvin remains a rare breed. More journalists are using Twitter to find stories and connect with sources, but Carvin says few use it as he does….

Output: PBS’s first-ever Online Film Festival screens 20 short films, gilded applause for The Moth, public education through Indian humor, and more

Partners in the project are the pubmedia minority consortia — the Center for Asian American Media, Latino Public Broadcasting, Native American Public Telecommunications, the National Black Programming Consortium and Pacific Islanders in Communication — as well as the Independent Television Service and POV. The festival will be offered for video streaming on PBS.org and the redesigned PBS YouTube channel, which will be unveiled as the festival opens. The festival includes an audience participation element. Viewers can cast online votes for their favorite films, and PBS will recognize the winner with a People’s Choice festival award. PBS will use the Twitter handle #PBSolff to build social media buzz during the five-week run.

Launch postponed for PBSnews.org

PBS has postponed the rollout of an online news aggregation site called PBSnews.org that it had planned to start in January or February. … Plans for the news site had grown out of the PBS News and Public Affairs Initiative and a report filed almost two years ago by Tom Bettag, a network news veteran …

High stakes + direct access = full engagement

Noel Gunther remembers the moment when he realized that public broadcasting had to get involved in traumatic brain injury education. It was 2001. Gunther was producing a segment for WETA’s documentary series Exploring Your Brain. He was interviewing hockey Hall of Famer Pat LaFontaine, who had been forced to retire at age 34 after several concussions. The first, in 1990, knocked him unconscious and put him into convulsions — and yet LaFontaine was back on the ice 10 days later.

Fanning on a ‘big bang’ moment for Frontline: bringing online depth to reporting

David Fanning, e.p. of Frontline, discussed the WGBH program’s evolving use of the Web Aug. 23, 2010, in accepting the Goldsmith Career Award for Excellence in Journalism at Harvard University’s Joan Shorenstein Center on the Press, Politics and Public Policy. At the same time, the Center honored the winner and finalists for the Goldsmith Prize for Investigative Reporting. One of the four finalists was a reporting project, including a Frontline doc, “Law & Disorder.” The film about white vigilante activities in New Orleans was prepared in collaboration with ProPublica, the Nation Institute and the New Orleans Times-Picayne.

For NewsHour, one staff is stronger than two

They busted down newsroom walls, adding some space but much more humanity, doubling the number of desks, adding new editing stations and a fixed camera for quick shirt-sleeves standups. The broadcast and website now carry the PBS NewsHour title and they come from the same combined staff.

What’s the job for the Public Media Corps?

Modeled on programs like Americorps and Teach for America, the Public Media Corps will hire local residents as “fellows” for yearlong residencies at public broadcasting institutions. Their job there will be to identify local issues and use multiple media platforms to spark vigorous community engagement on the issues.

New CPB chair sees watershed for public media

Maybe we’re at a 1967 moment again,” says Ernest Wilson III, shortly after his election as chair of the Corporation for Public Broadcasting on Sept. 16 [2009]. He’s making a hopeful comparison with the year when a Carnegie Commission report slid into President Johnson’s in-box in January and  returned for his signature as the Public Broadcasting Act in November. Wilson, who is dean of the Annenberg School for Communication at the University of Southern California, admires the way the stars are aligning for an advance of federal policy on public media:

Foundations are examining the plight of journalism and reengaging with public media. Congressional leaders are supportive.