People
Former assistant GM will lead Detroit’s WDET
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Mary Zatina is returning to the station after more than 30 years.
Current (https://current.org/tag/wdet/)
Mary Zatina is returning to the station after more than 30 years.
The Detroit station’s “Framed” series aims to “reflect the lives of the people we’re here to serve.”
Srbinovich is leaving to pursue a role with the American Journalism Project.
WDET and Feet in 2 Worlds are partnering on the fellowships.
The grant from the Democracy Fund supports local content and cultivation of new donors and underwriters.
The Detroit station aims to raise double what it brought in during last fall’s drive to make up revenue it is losing from its licensee.
Michelle Srbinovich and Emily Martin Loya discuss the challenges they’ve faced as younger leaders and share advice for peers looking to move up.
A live podcast event will be shown in hundreds of movie theaters Tuesday, and more podcasting news.
The Detroit Journalism Cooperative has “much more work to do,” says its convener.
Scott Carrier has a new podcast, plus podcasting news in public media.
Nearly every public radio station now executes a sustaining membership program, but the latest analyses of fundraising performance reveal that very few of them could be described as effective or successful.
Plus: A Phoenix LPFM changes format; advice for community radio stations.
Plus: An Israeli show inspired by This American Life offers an English translation, and NPR’s ombud weighs in on sexism in coverage.
Plus: WFMU opens a new performance space, and Chris Hardwick compares NPR reporters to Star Wars characters.
Sulinski worked for the station’s public-affairs division from 1976 to 1993.
• Detroit’s WDET-FM staged the New York premiere Friday of The Pleasure of Sound, a documentary featuring Radiolab’s Jad Abumrad. In the short film, shot in Detroit in 2013, Abumrad and musician Matthew Dear discuss music and creativity. WDET will launch a crowdfunding campaign to cover distribution costs for the film in May and plans to distribute the documentary free to interested community organizations and pubmedia stations for screenings. The Pleasure of Sound previously screened in Detroit as part of a fall 2013 installation at the Museum of Contemporary Art. • NPR appointed Mark Memmott as its new standards and practices editor Thursday. Memmott is the founder of the Two-Way breaking-news blog and co-author of NPR’s 2012 ethics handbook.
Mikel Ellcessor, general manager at Detroit’s WDET-FM, has resigned to take a position with Krista Tippett Public Productions.
Pitch spots requesting donations for an audio preservation project at Detroit’s WDET did not violate fundraising ethics, according to an accredited fundraising consultant who reviewed the campaign at the station’s request. The spots, which simulated tape decay of recorded music in the station’s library to solicit donations for the preservation project, prompted an internal complaint that WDET had misled listeners about the state of its collection (Current, Sept. 10). WDET General Manager J. Mikel Ellcessor, who approved the spots, apologized to staff and to listeners who donated to the campaign, and pledged to have an independent consultant evaluate the matter. Rick Kress, a credentialed advanced certified fundraising executive retained by WDET, reviewed an audio sample from the spots and other materials generated by the fundraiser — including the letters of apology.
Detroit’s WDET admitted in an August letter to donors that it used suspect advertising tactics in on-air fundraising spots promoting an ambitious music-restoration campaign.
WNYC will move production of The Takeaway to later in the day and trim its length to one hour starting in September in an effort to boost carriage of the off-the-cuff news show that set out to challenge Morning Edition.
The New York station launched The Takeaway with co-producer Public Radio International in 2008 as an alternative to NPR’s morning blockbuster — the newscomer with a more spontaneous approach and increased audience interaction. But after four years, the show airs on the primary broadcast signals of 55 stations, up by just 15 since September 2009. Ten additional stations air it on digital multicast channels.