Current (https://current.org/tag/npr/page/35/)
An award-winning 2011 NPR investigative series about Native American children in South Dakota’s foster-care system was seriously flawed and should not have aired, according to an 80-page report written by NPR’s ombudsman.
Threadless, a online company that sells T-shirts with designs voted on by users, is calling for artists to submit designs inspired by NPR and public radio. “We’re all huge fans of NPR and the content they bring to the ears of so many people,” said Threadless CEO Jake Nickell in an NPR press release. “With all of the avid NPR listeners over here at Threadless, the idea of a collaboration between NPR and the Threadless community just made so much sense.”
Artists have until August 26 to submit creations for the “My Sound World” challenge, one of several themed challenges that the website hosts. Once submissions close, users will have one week to vote on the designs. The winner will receive a $2,000 cash prize, a limited-edition alarm clock with an NPR-inspired design by pop artist Peter Max, an autographed copy of the book This is NPR, a $500 Threadless gift code and a private tour of NPR’s headquarters in Washington, D.C.
The design that the community chooses will be sold online and at the NPR Store.
Boston’s WBUR joined NPR and other news outlets in advocating for more leniency when it comes to indecency standards, citing its reporting of the Boston Marathon bombing as an example.
Frontline and PRI’s The World reporter Arun Rath will join NPR in late September to host Weekend All Things Considered, which is relocating to NPR’s Los Angeles studios. Rath currently covers national security and military justice for Frontline, where he has worked since 2005. He wrote and produced three films for the doc series, with the most recent looking into war crimes allegedly committed by U.S. Marines in Iraq. Rath also reports on music for the PBS series Sound Tracks. Before joining Frontline, Rath worked as a producer for NPR’s On the Media and was a senior editor for Public Radio International’s Studio 360.
NPR and American Public Media are partnering with a new mobile app that curates talk radio and podcasts according to listener taste. Swell, which launched June 27, is the latest venture to bring digital radio programs to listeners through digital rather than terrestrial means.
More than 100 public radio stations have picked up the midday NPR news show Here & Now with its expansion to two hours July 1, many of them to fill the void left by the cancellation of NPR’s long-running call-in show Talk of the Nation.
The Online News Association, a nonprofit resource and support group for digital journalists, moved its offices into NPR’s new Washington, D.C., headquarters July 1.
Republican Colorado Congressman Doug Lamborn today reintroduced legislation to kill federal funding for NPR. Its language is identical to his bill that passed the House in 2011, which prohibited stations from using CPB funds to acquire programming or pay NPR dues. That bill never made it to the floor of the Senate. “At a time when millions of federal works are being furloughed, schoolchildren are barred from visiting the White House, and many military training flights are grounded to save money, it is unacceptable that taxpayers are still on the hook for millions of dollars each year to subsidize National Public Radio,” he said in a statement. “Additionally, it was highly inappropriate for NPR to move into a lavish new headquarters building partly paid for by taxpayers, many of whom continue to struggle under the worst economy since the Great Depression.”
NPR announced today that Tracy Wahl will become the new executive producer of Morning Edition.
NPR is advocating for the Federal Communications Commission to loosen its policies surrounding broadcast decency standards, and retreat from a “zero tolerances” approach to one that only targets “egregious cases.”
Shutdowns of a show and a reporting project at NPR have prompted the departure of “Political Junkie” Ken Rudin, who has worked at the network since 1991. Rudin appears weekly on NPR’s Talk of the Nation, which is ending production this month. He also served recently as editorial coordinator for StateImpact, a collaborative reporting project with stations that NPR is exiting. “With the combination of Talk of the Nation and StateImpact ending, there wasn’t really a place for me,” Rudin says. “It didn’t come as a surprise.” He will leave NPR at the end of September.
Salt Lake City pubcaster Wasatch Public Media, licensee of KCPW-FM, will drop all NPR programs June 24, a schedule change intended to save money and differentiate its service from other pubcasters in the market. “A lot of the decision just came down to sheer economics – NPR is just getting more and more expensive,” said Wasatch C.E.O. Ed Sweeney. “And, when you already have NPR in the market with other stations, it just gets harder and harder to set yourself apart when pitching to sponsors and underwriters.” The University of Utah’s KUER-FM is KCPW’s primary competitor for NPR news listeners. “We were just looking more and more alike, and you can’t stay in business doing that,” Sweeney said.
As public and for-profit media companies come under new scrutiny for compensation of interns, public media executives debated how decisions to pay — or not pay — young talent support efforts to cultivate the next generation of system leaders.
Follow the conversation around the next generation of public media leaders with Current’s Storify of the June 14 forum.
Fresh Air will air during daytime hours on MPB’s Think Radio network for the first time since 2010, when the network’s then–Executive Director Judith Lewis took the interview show off the air, citing concerns about host Terry Gross’s discussion of sex with her guests.
In a single video, for the song “All Is Not Lost,” rock band OK Go performed both the last-ever Tiny Desk concert at the former NPR headquarters and the first-ever concert at its new building. As Bob Boilen, Robin Hilton, Carl Kasell and others packed up and moved equipment from one location to another, the band played continuously (with the help of some creative editing) and even worked in some public radio–specific lyrics. OK Go, whose bandleader Damien Kulash formerly worked as an engineer for Chicago Public Radio, filmed the bit over two days in late March during NPR’s actual crosstown move. It took the crew 223 takes and six separate assemblies and disassemblies of the titular desk, according to Boilen. To all future Tiny Desk performers: The bar has been raised.
Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”
NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”
In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.
NPR stations won 82 large-market regional Murrow Awards, while small-market pubcasters captured 91. Among all stations, WLRN in Miami topped public radio’s regional winners by taking 11 awards in 13 Murrow categories: overall excellence, breaking news, continuing coverage, feature reporting, investigative reporting, news documentary, new series, hard-news reporting, use of sound, writing and website. “We feel thrilled and humbled by the honor,” said Dan Grech, news director. “I couldn’t be prouder of the team.”
Four additional large-market pubcasters each won six Murrows: KQED in San Francisco, WBEZ in Chicago, KUT in Austin and WBUR in Boston. And four large-market stations each won four Murrows: KUOW in Seattle; St.
NPR and the Association of Independents in Radio have launched the Freelance and Station Contributor Resource Site, an online repository of information for reporters interested in filing stories with the network. “This first of its kind site includes Ethics Guidelines, examples of good freelance/station producer stories, ‘how stories go from idea to air,’ key editorial contacts, FTP filing guidelines, the most current AQH audience data for producers airing features on NPR programs, and more,” wrote AIR Executive Director Sue Schardt in an email announcing the site. Freelancers who want to sign up should go to nprstations.org and fill out the registration form, selecting “AIR” under “Station Where You Work.” Non-AIR members are also permitted to join by using the organization’s name. Schardt noted that many of AIR’s newest members are under 34 years old and have never worked with NPR. The site is dedicated to Bill Siemering, NPR’s first program director and a longtime AIR member.
Three NPR journalists will start academic fellowships starting this fall, with Dina Temple-Raston and Alison MacAdam joining the Nieman program at Harvard, and Louisa Lim attending the University of Michigan as a Knight-Wallace fellow. Temple-Raston, who covers counterterrorism for the network, will study the use of big data in intelligence gathering. MacAdam, a senior All Things Considered editor, will study the business of the art world. In Michigan, Lim will study the sustainability of China’s current political structures. She currently reports from Beijing.