Programs/Content
WUNC to end its music stream and HD2 service
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Radio listening trends and economics are too challenging to justify acquiring a terrestrial signal for the Triple A music service, says GM Paul Hunton.
Current (https://current.org/tag/music/)
Radio listening trends and economics are too challenging to justify acquiring a terrestrial signal for the Triple A music service, says GM Paul Hunton.
“I love that we don’t sound like any other NPR affiliate,” says Devall, a former NPR journalist who began managing the station in Lafayette, La., in 2022.
“I just never thought this was my thing and so I sort of fell into it,” says music director Bill Sherman. “But now I just love it.”
With a signal boost and rebranding of WFOS as the Time Machine Radio Network, WHRO aims to reach a new audience of listeners and future donors. “There’s nothing else like it on the air,” said CEO Bert Schmidt.
The stream will highlight “the roots and fruits of the Purple Family Tree.”
The new collaboration aims to solve a signal interference issue between the two stations.
WMOT partners with Music City Roots for the new format.
The art of radio and TV theme music and how to improve it.
Detroit’s WDET admitted in an August letter to donors that it used suspect advertising tactics in on-air fundraising spots promoting an ambitious music-restoration campaign.
Producers of Austin City Limits have recorded more than 800 performances of the PBS rock music series during the past 37 years, but there are hours of footage that loyal viewers and music fans don’t even know about. Access to never-broadcast performances will come soon under a deal with Cleveland’s Rock and Roll Hall of Fame…
Current’s Pledge Pipeline previews 17 shows heading to public TV on-air membership drives in December 2012 and March 2013.
Public radio stations and NPR are promoting April as Public Radio Music Month, a campaign designed to raise awareness of the cultural contributions of pubradio’s music stations and the role federal funding plays in keeping those outlets on the air. Stations that broadcast classical, jazz and contemporary music formats have scheduled special concerts throughout the month to highlight the diversity of programming and the field’s commitment to presenting new artists. Musicians themselves are participating — and not just by performing at station events. Nearly 130 artists — including the Black Keys, the Decemberists, My Morning Jacket and the Roots — signed a “love note” to public radio, expressing thanks to local stations that play their music. NPR calculates that more than 180 public radio stations are devoted to noncommercial music formats such as classical, jazz, blues and bluegrass, and another 480 include music in their programming lineups.
Gerald Poulsen, known in radio as bluegrass music host Jerry Gray, died Feb. 2 in Roanoke, Va. He was 78. His son Mark Poulsen told the Washington Post that his father had health complications from a heart transplant that he received after suffering a heart attack on the air in 1989. Poulsen started in 1971 at Washington’s WAMU-FM at American University and for 30 years hosted The Jerry Gray Show on Saturday afternoons, featuring traditional country music, featuring stars such as Gene Autry, Tex Ritter, Roy Rogers and Patsy Montana.
At a time when many radio programmers are experimenting with Internet-based media, it may seem unusual for a station to take on producing content for listeners to “hear it here” — here within its own walls of bricks and mortar. Yet stations across the nation are doing just that…
The television version of Bluegrass Underground, now distributed in high-def and Surround Sound by PBS Plus, permits the audience to appreciate more vividly the unique auditorium where it’s recorded: southeast of Nashville in Cumberland Caverns, 333 feet below ground near McMinnville, Tenn. Over the past 3.5 million years, water carved out what is now the acoustically pure Volcano Room with room for 500 seats. By 2008 the erosion was far enough along that concerts could be held there and Nashville’s famed country-music carrier, WSM-AM, could begin airing Bluegrass Underground’s original radio version. (It airs monthly on Saturdays, just before Grand Ole Opry.)
The video version is produced by a partnership of the production company Loblolly Ventures, PBS member station WCTE in Cookeville, Tenn., and Emmy-winning producer Todd Jarrell. So far, PBS stations have picked up the show in 60 markets, including Boston, Dallas, Chicago and Seattle.
Steve Talbot worked in public TV for more than 20 years before trying his hand as chief fundraiser for one of his own projects. His timing was not the greatest. On the day in 2008 when Lehman Brothers imploded, PBS agreed to back the pilot for Talbot’s Sound Tracks, a newsmagazine-style show about contemporary music around the world. The hourlong debut, which aired in January 2010, got positive feedback from viewers, programmers and PBS, but the recession has hampered Talbot’s efforts to make more episodes of Sound Tracks ever since. He’s still raising money to produce additional episodes.
Looking to lift up your midday radio audience? Try some uplifting music. That’s a lesson from 10 classical radio stations that have been jiggering their midday playlists with help from a listening study backed by CPB and conducted by the Public Radio Program Directors Association. Eight of the 10 stations saw their midday audiences grow after changing their mixes of music — some grew quite significantly — and the two that lost audience suffered only very small declines. The study began in 2007 when researchers hired by PRPD played 150 half-minute samples of classical pieces for test audiences in four cities.
As a self-proclaimed evangelist for HD Radio, I am often asked why I have inculcated it so deeply in the workings of WAMU in Washington. We devote several full-time employees to produce more than 50 hours a week of live original programming for our multicast channels — bluegrass and Americana music on Channel 2, and news and information on Channel 3. We further demonstrate our commitment to multicasting on our main channel. For the first year after we started multicasting three HD Radio channels, we spent at least 15 seconds of every hour on our flagship signal cross-promoting Channels 2 and 3, and our hosts still give them at least four spots a day. Reminding listeners of the other offerings in our “radio community” requires a sizable investment in airtime, as well as the traffic department’s writing and logging.
Comparison of previous webcasting royalty deal with new terms negotiated under the Webcaster Settlement Act of 2009
Austin City Limits is a hot commodity based on a cool brand built over 33 years on PBS. In two years it moves its entire production site downtown in the Texas capital city to a cornerstone 2,500-seat theater in a $300 million redevelopment.