Programs/Content
‘On Our Watch’ investigates misconduct in California’s New Folsom prison
|
The podcast’s second season focuses on whistleblowers who “went against the code of silence,” says Julie Small, criminal justice reporter at KQED.
Current (https://current.org/tag/investigative-reporting/)
The podcast’s second season focuses on whistleblowers who “went against the code of silence,” says Julie Small, criminal justice reporter at KQED.
WHRO Public Media is looking to expand its newsroom’s capabilities by taking on the Virginia Center for Investigative Journalism.
WNYC and ProPublica “are committed to reporting and producing new episodes through November,” a WNYC spokesperson said.
The New England Center for Investigative Reporting has been housed within WGBH’s newsroom since the two organizations partnered in 2013.
The two-part story on the anti-malarial drug mefloquine had been scheduled to air in late November 2017.
The station hopes to raise $50,000 in listener support for its “Daylight Reporting Fund.”
WBUR plans to hire three journalists to tackle stories such as opioid addiction, climate change and immigration.
In its first investigative series, APM Reports is examining allegations of sexual abuse at Mesabi Academy in Buhl, Minn.
The Berkeley, Calif.-based Center for Investigative Reporting unveiled its new YouTube channel, The I Files, today. The channel, funded by the Knight Foundation, will be curated by CIR and will repost investigative-reporting videos from a wide assortment of content partners. Among the partners is the Investigative News Network, a consortium of 60 nonprofit news organizations that includes American University’s Investigative Reporting Workshop and the Pulitzer Center on Crisis Reporting. Among CIR’s for-profit partners: The BBC, ABC News, The New York Times and Al Jazeera. The channel will include videos from freelance journalists as well.
The nonprofit Center for Investigative Reporting is launching an investigative news channel on YouTube to serve as a hub for investigative journalism. The Knight Foundation provided an $800,000 grant to start the channel. The center, based in Berkeley, Calif., announced on April 11 [2012] that the channel will feature videos from commercial and noncommercial broadcasters and independent producers, including NPR, ITVS, ABC News, the New York Times, the Pulitzer Center on Crisis Reporting, the Center for Public Integrity and American University’s Investigative Reporting Workshop. The center plans to add contributors and seek submissions from freelance journalists and independent filmmakers from around the world. “One of the goals of this partnership will be to raise the profile and visibility of high-impact storytelling through video,” said Robert Rosenthal, executive director of the center.
In 2011, as partisan critics attacked NPR, Frontline chief David Fanning urged public media to specialize in strong journalism. Fanning, who was accepting Quinnipiac University’s annual Fred Friendly First Amendment Award, quoted the famed CBS News producer: public TV’s “most precious right will be the right to rock the boat.”
WLRN Radio and the Miami Herald have been collaborating on multiplatform news production for eight years, but the investigative-reporting package that they published this month, “Neglected to Death,” took their partnership to a new level. The package of radio reports by WLRN’s Kenny Malone and articles by Herald reporters grew out of a year-long computer-assisted reporting project that revealed systemic failings in the regulation of Florida’s assisted-living facilities. Over several months, Malone followed up on the Herald investigative team’s findings of incidents of negligence and abuse to produce two character-driven radio features, the first of which aired locally and on NPR’s Morning Edition. Malone’s first piece focused on the case of Aurora Navas, an 85-year-old Alzheimer’s patient and facility resident who wandered outdoors one night without supervision and drowned in 18 inches of water. It was one of many accidental deaths for which Florida regulators failed to probe or prosecute.
David Fanning, e.p. of Frontline, discussed the WGBH program’s evolving use of the Web Aug. 23, 2010, in accepting the Goldsmith Career Award for Excellence in Journalism at Harvard University’s Joan Shorenstein Center on the Press, Politics and Public Policy. At the same time, the Center honored the winner and finalists for the Goldsmith Prize for Investigative Reporting. One of the four finalists was a reporting project, including a Frontline doc, “Law & Disorder.” The film about white vigilante activities in New Orleans was prepared in collaboration with ProPublica, the Nation Institute and the New Orleans Times-Picayne.
David Fanning, the founding executive producer of PBS’s Frontline series, gave this talk in 2009 as the annual James L. Loper Lecture in Public Service Broadcasting sponsored by the University of Southern California’s Annenberg Center on Communication Leadership & Policy. Thank you, Geoff Cowan and Dean Wilson, for your kind words, and especially for your invitation to come here to the Annenberg School to give the annual Loper Lecture. This also gives me a chance publicly to thank Jim Loper, for the years of work he gave not just to KCET but as a leader in public broadcasting. It’s an honor to be invited in his name. I would also like to thank Mr. Russell Smith for his sponsorship of this lecture.
Frontline knows how to shake things up in North Carolina. Last week, less than a month after the series aired Ofra Bikel’s 90-minute documentary “An Ordinary Crime,” about 21-year-old Terence Garner, a state court granted Garner’s motion for a new trial. He posted bond and went home with his mother and family for the first time in more than four years. Garner had been serving a sentence of 32-43 years for robbery and attempted murder—the “ordinary crime” he insisted all along he had no part of. Bikel—whose award-winning trilogy “Innocence Lost” led the state to drop charges in 1997 in a major child abuse case in Edenton, N.C.—again turned the spotlight on criminal justice in the state.
Frontline sometimes comes on like a multimedia prosecutor, revealing the evidence in pictures, voices and logic, and driving toward a conclusion. It’s usually a very sobering conclusion, too, because the series has increasingly specialized in reminding us of our society’s worst failings — war, cheating and lying in high places, racism, crime and predation of all kinds. On Nov. 5, [1991], Charles Stuart’s “Don King, Unauthorized” went after the boxing promoter — a man with two killings in his little-known past, who has collaborated with the media to paint himself as a harmless jokester with a funny haircut. On Nov.