Programs/Content

Transom aids producers with Donor Fund gifts

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Transom.org has awarded small radio production grants from its Donor Fund. The online watering hole and how-to site for radio producers provided grants of $1,000 each to six producers who will debut work on the site next year with help from Transom editors:

The Core, a series of podcasts launched by a group of teenagers working with Open Orchard Productions;
William Dahlberg, who will produce a story about an unsolved murder in his hometown of Newbury, Vt.;
Erin Davis, who will create a multimedia project about “adventure playgrounds”;
Andrew Forsthoefel, who will produce an hourlong documentary about his cross-country trip that began in October 2011;
Mary Helen Miller, who will complete a radio documentary about a mixed-race group of Tennesseans; and
Lauren Ober, who is working on a story about “a quest to find meaning in life after your life has been saved at the cost of someone else’s,” according to Transom. The Donor Fund is a pool of money created in 2011 from individual contributions of Transom readers. Grants of $500 to $1,000 were awarded to five producers last year, and their programs have been featured on Transom throughout 2012, according to Jay Allison, independent producer and Transom founder. This year’s grant recipients were selected from a pool of 40 applicants. This article was first published in Current, Dec.

People

Paul Bartishevich, 53, indie radio producer

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Paul Bartishevich, head of Finger Lakes Productions International, died June 1 [2012] at his home in Trumansburg, N.Y., of an apparent heart attack. He was 53. FLPI, founded in 1987, produced and distributed daily radio programming to NPR affiliates nationwide as well as more than 120 countries and territories via the Voice of America and American Forces Radio. Popular titles, which reflected Bartishevich’s interest in science, nature and technology, included Bird Watch, Nature Watch, Animal Instincts, Ocean Report, Our Ocean World, EnvironMinute and Microbeworld. In 1998, FLPI launched the Radio Voyager Network (RVN), which became the first English-language commercial radio network to broadcast throughout Europe.

Public Media Policybase

Association of Independents in Radio (AIR) Bylaws

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These bylaws were approved,  Nov. 15, 1988, when AIR was incorporated as a nonprofit in New York. ARTICLE ONE: MEMBERSHIP
Section 1. Membership

A.I.R. shall be a membership organization. There shall be three categories of membership:

a. Organizational Membership – shall be open to organizations providing radio/audio programs and services (including but not limited to, production, presentation, research, distribution, exhibition, or education).

Programs/Content

PBS weighs new night for Indie Lens, POV, after uproar

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PBS has agreed to consider “alternative scheduling options” for the independent production showcases Independent Lens and POV, which lost carriage and audience after the network moved their shared time slot from Tuesday to Thursday nights. By late last week, several hundred producers had signed an online petition started by Chicago-based Kartemquin Films after Current reported March 15 [2012] on negotiations over scheduling of the series. The petition concludes: “We are deeply concerned that PBS’ poorly considered decision could jeopardize both the meeting of public broadcasting’s mission and . . .

Independent producers

Independent producers’ open letter to PBS, March 2012

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Independent producer Kartemquin Films posted this petition online to arrange more favorable scheduling than Thursday nights for the indie showcases POV and Independent Lens. See also <Current coverage. Taking Action: PBS Needs Independents
March 15, 2012

The following is an open letter to PBS. We encourage all independent filmmakers and fans of public media to join us as signatories by commenting below, or emailing us at PBSNeedsIndies@kartemquin.com, or tweet #PBSNeedsIndies to us on Twitter. Kartemquin has a long history of supporting public broadcasting, and we feel we must again rise to the challenge in raising our concern, and hopefully awareness and action, over the issues below. As independent filmmakers, as participants in the evolution of public broadcasting, as viewers and as citizens, we protest PBS’ decision to move the two premier strands of independent documentaries, Independent Lens and POV, from their established home on Tuesday nights to Thursday, a night on which local stations program locally-selected material.