Tweets from the Jan. 17 meeting at the San Francisco Public Library.

Mike and Kim had worked together for many years at a large public broadcasting organization. He was a manager, and she was a senior attorney; they often collaborated but reported to different bosses. One day, during what seemed to be a routine conversation in Kim’s office, she cursed and berated Mike about his work. Afterwards, Mike faced a tough choice: risk escalating the conflict by speaking up about Kim’s inappropriate behavior or remain silent in hopes that that the outburst would be an isolated incident. Although this scenario may seem extreme, it’s a situation that many people encounter in the workplace, where too often people do not speak up for themselves and find that they’re treated with disrespect.

PBS President Paula Kerger announced the deal Monday at the Television Critics Association Winter Press Tour in Pasadena, Calif.

Fifty years ago, Pacifica Radio correspondent Saul Bernstein recorded a 62-minute speech delivered in London by Martin Luther King Jr., in which the civil rights leader spoke about apartheid and the then-recent sentencing of Nelson Mandela. The recording, believed to be the only full record of King’s speech, was thought to be lost to time. But a half-century later, Pacifica Archives Director Brian DeShazor uncovered Bernstein’s recording in a dusty box while working on a Saturday, researching another project, “American Women Making History & Culture, 1963-1982,” a two-year effort funded by the National Archives to preserve hundreds of recordings. Now listeners to Democracy Now!

Last Days in Vietnam scored PBS’s American Experience its ninth Academy Award nomination. Rory Kennedy produced and directed the film for AmEx, a documentary series that has run since 1995. CPB provided support for the film. Last Days in Vietnam was nominated in the Best Documentary category, marking Kennedy’s first nomination. “When we conceived of this film three years ago, we knew it was a powerful story of individual acts of courage set against a background of chaos,” said American Experience Executive Producer Mark Samels on the show’s blog. “But we didn’t know how relevant it would prove to be.

Boston classical music station WCRB has leveraged a partnership with the Boston Conservatory to compose a new branding tool: a musical logo. The station opened a contest for Conservatory students in the spring of 2014. Out of 18 entries, WCRB staff chose a 6-second sonic logo, or “sounder,” submitted by Paul Fake to be its new trademark sound. Fake, 27, lives in the Boston area and composes concert music. “What you look for in a sounder is something that won’t become annoying or repetitive,” said WCRB Station Manager Tony Rudel, who initiated the project. He said Fake’s composition achieved that standard.

Barzilay replaces Michael Jones, c.o.o. since 2009, who stepped aside into an executive advisory role in September 2014.

Plus: "Jagoffs" on WBEZ, and radio remains popular.

Plus: Invisibilia's big launch, and growth in listening to non-music web streams.