Development
October CDP Index: Radio results remain sluggish while TV waits for next blockbuster
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A declining rate of growth among Passport users is exposing cracks in new donor programs at TV and joint licensees.
Current (https://current.org/current-mentioned-sources/adizah-eghan/page/582/)
A declining rate of growth among Passport users is exposing cracks in new donor programs at TV and joint licensees.
KVIE and CapRadio have filed countering lawsuits laying claim to a transmission tower.
Los Angeles’s KPCC is shuffling news priorities. As LA Observed reports, the station is closing its bureau in the state capital and cutting two general assignment reporters. But it has also made eight new hires since October, mostly to expand healthcare and environment coverage as well as its digital presence. Russ Stanton, KPCC v.p. of content, told LA Observed that the station may reinstate a Sacramento staffer in 2015. In the meantime it will rely on reports from Sacramento’s Capital Public Radio for state-government coverage. The station also launched an iPad app Dec.
The Maryland Public Broadcasting Commission is appealing a proposed FCC fine of $20,000 for multiple violations of its Equal Employment Opportunity (EEO) rules, reports Broadcasting & Cable. In a Notice of Apparent Liability, the FCC contends that the pubcasting commission, the licensee of Maryland Public Television, broke several rules between June 2008 and May 2010 by failing to provide notification of 11 full-time vacancies to an organization that had requested that information. The agency also said that those failures “reveal a continuing lack of self-assessment” and that the Maryland licensee “provided incorrect factual information” to the FCC regarding the situation. “We believe it was an overreaction to a minor clerical error, and we are appealing the notice,” said Andrew Levine, general counsel of Maryland Public Television.
As expected, PBS got a Golden Globe nomination early this morning for Downton Abbey. The Masterpiece megahit got its nod in the Best Television Series — Drama category. Its competition? Breaking Bad on AMC; The Good Wife, CBS; House of Cards, Netflix; and Masters of Sex, Showtime. It’s PBS’s only nomination in the annual awards, presented by the Hollywood Foreign Press Association. Downton cast members and producers took part in a discussion moderated by arts reporter Bill Carter of the New York Times Tuesday night, which was recorded for use by PBS member stations.
Tavis Smiley may be celebrating 10 years on PBS, but that tenure hasn’t been easy. In a Los Angeles Times interview, the talk show host admits that getting hip, high-profile guests is tough. “As the handlers get younger and younger and as the artists crave more and more to be in the social media zeitgeist, it becomes harder and harder for my producers to get through to clients the value of being on PBS,” he said. “It’s not an easy sell.” And KCET’s decision in 2010 to drop PBS membership left Smiley without a production home. “We go overnight to paying for office space, studio rental, parking stalls for my staff — we go overnight to paying full freight at a commercial outlet here in town,” Smiley said.
Mike Savage is the new g.m. at WBAA-FM in West Lafayette, Ind. The 20-year pubradio veteran most recently ran WKCC-FM in Kankakee, Ill.
St. Louis Public Radio and the St. Louis Beacon, a nonprofit news site, merged Dec. 10. The partners have yet to decide how to brand the combined newsroom.
The American Archive of Public Broadcasting is aiming to add another 5,000 hours of digitally native or previously digitized content to supplement the 40,000 hours currently slated for preservation. Casey Davis, the archive’s project manager, posted a call for interested stations on the archive’s blog Dec. 9. The archive hopes to collect the additional 5,000 hours over the next two years. Some of the materials may come from those digitized during the archive’s 2009 pilot project, Davis said.
CPB Board members got an ominous preview Monday of the corporation’s upcoming white paper about spectrum issues in public broadcasting. At a meeting at CPB’s headquarters in Washington, D.C., Harry Hawkes of Booz & Co.’s media and technology practice told board members that if the FCC goes ahead with plans to clear 120 MHz of spectrum for use by mobile devices, 110 to 130 pubcasting stations will need to shift due to repacking even if their operators don’t participate in the auction. “That means that one-third of the system could have to change channels,” noted Vincent Curren, CPB’s c.o.o. “This will likely be more disruptive than the digital transition. This will be a major undertaking for our industry over the next several years.”
CPB commissioned the white paper, due out early next year, to inform policy discussions within the system about spectrum issues. The FCC announced last week that spectrum auctions will be conducted in mid-2015; repacking of the remaining bandwidth is expected to occur soon after.
From WFMU’s tiny studios in Jersey City, N.J., using only rock songs, his own creativity and contributions of guests and callers, Scharpling created a world of comedy unto itself over the course of The Best Show.
Remember Norwegian Public Television’s marathon broadcasts of five straight hours of knitting and five days of the “action” on a cruise-ship journey? Well, an American production company has acquired the rights to the trend now officially called Slow TV, reports the New York Post. LMNO Productions bought rights to the camera-switching technology that allows for verrrry long stretches of television. Pubcasters can jump on the trend thanks to Executive Program Service. EPS offers a more manageable, one-hour version of the Norway cruise and has trimmed Norwegian Public Television’s 10-hour documentary on the longest train journey in the country into a new 60-minute program.