Programs/Content
How Kartemquin Films and public broadcasting built a legacy of democratic storytelling
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Since Kartemquin’s founding in 1966, public broadcasting came to be the production company’s most dependable ally, and sometimes its savior.
Current (https://current.org/author/patricia-aufderheide/)
Since Kartemquin’s founding in 1966, public broadcasting came to be the production company’s most dependable ally, and sometimes its savior.
A new report from the Center for Media & Social Impact reveals passions and pains of the creative community’s relationship with public TV.
A new study from the Center for Media & Social Impact finds that by hosting screenings of documentary films, public TV stations can guide participants to “breakthrough moments.”
The rise of centralizing platforms could pose a threat to podcasts that embody the public media mission.
The decentralized, financially dependent structure of public broadcasting is “a feature, not a bug.”
A new study finds that documentaries co-produced and funded by the Independent Television Service are made by women and people of color more often than other forms of media.