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Austin Fuller joins Current’s editorial team
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A journalist with extensive experience in daily reporting, Fuller most recently covered business for the Orlando Sentinel.
Current (https://current.org/author/current-staff/)
A journalist with extensive experience in daily reporting, Fuller most recently covered business for the Orlando Sentinel.
Find out which young professionals rose to the top of our evaluation process to be recognized as a Current Rising Star of 2023.
Dru Sefton has been a senior editor at Current for nearly 11 years.
Browse, filter and search our listing of more than 100 programs scheduled for upcoming release.
How much does your state spend on public media? Which states spend the most and least per resident? And where does the money go? Our comprehensive guide has the answers.
We snapped photos at public media events throughout 2017 to answer that question.
Browse, filter and search our listing of 143 programs scheduled for upcoming releases.
An in-depth look at local and national efforts to diversify public media’s workforce, content and audience.
She’ll be on the funding and innovation beat starting May 2.
NPR’s board of directors will soon add six members, with four coming from the public and two from within the system.
Current’s survey of financial documents found a gender gap and disagreements about CPB’s guidelines for disclosure.
A look behind the scenes at the station’s efforts to reach a new community of listeners.
NPR will integrate NPR Labs into its general budget and tighten its focus on public radio after almost five years of running the division as self-sustaining. Under the restructuring, NPR Labs will transition from its status as a stand-alone unit and move from NPR’s distribution division to its technology and operations division. NPR Labs will also drop the Technology Research Center name that it used to market consulting work to clients. The restructuring eliminated the top job at NPR Labs, held by Rich Rarey, a 34-year NPR veteran. Rarey, who will leave July 31, took the job of director of NPR Labs in February when founding director Mike Starling took a voluntary buyout offer and retired.
With a day to spare, Salt Lake City’s KCPW-FM hit its goal of raising $42,000 to pay off delinquent programming fees and avoid going dark. KCPW was six months in arrears on payments in programming fees to American Public Media. Station staffers took to the airwaves, sidewalks and online starting June 29 to try raising the money by July 3. The station hit the goal Wednesday afternoon. Of the $42,000, $12,765 came in from an Indiegogo crowdsourcing campaign.
In a channel-sharing agreement announced Tuesday, Georgia Public Broadcasting will expand its public radio service into the Atlanta market starting June 1 via Georgia State University’s 88.5 WRAS-FM. GPB Radio will program the station with a news format from 5 a.m. to 7 p.m., providing Atlanta with its first public radio outlet to air news in midday hours. The city’s WABE, operated by Atlanta’s public school system, airs NPR’s newsmagazines but also schedules classical music from 9 a.m. to 3 p.m. weekdays. “We wanted to bring something that is not currently in the market,” said Bert Huffman, v.p. of development for GPB. “We recognize that people can get classical music from WABE.”
ATLANTA — The positive associations that public radio listeners have with corporate sponsors and underwriters are as strong as ever, according to a report unveiled July 11 during the Public Media Development and Marketing Conference. Results of the 2013 NPR Underwriting Research project, presented by radio analyst Paul Jacobs, showed that the so-called “halo effect” that companies gain from public media sponsorships is unchanged since 2010, the last time researchers looked into it. A 2003 NPR study first identified the power of public radio sponsorships to influence listeners’ perceptions of the quality of the companies who pay for them. “We’re seeing absolutely no decline in how your listeners feel about you,” Jacobs said. “Despite the fact we live in a time of media fragmentation, one of the constants you have is that your audience loves you.”
“You have something that money can’t buy — your listeners trust in you so much that that trust transfers to the companies that sponsor you,” Jacobs told the audience at the PMDMC Thursday.
Ron Hull, a former director of the Program Fund, reflects on the value of buffer from partisan politics
Jan. 2, 1979 — Robben Fleming, a university president and an authority on (labor) negotiations, comes to CPB as its third president. Also in January, the politically appointed CPB Board suspends its committees to reevaluate their roles. This decision shelved the board’s Program Committee, which traditionally had voted aye or nay on national production proposals for public TV. Even before Fleming arrived, the CPB Board had been rethinking this process.
WXXI in Rochester, N.Y., has acquired a downtown movie house, The Little Theatre, it announced Dec. 19. The art-deco theater, founded in 1929 as part of a “little theatre” movement promoting alternatives to Hollywood’s mass-audience movies, still specializes in indie and foreign films, including anime and docs. In recent decades it was expanded from one to five screens, and to 940 seats, and it became a nonprofit. “The Little,” as it’s known locally, screens more than 100 films a year and hosts several annual community film festivals.
Western Massachusetts broadcaster WFCR-FM has adopted a new name — one that seems to speak of ongoing expansion: New England Public Radio. CEO Martin Miller announced the plans at a station event Wednesday night. Celebrating its 50th anniversary, the station announced it has arranged to buy new quarters in downtown Springfield, south of its longtime home in Amherst, and has bought a new FM frequency in the Berkshire Mountains town of Adams, northwest of Amherst. The news and classical music station, licensed to the University of Massachusetts-Amherst, added a second program schedule, all-news/talk, on a leased station in the 1990s and in October acquired WNNZ-AM for the schedule. By building translators in addition, one or both of its program streams now span from southern Vermont to northern Connecticut, New Hampshire to Albany, N.Y. Where it may encounter competition from another growing regional public radio franchise, Northeast Public Radio (WAMC).