Current (https://current.org/tag/wnet/page/5/)
When Superstorm Sandy slammed into the most populated region of the United States Oct. 29, claiming at least 90 lives and wreaking havoc on everything in its path, public broadcasting stations along the Eastern Seaboard couldn’t escape the storm’s wrath.
Robert Kotlowitz, a pioneering public broadcaster at New York’s WNET who developed several public television series that became signature PBS programs — including a half-hour evening news show featuring Jim Lehrer and Robert MacNeil in 1973 — died Aug. 25 at his home in New York City after battling prostate cancer. He was 87. The New York Times described Kotlowitz as “a novelist and editor who reluctantly became a public television executive in 1971 and went on to help shape a lineup of homegrown and imported shows — including The MacNeil/Lehrer Report, Live at the Met, Dance in America and Brideshead Revisited — that represent a high-water mark in American television.”
Kotlowitz had just resigned from Harper’s Magazine in 1971 when John Jay Iselin, then the new president of WNET, offered him a job. Kotlowitz had never been inside a television studio.
Eight years after the “For Sale” sign first went up on WXEL-TV/FM, the transaction resolving the future of pubcasting in Florida’s affluent Palm Beach region finally closed last month. WXEL-TV, which split from its radio sibling in a 2011 sale to American Public Media Group’s Classical South Florida, is to be transferred to a nonprofit headed by the execs who have managed the station through years of uncertainty…
Karen Everhart, senior editor of Current for 20 years, will succeed founding editor Steve Behrens after this edition. Larry Kirkman, dean of the American University School of Communication, appointed Everhart as interim managing editor. She joined Current in 1992 and covered public TV for 16 years before moving to the public radio beat in 2007. The school, with support from the Wyncote Foundation, took responsibility for publishing Current a year ago. Behrens, 63, gave notice last fall that he’d retire from the position in six months. Before leaving the premises, he will coordinate the relaunch of Current.org this spring, at long last, using WordPress as a content management system.
NPR President Gary Knell has restructured the news organization’s top ranks, elevating digital chief Kinsey Wilson to executive v.p. and chief content officer and appointing Margaret Low Smith senior v.p. of news, a job she took on an interim basis last year. When Wilson joined NPR as senior v.p. and general manager of digital media in 2008, the position was parallel to the senior news exec post then held by Ellen Weiss. Knell’s restructuring elevates Wilson in NPR’s organization chart to supervise all of NPR’s content areas — news, programming and digital media. “In Kinsey and Margaret, we have two journalists, strategists and leaders with a keen understanding of the craft that distinguishes NPR — and how we continue to innovate and evolve,” Knell said in a news release. The new structure allows for greater coordination of NPR’s news, digital and programming strategies, and a “more seamless integration” of its news operations, according to the release.
Potential bidders for pubcaster KCSM-TV in San Mateo, Calif., put up for auction by its college licensee, include both religious broadcasters and names well known in public media. Daystar Television, a growing religious network that has bought pubTV channels in Dallas and Waco, Texas, and bid for them in Orlando, Fla., and Orange County, Calif., was on the attendance list for the San Mateo Community College District’s pre-bid meeting Jan. 10. Also on the list were former WNET exec Ken Devine of Independent Public Media, a nonprofit that aims to preserve spectrum for public media (Current, Oct. 17); Ken Ikeda and Marc Hand of Public Media Company, an affiliate of Public Radio Capital; Booker Wade, head of the Minority Television Project and non-PBS pubTV station KMTP in San Francisco; and a rep for Stewart Cheifet Productions, which created Computer Chronicles, a show that ran on public TV for 20 years, ending in 2002.
Bellantoni to oversee all <em>NewsHour</em> political coverage
PBS NewsHour has a new political editor as of Jan. 2. Christina Bellantoni of CQ Roll Call oversees the newsroom’s political coverage on-air and online, including political analysis, elections and personalities. Her predecessor, David Chalain, departed in November to lead the Washington bureau of Yahoo News. Bellantoni has spent more than a decade covering national political and business news in Washington, D.C., and California.
Whenever public broadcasting is threatened by hostile politicians, the conventional wisdom is to circle the wagons and fire back. As a member of the public television community for almost 50 years, I would rather see today’s challenge as an opportunity to reassess public television’s goals and achievements. Perhaps we should do this every few years to make sure we haven’t gone astray in our aims and practices. In many ways I think NPR has surpassed its original goals and promises, but public television is another matter. We have accomplished many things.
Current is likely to have a new publisher in January — the School of Communication at American University in Washington, D.C.
Details of the contract transferring the print/web publication remain in negotiation, but the governing boards of the university and of Current’s longtime publisher, New York’s WNET, have approved the deal in principle. Approval by the WNET Board, Dec. 9 [2010], prompted coverage in a New York Times blog Dec. 12. WNET accepted responsibility for publishing Current in 1983, after the collapse of the paper’s founding parent, the National Association of Educational Broadcasters.
WNET’s accounting problems have cost it $1.96 million out of a series of production grants totaling $13 million, following a two-year federal investigation of the big New York station’s grant accounting. Federal lawyers and the licensee — Educational Broadcasting Corp., now officially known as WNET.org — signed a settlement in which the station gave up 15 percent of the grant money:
$950,000 to be paid back to the feds for inadequately documented or prohibited costs, and
$1,015,046 that the station has spent on the productions but agreed to give up. By the time of the settlement, the growing sum of unreimbursed expenses had cut a $7.8 million hole in the station’s financial fabric. To keep federally backed productions going, the nonprofit continued spending money on them but stopped asking for reimbursements. Robert Feinberg, general counsel, said it was a voluntary decision by the station: “If we have done something wrong, we didn’t want to compound the error.”
“It’s definitely been a drain,” Feinberg said.
Ten weeks before the air date of Need to Know, WNET announced the executive producer. Seven weeks before, the producing station named the co-anchors. On May 7 the new public affairs series debuts on PBS. A lot will be riding on the show. For PBS it’s a rare chance to start a potential “icon series” with new styles and substance, demonstrating that folks in “legacy media” can interact and innovate like digital natives.
The leadership of WNET said a federal investigation into the station’s use of federal grants totaling almost $13 million is wrapping up, and the organization is financially sound. “There was sloppiness as opposed to real wrongdoing in terms of our accounting systems, which has been addressed,” said James Tisch, chairman of the WNET Board, in an interview. The station has hired a new chief financial officer and created the position of executive director, financial control, to ensure compliance with federal grant rules, said Neal Shapiro, president. “We have a new CFO. We have a new compliance person to make it very clear we take all these rules very seriously,” Shapiro said.
The leadership of WNET said a federal investigation into the station’s use of federal grants totaling almost $13 million is wrapping up, and the organization is financially sound. “There was sloppiness as opposed to real wrongdoing in terms of our accounting systems, which has been addressed,” said James Tisch, chairman of the WNET Board, in an interview.
Anyone who watched, say, the ABC World News in late November and early December would have known that a tiny band of terrorists had come ashore in Mumbai, killing more than 100 Indians and foreign visitors, and that most observers speculated the attack probably came from Pakistan. They would have known that Thai protesters had occupied the Bangkok airport, stranding hundreds of tourists. And they would have known that economic chaos and cholera were descending on Zimbabwe, which President Robert Mugabe held in what was almost literally a death grip. But they would not have known that the peacekeeping mission in Kosovo had been handed over from United Nations forces to those of the European Union. They would not have heard that drugs manufactured around the world were being exported to the U.S. with few, if any, safeguards against accidental or deliberate adulteration.
He put San Francisco’s KQED on the air in 1954 — with Jon Rice, the station’s legendary first program director — and in 16 years demonstrated much of what “public television” could become, years before the Carnegie Commission put forth the new name for educational TV.
Neal Shapiro, president of NBC News until 16 months ago, will succeed William Baker as president and c.e.o. of New York’s WNET. Shapiro, 48, a 25-year veteran of network news who ran NBC’s Dateline before heading NBC’s global news operations, will assume one of Baker’s titles next month, serving for a year as president while Baker remains c.e.o. Baker will relinquish the chief exec role next February, becoming president emeritus. The board of Educational Broadcasting Corp., licensee of both WNET and WLIW in Long Island, unanimously approved the transition plan on Jan. 18, ending a year-long executive recruitment process that began as a search to replace Paula Kerger, former c.o.o., who left WNET to become PBS president last March. “As we did the search I realized that, ultimately, this person has to be capable of replacing me,” said Baker.
Now they’re sister stations
WNET
WLIW
Cume households*
3.1 mil. 2.1 mil. Annual spending
$180 mil. $14 mil. Employees (approx.)
450
80**
Members
350,000
< 50,000
*Nielsen cume audiences are for one week in November.
When terrorists brought down the World Trade Center in an imploding, crumbling crash, they not only destroyed New York City’s highest buildings but silenced eight of its largest TV stations. WNET, the city’s flagship public TV station, was knocked off the air for five days and apparently lost Rod Coppola, a 47-year-old engineer who was working at its transmitter site atop Tower One. The tower also took with it $8 million in transmitter and antenna equipment. Every major station in the city — except for WCBS, which maintained a backup transmitter on the Empire State Building — went down in the crash of the WTC, extinguishing service to one in five households — 7.3 million — that receives TV over the air. Nearly 80 percent of households didn’t notice the interruption.
WNET, dastardly villain in a two-decade scheme to deprive science-fiction buffs of the coolest public TV program of all time, this summer will redeem its reputation among fans. “The Lathe of Heaven,” digitally remastered and repackaged with additional material, will be distributed to public TV stations for broadcast in June [2000]. A home video and DVD will be released in the fall. Originally broadcast on PBS in 1980, the drama inspired a cult following that never forgot the show, and never let WNET forget it, either. Fans of the program came together in an “extensive Internet community” to rage against the producing station’s “ruthless warehousing” of their favorite public TV show, and one site accused WNET of “corporate amnesia,” recalls Joseph Basile, director of program rights and clearances.
Twenty-five years ago this week, public TV first aired Great Performances, its major performing arts showcase. And just in time for the anniversary, CPB in October 1997 gave its top public TV award, the Ralph Lowell medal, to Jac Venza, executive producer of the series from the start. Earlier in the fall the Academy of Television Arts and Sciences honored him with its Governors Award.No other producer has captured as much free-floating excellence and put it on videotape as Venza, public TV’s major performing arts impresario. He also serves as director of cultural and arts programs at New York’s WNET, overseeing the American Masters biographies, the pop music series In the Spotlight and the local City Arts series. Venza talked with Current Editor Steve Behrens in the offices of the arts unit at WNET.