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Deal in Washington expands KUOW’s reach, leaves KPLU staff in limbo
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The deal was a long time coming, but when it finally arrived, it still took the staff of KPLU by surprise.
Current (https://current.org/tag/kplu/page/2/)
The deal was a long time coming, but when it finally arrived, it still took the staff of KPLU by surprise.
KPLU will change to an all-music format and get new call letters.
The trend could affect revenue for NPR and its member stations.
Jazz, blues and news station KPLU has increased its focus on local jazz and has seen a 20 percent bump in revenue year-to-year.
Plus: A columnist sounds off on Slate’s pubmedia-esque membership program, and NPR unearths its Internet beginnings.
WLRN in Miami won large-market radio Murrows for feature reporting and use of sound. Chicago’s WBEZ also won for news documentary and hard-news reporting. The award for investigative reporting went to KQED and the Center for Investigative Reporting, both based in San Francisco, for “Broken Shield: Exposing Abuses at California Developmental Centers.”
Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”
NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”
In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.
Public radio stations shopping for a plug-and-play jazz stream now have double the options to consider, with two newcomers to the field offering mainstream jazz services. Last month KPLU in Seattle/Tacoma announced that it will soon offer its Jazz24 stream, which it now broadcasts online and locally on an HD channel, to stations around the country. KPLU says the channel now draws a monthly web audience of 100,000 listeners, 90 percent outside the Seattle area. Meanwhile, some former hosts and creators of JazzWorks, a service that changed hands in May along with Pittsburgh’s WDUQ-FM, are now offering a jazz service under the name of Pubradio Network, competing with their old channel. Add those to the incumbents — JazzWorks, now operated by WDUQ’s buyer, Essential Public Media, and the Jazz Satellite Network from Chicago’s WFMT.