Frontline creates cross-platform investigative unit with help from Ford Foundation

Frontline has hired two investigative reporters and promoted a digital specialist to create its first desk producing original investigative journalism across platforms.

The Enterprise Journalism Group, announced Wednesday, consists of new hires James Jacoby and Anya Bourg, who previously produced for CBS’s 60 Minutes. Frontline’s senior digital reporter, Sarah Childress, was promoted onto the team. The group is supported by an $800,000 grant from the Ford Foundation, announced in June. Over the next two years, the journalists will report major projects via text, video, photos, audio and graphics across Frontline’s platforms.

Raney Aronson-Rath, deputy executive producer, said journalistic flexibility is driving the project. “Maybe there’s a story that should go digital-first, so we get it up quickly,” she said.

NPR to close Kabul bureau

When the 13-year international combat mission ends in Afghanistan Dec. 31, NPR’s Kabul bureau will also close. NPR decided in 2012 that it would close the Kabul bureau this year because of the planned reduction of U.S. troops in the country, according to an NPR spokesperson. Starting in 2015, coverage of Afghanistan will be handled by Philip Reeves, NPR’s correspondent based in Islamabad, Pakistan. “We are confident that Phil Reeves can cover the news coming from Afghanistan,” said Edith Chapin, senior supervising editor of NPR’s International Desk, through a spokesperson.

Study of engaging digital stories helps stations’ newsrooms set priorities

A new vocabulary is emerging in public radio newsrooms to help journalists communicate and make decisions about online coverage that attracts and builds digital audiences. Developed through the Local Stories Project, an NPR Digital Services initiative that began as a geotargeting experiment on Facebook, the vocabulary includes phrases like “topical buzzer” — a story that provides a unique take on a subject that everyone is talking about — or  “curiosity stimulator,” for a piece with a science or technology angle. The concepts are explained in this blog post, “9 Types of Local Stories that Cause Engagement.” As newsrooms around the country adjust to the demands of producing distinctive coverage within their local markets, reporters increasingly are required to serve two news platforms, each with a different audience, without spinning their wheels. “It’s like growing a new arm, while your other arms are busy doing what you do.

OPB, Center for Investigative Reporting launch public TV version of Reveal

A new series from the nonprofit Center for Investigative Reporting brings extensive investigative journalism to public television in four hourlong episodes. In its short run, Reveal aims to find new and engaging ways to tell investigative stories. Available to stations starting today, the show is presented by Oregon Public Broadcasting and distributed by the National Educational Telecommunications Association.  

An episode of Reveal is composed as a visual counterpart to a newspaper — starting with a topical, longer report, moving on to shorter reports and ending with an informative animation component. In one episode, a story early in the show focuses on a woman from Afghanistan who ran away from an arranged marriage to be with the man she loved, only to be found and sent to prison by her father.

Nonprofit Marshall Project gears up for putting criminal justice reform on national agenda

The Washington Post had a blockbuster front-page investigation with a lengthy Aug. 3 story about an unreliable witness in a Texas execution case. But the story came from a new kid on the block. “The Prosecutor and the Snitch” was the first story to be published by The Marshall Project, a nonprofit news site focused on criminal justice reform. The Marshall Project, named after former Supreme Court Justice Thurgood Marshall, plans to officially launch in October.

Documentary series The View From Here attracts national attention with multimedia, audience interaction

A documentary series produced by Capital Public Radio in Sacramento, Calif., focuses solely on issues in the station’s home state yet has attracted attention from NPR and a national audience by creating digital content to accompany hourlong radio documentaries. Launched in 2011, The View From Here comprises two in-depth multimedia documentaries a year. Though the focus is local, the show’s producers choose topics that often transcend California’s borders, such as high-school dropout rates and autism among adults. The most recent documentary, “Who Cares,” examined the physical and emotional toll of caring for parents, spouses and children with disabilities. In addition to a radio documentary, “Who Cares” included photos, videos and a blog, Caregivers Speak, which collects stories about family caregivers.

After criticism, NPR gives freer rein to upcoming ombudsman

NPR has stepped back from plans to curtail its ombudsman’s duties after receiving criticism from journalists and leaders of its member stations. The blowback began with a blog post by New York University journalism professor Jay Rosen, who pointed out Monday that a job posting for NPR’s next ombudsman specified that the in-house watchdog should refrain from “commentary” and “judgment.” Edward Schumacher-Matos, NPR’s current ombudsman, will end his three-year term in September. Rosen saw the change in language as an effort to defang the ombudsman, which he argued would remove a valuable check on NPR’s reporting. Some station leaders noted Rosen’s post and shared his concerns.

Barriers to newsroom collaborations lower than pubcasters think

“Neither journalism nor public life will move forward until the public actually rethinks and reinterprets what journalism is: not the science or information of culture, but its poetry and conversation.” — James Carey, “The Mass Media and Democracy,” Journal of International Affairs, June 22, 1993

Since 2009, CPB has provided approximately $23.2 million to establish more than 40 journalism partnerships at public broadcasting stations. These included Project Argo, a collection of topically focused local blogs produced by NPR and 12 public radio stations; and the Association of Independents in Radio’s Localore, a cross-platform radio and television content partnership that paired indie producers with 10 stations. CPB’s investments in nine Local Journalism Centers have been the most ambitious of these initiatives. These collaborations involved 56 public stations of various licensee types and enabled multimedia production across public radio, television and digital platforms.
Many of these collaborative projects operated independently of host stations’ newsrooms, and they departed from the normal broadcast-centered practices and routines to create additional content about specific topics. Public radio distributors and outside journalism organizations have also laid the roadbed for collaborative journalism through projects such as NPR’s State Impact initiative, Public Radio International’s state-accountability series and Public Radio Exchange’s new investigative program, Reveal.

Editor says merger in St. Louis has boosted web traffic, strengthened reporting

The organization resulting from the merger of the St. Louis Beacon and St. Louis Public Radio is already realizing benefits from the union, six months after it took effect. That’s according to the editor of the combined news organization, who gave a progress report on the collaboration June 20 at the annual Public Radio News Directors Inc. conference in Arlington, Va. “It’s not easy, day-to-day, but it’s paid off,” said Margaret Freivogel, who also founded the Beacon.

CPB ombud criticizes KUNM’s handling of plagiarism charges

The handling of plagiarism charges at New Mexico’s KUNM-FM drew criticism from CPB Ombudsman Joel Kaplan, who weighed in on the issue in an April 24 report. The charges were first made public by former KUNM reporter Tristan Ahtone, who left the Albuquerque station in March over what he cited as the station’s failure to respond to a fellow reporter’s plagiarism, as recounted in an April 15 story in the Santa Fe Reporter. In an email to his superiors at KUNM that a Santa Fe journalist later forwarded to Kaplan, Ahtone accused KUNM leadership of hiding three instances of suspected plagiarism from listeners. One of the stories was published through the Fronteras reporting desk, which covers the Southwest. Ahtone refused to participate in ethics training courses the station mandated for all staff, writing that the training “serves merely as the Potemkin Village to bolster this station’s attempt at credibility.”

CPB’s Kaplan also found the station’s response lacking.