Nice Above Fold - Page 367

  • Mike Starling's farewell in verse to a career in public radio

    When the Public Radio Regional Organizations presented Mike Starling with its annual PRRO Award last month, the former director of NPR Labs shared a poem he’d written for his sendoff. The award recognizes behind-the-scenes “heroes” whose work advances public radio. Starling had worked in NPR’s technology divisions since 1989 until taking a buyout earlier this year. He’s now starting a low-power FM station in Cambridge, Md. The following are his remarks delivered at the Public Radio Super-Regional conference in Las Vegas Nov. 19. That was a very nice introduction — I’m so fortunate to have the opportunity to attend my own eulogy.
  • Monday roundup: Minn. station settles over tower collapse; a good news director is hard to find

    Plus: Jacobs talks radio trends, and Wolf Hall keeps the codpieces small.
  • Aguilar crosses the pond, Marketplace reporter joins KQED, and other comings and goings in public media

    ITVS’s Claire Aguilar is departing to help “nurture young filmmakers” at the Sheffield Doc/Fest in England.
  • Spending bill in Congress keeps CPB funding intact

    CPB is set to receive its full requested appropriation in the spending bill nearing passage in Congress, which will fund the government through next September. The 1,603-page bill, already passed by the House of Representatives, includes the full $445 million appropriation for CPB in fiscal year 2017. CPB traditionally receives its appropriation two years in advance to help facilitate production pipelines. Ready to Learn will also receive its requested funding of $25.7 million if the bill passes as written. No critics of public media have surfaced to call for zeroing out CPB funding, said Patrick Butler, president of the Association of Public Television Stations and public TV’s chief lobbyist on the Hill.
  • Friday roundup: Frontline tries out virtual reality; Gerdeman talks development trends

    Plus: MoJo's nonprofit mojo, and Judy Woodruff's biscuits.
  • FCC requests comments on details of spectrum auction rules

    After hearing statements of dissent from its two Republican commissioners, the FCC approved on a party-line vote Wednesday the release of a notice requesting comment on the nuts and bolts of the upcoming broadcast spectrum auction. The notice, which will be issued later this week, considers complex specifics of the auction of interest to broadcasters, such as calculations to determine opening bid prices and the process for reassigning television channels. It builds on the commission’s Incentive Auction Report and Order and Mobile Spectrum Holdings Order adopted in May, which set basic rules. Congress asked the commission to conduct the voluntary auction to clear bandwidth for mobile devices.
  • Independent Lens films take home honors, Midwest pubcasters receive Emmys, and more awards in public media

    INTERNATIONAL DOCUMENTARY ASSOCIATION Independent Lens took home four wins from the 30th annual IDA Documentary Awards. The public TV documentary series won the award for best curated series for the second year in a row, along with the Humanitas Documentary Award, ABCNews VideoSource award and Emerging Documentary Filmmaker Award. The Humanitas Documentary Award recognizes films that, according to the IDA, explore what it means to be human when facing differences in “culture, race, lifestyle, political loyalties and religious beliefs” that create barriers between people. Thomas G. Miller’s film Limited Partnership, about the struggle of a legally married same-sex couple fighting for U.S.
  • Kartemquin Films co-founder Jerry Blumenthal dies at 78

    Jerry Blumenthal, a founding partner of Chicago documentary house Kartemquin Films (Hoop Dreams, The Interrupters), died Nov. 13 after battling cancer. He was 78. “Jerry was my filmmaking partner for over four decades,” said Kartemquin co-founder Gordon Quinn in a statement. “His sense of story, people, politics, and art and artists, will be missed. With Kartemquin we went through good times and bad, but with Jerry we always found time to laugh.” Blumenthal had worked at Kartemquin since the production of its first documentary in 1966, Home for Life, an examination of two older adults adjusting to life after arriving at a nursing home.
  • Wednesday roundup: Independent Lens announces next season; Carvin launches Reported.ly

    Plus: Collaborations in pubmedia, and a poet's Pacifica show.