Live from Boston: A marathon of coverage

Edgar B. Herwick III, a features reporter for WGBH, was enjoying his field assignment on that cool, sunny Monday, interviewing runners as they triumphantly crossed the finish line of the April 15 Boston Marathon.

WGBH’s Greater Boston goes nationwide on World Channel with bombing coverage

Tonight’s special edition of Greater Boston from WGBH, focused on the shocking bomb blasts at Monday’s Boston Marathon, will be distributed nationally on the World Channel, the public TV multicast service produced by WGBH and distributed by American Public Television. WGBH spokesman Michael Raia told Current the 30-minute show will extend to an hour and begin airing at 9 p.m. Eastern time on World. In Boston, the show will be broadcast on WGBH’s primary TV station at 7 p.m., its regular timeslot. Planned guests include terrorism expert Jim Walsh, a research associate at the Massachusetts Institute of Technology’s Security Studies Program; Jarrett Barrios of the Red Cross, who took part in the race; and Haider Javed Warraich, a resident at Beth Israel Deaconess Medical Center in Boston who wrote an op-ed in today’s New York Times about his experience growing up amid explosions in Pakistan. WGBH staffers producing segments for the Greater Boston special include host and executive editor Emily Rooney, who lives three blocks from the explosion site and will provide a first-hand perspective on the still-unfolding story; Jared Bowen, who is covering the law enforcement investigation; and Adam Reilly, reporting from Logan Airport with reactions from runners.

WGBH’s Accessible Media center waives theater captioning fees

The Carl and Ruth Shapiro Family National Center for Accessible Media (NCAM) at WGBH in Boston is permanently waiving license fees for its patented movie-theater captioning system, to celebrate the 20th anniversary of its work to improve media for users with disabilities. Larry Goldberg, WGBH’s director of media access and head of NCAM, told Current that most theaters have made a one-time payment of around $2,000 for the license. The center hopes the waiver will encourage more theaters to offer Rear Window Captioning, one of several systems available for viewers who are deaf or hard of hearing. More than 400 theaters nationwide have installed the technology since it was first available in 1996, WGBH said in a statement. To use Rear Window, viewers look into clear panels in front of their seats that reflect a large LED screen on the theater’s back wall displaying captions in mirror image.