People

PBS objects to fundraiser by ‘successor’ to Mister Rogers

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PBS is accusing a San Diego teenager of “falsely claiming association” with the network and Mister Rogers’ Neighborhood. He is selling tickets for a May 31 gala event where, according to a news release by his publicist, he will present himself as successor to the late Fred Rogers. Michael Kinsell, who told Current he is 18, said he has produced six episodes of a new show, Michael’s Enchanted Neighborhood. Kinsell described the benefit event, to be held at the California Center for the Arts, Escondido, as a tribute to Rogers that will raise funds for “children’s public television” and, he hopes, for his own new show. He said he invited members of Rogers’ family to receive a Children’s Hero Award in Rogers’ honor and said he will give $10,000 in mid-June to Family Communications Inc., Rogers’ production company in Pittsburgh.

Programs/Content

It’s all been good for whatshisname since he was rejected by the dump

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A wayward, 6-foot stuffed gorilla arrived at WDSE-TV in Duluth, Minn. in time for the annual Kids Club Circus last week. Its former owner tried to leave it at a landfill but the gorilla was turned away (it wasn’t construction debris), and it fell from the truck into the path of a state official’s car. A state trooper somehow sensed WDSE would adopt. The star of Martha Speaks (shown at right with Sgt.

Programs/Content

Is it time to kick out Andre Rieu?

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Posted in Current’s reader forum, DirectCurrent, by Mark Jeffries on April 22, 2009 at 12:55pm

In the Current article on spring fundraising and pledge drives, they say that Twin Cities Public Television (KTCA, St. Paul) placed its emphasis on the fans of established programming instead of relying on the off-message poppy concerts, Lawrence Welk retrospectives and disguised infomercials that have become too often the bread-and-butter of pledge drives — the concept, of course, that public radio has been able to emphasize in pledging for years with great success. Can I hope that the success of TPT might inspire other PTVers to dump what must be expensive shows to license and bring pledge drives back to the proper emphasis of the regular programming that regular viewers of PTV stations want? Or is that just too much to ask and that PTV programmers are just hooked on the Suze Orman and Andre Rieu FlavorAid? Replies to this discussion
Reply by Ezra Wall on June 10, 2009 at 3:15pm

Public broadcasters across the board receive ever-decreasing portions of their financial support from taxpayer sources.

Programs/Content

Latino producers to PBS: Diversity data ‘incomplete and often anecdotal’

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The Diversity Committee of the National Association of Latino Independent Producers sent this letter to PBS about its November 2008 Report on the PBS Diversity Initiative on Content.  The letter was released by Defend the Honor, a Latino civil rights group that led the protests against Ken Burns’ series 2008 The War. March 4, 2009

Ms. Paula Kerger, Chief Executive Officer
Ms. Haydee M. Rodriguez, Director, Diversity Initiative
Public Broadcasting Service
2100 Crystal Drive
Arlington, VA 22202-3785

Dear Ms. Kerger and Ms. Rodriguez:

We would like to thank you for the PBS Diversity Initiative on Content (November, 2008). As you know, NALIP strongly supports and encourages PBS in its efforts to accurately reflect the diversity of American life in its programming and staffing. While we applaud the effort to generate an assessment of the system’s diversity practices, we are concerned by the report’s statement that PBS “cannot paint the full picture of its ‘diverse’ content or the diversity of its staff.”

Programs/Content

Worldcasts: Long-overdue broadening of news horizons

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Anyone who watched, say, the ABC World News in late November and early December would have known that a tiny band of terrorists had come ashore in Mumbai, killing more than 100 Indians and foreign visitors, and that most observers speculated the attack probably came from Pakistan. They would have known that Thai protesters had occupied the Bangkok airport, stranding hundreds of tourists. And they would have known that economic chaos and cholera were descending on Zimbabwe, which President Robert Mugabe held in what was almost literally a death grip. But they would not have known that the peacekeeping mission in Kosovo had been handed over from United Nations forces to those of the European Union. They would not have heard that drugs manufactured around the world were being exported to the U.S. with few, if any, safeguards against accidental or deliberate adulteration.

Programs/Content

Surge of channels, people meter chaos depress PBS ratings

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There is no shortage of factors to explain why public TV ratings have kept sliding. For one, the proportion of viewers with access to satellite and cable has increased, bringing a surge in fragmentation. Then there’s Nielsen’s audience estimation system, undergoing its own upheaval while some pubTV stations still lack the encoders that let the ratings company know they’re out there. On top of all this, some station leaders say PBS isn’t doing enough to create programming that grips viewers. Over the last 10 seasons, PBS’s ratings have dropped 37 percent, from 1.9 in 1998-99 to 1.2 in 2007-08.

Programs/Content

Producer’s own mentor: first in a series

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Lindsey is embarking on a vast project to collect elders’ knowledge from around the world — their methods of predicting future events, reconciling people in conflict, and understanding causes and effects of climate change.

Programs/Content

Here I am, your special PBS Kids Island (come to me, come to me)

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PBS Kids Island, an online amusement park located on the Raising Readers website (www.readytolearnreading.org), offers learning games created by producers of Super Why!, Word World, Sesame Street and Between the Lions, most collected from their separate sites, grouped by reading skill and divided into three levels of difficulty. On the cartoony Island, kids can choose games to play from a carousel ride and win tickets they can use to buy things from the prize booth — video downloads, printable games and coloring sheets. In their own tree house, a kid can stash or play with their prizes and display their awards. Project advisors who work with low-scoring schools eligible for federal Title 1 aid encouraged PBS to give kids the opportunity to choose activities on their own on the Island, because low-income kids don’t get to make many choices or take risks or try experiments, says Sharon Philippart, project director for Raising Readers at PBS. Parents, teachers or caregivers sign up their kids and can monitor their progress through the levels.

BBC

KCET to rep BBC newscast, WLIW creating competitor

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The BBC has signed a new distributor for the nightly half-hour BBC World News newscast for public TV stations — KCET in Los Angeles. New York’s WLIW, which has syndicated the show for nearly 10 years, will produce a new evening newscast for pubTV. Your World Tonight (working title) will debut in October when the BBC contract ends. Marc Rosenwasser, a former CBS Evening News senior producer, will produce the new show. The British pubcaster — which increasingly uses its own platforms, notably its BBC America cable channel, to distribute its productions beyond the sceptered isle — acknowledges it doesn’t want the pubTV newscast knocking heads with its new 60-minute cable newscast.

Programs/Content
Real-life characters in PBS documentary series

Rich and rare: docs that unfold over decades

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If you stand quite rightly in awe at Michael Apted’s 49 Up, which aired on P.O.V. [in October 2007], you’re likely to be cheered by the news that a Frontline producer is now in postproduction to start similar series of periodic interviews with nine diverse people in China….

Programs/Content

Latino critics of The War seek assurance from PBS, WETA

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Advocacy groups protesting Ken Burns’ upcoming World War II doc asked PBS and WETA in Washington, D.C., Aug. 20 [2007] for assurance that the producers would work harder to include Latinos in “current and future programming. The statement about Burns’ The War bore the signatures of 53 individuals, ten media, policy and educational organizations and Defend the Honor, the coalition that first challenged Burns. In a response, PBS said it “continues to build upon our track record of inclusion in programming, in front of and behind the camera.” WETA has issued no response. The full statements from Defend the Honor and PBS are below.

Programs/Content

Masterpiece to be umbrella for 3 strands

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Suspecting that Masterpiece Theatre is showing its age after 36 seasons — an eon in TV years — the program’s producers at Boston’s WGBH will “polish” the brand and expand into new media platforms in order to bring more structure and predictability to the schedule and reach the next generation of Sunday night drama fans. The same courtly theme music by French composer Jean-Joseph Mouret will open the program, but it will lose the little tabletop journey of its video opening and half of the series name. The producers will drop “Theatre” and add headings for three distinct seasonal strands: Masterpiece Contemporary in the fall, Masterpiece Classics in winter/spring and Masterpiece Mystery! (working title) in the summer slot Mystery! now fills.

People

Ex-NBC news exec will manage WNET

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Neal Shapiro, president of NBC News until 16 months ago, will succeed William Baker as president and c.e.o. of New York’s WNET. Shapiro, 48, a 25-year veteran of network news who ran NBC’s Dateline before heading NBC’s global news operations, will assume one of Baker’s titles next month, serving for a year as president while Baker remains c.e.o. Baker will relinquish the chief exec role next February, becoming president emeritus. The board of Educational Broadcasting Corp., licensee of both WNET and WLIW in Long Island, unanimously approved the transition plan on Jan. 18, ending a year-long executive recruitment process that began as a search to replace Paula Kerger, former c.o.o., who left WNET to become PBS president last March. “As we did the search I realized that, ultimately, this person has to be capable of replacing me,” said Baker.

Programs/Content

Media veteran brings wary revolution to a fortress of tradition

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In the 1980s, Peter Gelb produced 25 Metropolitan Opera broadcasts for PBS. Now, as the Met’s general manager, he runs the red-carpeted center of the opera world. The first media guy to run the hallowed New York institution has begun an ambitious but carefully modulated makeover of the Met. He’s putting its operas on more media platforms than ever before but using electronic media to reproduce the gilded in-theater experience. He’s bringing in a new breed of directors for fresh staging but relying largely on the beloved music of the past.Hired two years ago, Gelb was off to a running start in August when he took charge.