Programs/Content
Roku, Xbox pick up pubTV shows
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PBS is jumping into the “over-the-top” video-streaming space with a pair of deals to distribute public TV programs through apps on Roku boxes and Xbox Live.
Current (https://current.org/tag/television-programs-content-news/page/12/)
PBS is jumping into the “over-the-top” video-streaming space with a pair of deals to distribute public TV programs through apps on Roku boxes and Xbox Live.
As the executive producer who acquired and managed co-productions of British dramas for Masterpiece and its predecessor titles for more than 26 years, Eaton has brought high-profile miniseries such as Prime Suspect, Bleak House and recent hits Sherlock and Downton Abbey to PBS.
When public radio managers gathered for November’s Super-Regional Meeting in New Orleans, home to Bourbon Street and the drive-through daiquiri bar, NPR Chair and ideastream COO Kit Jensen mentioned in passing during a panel discussion that her station has its own official cocktail. The “ideaScreamer” is a mix of Grey Goose orange vodka, cranberry juice and a twist of lime, garnished with a lightstick stirrer, according to Peg Neeson, ideastream community relations director. “It’s really quite pretty in a martini glass,” she said. No one at ideastream can recall when the ideaScreamer was created, possibly due to overindulgence in the drink. But bartenders at The Passenger in Washington, D.C., still remember exactly when and how they decided to make a Big Bird, even though the drink was created as a special offering several months ago.
PASADENA, Calif. — The special package of primetime shows about gun violence that PBS unveiled to television critics Monday offers an example of how Beth Hoppe intends to operate as the network’s new chief programmer. Hoppe had been promoted to chief program executive and g.m. only three days before the Dec. 14 shooting in Connecticut claimed the lives of 26 students and teachers at Sandy Hook Elementary School. As news of the tragedy unfolded, Hoppe was on the phone with producers, “trying to figure out what the appropriate PBS response was,” she told Current.
PBS is weighing whether to schedule the debut of the next season of Downton Abbey for the fall, when it is set to air in the United Kingdom, or continue its practice of delaying the premiere until January.
PBS unveiled deals to distribute public TV programs on two additional on-demand video streaming platforms — Roku and Xbox Live. The contracts, unveiled last week by PBS Digital chief Jason Seiken, lay the groundwork for apps that will feature local station programming and a limited selection of national content. To gain access, Xbox and Roku users will provide email addresses and choose their local station. The graphic interface on both services will be cobranded with PBS and local station logos. “Xbox and Roku are leaders in the fast-growing ‘over-the-top’ television phenomenon, in which viewers access television programs on-demand on their TV sets using an Internet connection,” Seiken wrote in Jan.
To whet local viewers’ appetites for the return of the megahit British drama Downton Abbey this Sunday, more than 100 pubcasting stations across the country have organized lively events evoking Edwardian England, the period in which the Masterpiece Classics series is set.
S. Leo Chiang’s latest documentary examines partisanship and race “through the eyes of an idealist centrist who happens to be an Asian-American Republican who tried to survive in the ultra-partisan climate that exists in the country today.”
The Central Park Five, written and directed by Ken Burns, his daughter Sarah Burns and her husband, David McMahon, is not one of his production company’s typical stately paced works.
A new round of layoffs at Nightly Business Report, initiated last week, pared full-time staff to 22, down by half from two years ago. Cutbacks included shuttering the show’s Chicago bureau, where chief correspondent Diane Eastabrook has worked for the weeknight financial show since 1993. Also gone is Michele Molnar, a New York–based photography editor since 1996, and Johnnie Streets, longtime senior stocks producer at headquarters in Miami. In all, six positions were eliminated. “We had to do this streamlining on behalf of our investor,” Rick Ray, NBR chief exec, told Current.
During last month’s Fall Marketplace conference in Sanibel Harbour, Fla., APT honored Doc Martin, Nightly Business Report, Rick Steves’ Hidden Europe and New Scandinavian Cooking with Programming Excellence Awards, recognizing the four series for their positive impact on public TV based on a number of factors, including scope of content, execution, originality, creativity and effectiveness. APT also recognized Robert (Bob) Scully, host and producer of Scully/The World Show, for his outstanding contributions to public television. Scully has provided “10 years of smart television programming” to stations through APT distribution, APT said. He’s also awarded $80,000 in travel scholarships to 63 local station programmers over the years, making it possible for those whose stations couldn’t afford to send them to APT’s Fall Marketplace to attend the event. APT President Cynthia Fenneman presented “Savvy Scheduler Awards” to programmers at five public TV stations, honoring those who have used APT programs to greatest advantage.
Fans of Masterpiece’s hit Downton Abbey await arrival of the British drama’s third season, PBS and some 70 local stations hope to reel them into the public TV membership fold with a Nov. 25 pledge special.
Ron Hull, a former director of the Program Fund, reflects on the value of buffer from partisan politics
Jan. 2, 1979 — Robben Fleming, a university president and an authority on (labor) negotiations, comes to CPB as its third president. Also in January, the politically appointed CPB Board suspends its committees to reevaluate their roles. This decision shelved the board’s Program Committee, which traditionally had voted aye or nay on national production proposals for public TV. Even before Fleming arrived, the CPB Board had been rethinking this process.
Ron Hull, a leader in Nebraska public television since the 1950s, recommends that CPB consider reinstating the semi-autonomy of its grantmakers in TV programming. That was how CPB’s Television Program Fund was set up in 1982 when he succeeded Lewis Freedman as the fund’s director. Hull bases this commentary on a chapter of his new book, Backstage: Stories from My Life in Public Television, published in October by the University of Nebraska Press. When CPB’s Television Program Fund began operating with a measure of autonomy, it inspired “an outpouring of heartfelt creative ideas from myriad producers, both independents and those at PBS stations,” Hull writes.
During the 1980s I was the fortunate guy in the right place at the right time when the CPB Board appointed me director of the CPB Program Fund for public television.
Ken Burns’ The Dust Bowl has a clear message: What happened before can happen again.
Following this week’s media scandal over allegations that were aggressively rebutted and later recanted, award-winning Sesame Street puppeteer Kevin Clash remains on a leave from his role as Elmo, one of the show’s most beloved characters. An accusation that Clash had an inappropriate relationship with an underage boy, published online early Nov. 12 by gossip news site TMZ, prompted Clash to request leave so that he could defend his reputation. Sesame Workshop, which looked into the allegations after learning of them in June, granted the leave and issued a statement:
“We . .
Intelligence Squared U.S., the nonpartisan public policy debate series airing on public radio and some public TV stations, is coming to PBS Plus in January, with Chicago’s WTTW as the presenting station.
In February 1983, Phoenix’s PBS station KAET aired the world’s first live telecast of open-heart surgery. The station marks that upcoming 30th anniversary with a pilot for its new occasional medical series, The Latest Procedure, featuring an anterior total hip replacement. For the hourlong surgery, orthopedic surgeon Dr. Ted Firestone of Scottsdale recorded the entire operation through a minicam strapped to his head. Viewers are with him as he meets with the patient, scrubs in, explains surgical tools and provides a personal tour of the operating room before surgery begins. They also observe what Firestone sees as he operates.
KEET in Eureka, Calif. — one of the smallest TV stations in the pubcasting system — has produced a unique documentary featuring woodcut animation: Searchlight Serenade: Big Bands in the Japanese American Incarceration Camps. The 58-minute film provides first-person accounts of nine detainees who played trumpet and saxophone and sang for their fellow prisoners. Their stories are animated with traditional Japanese woodcuts and drawings by local artist Amy Uyeki, whose parents had lived in the camps. After the attack on Pearl Harbor, in 1941, more than 120,000 Japanese Americans were forced into the holding areas during World War II.
Some 1,000 marchers gathered on Nov. 3 on Capitol Hill to celebrate the power of public television.