Programs/Content

Stations’ joint effort brings streaming BBC shows to websites

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A joint effort among PBS and five member stations has created a more efficient way for stations to offer online streams of British imports such as Doctor Who and Death in Paradise while honoring BBC restrictions that limit web streaming. The BBC’s agreement for streaming programs besides Masterpiece limits access to viewers within a station’s market. But COVE, PBS’s online video platform, does not allow for filtering by location, which hampered stations’ ability to offer BBC content. Those restrictions made for an “unmanageable” situation, said John Decker, director of programming at KPBS in San Diego. But stations are now using a new web page created by PBS that allows for location-based filtering, and five stations have agreed to handle uploading of BBC content to ensure quality and prevent duplicative uploading.

Downton Abbey

Popularity of ‘Downton’ creates embarrassment of riches in ‘Masterpiece’ slot

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BEVERLY HILLS, Calif. — The success of Downton Abbey, whose fifth season has been set for Jan. 4, has created a novel problem for PBS: too many programs to fit into the Sunday-night slot occupied by Masterpiece. It’s possible that PBS might schedule some of the excess series at another hour or on another day. But there are no plans to do so for now, according to Masterpiece EP Rebecca Eaton.

Programs/Content

PBS press tour highlights Downton, Nas on Finding Your Roots

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The stars of Downton Abbey aren’t the only luminaries whom journalists will chat with during PBS’s portion of the Television Critics Association Summer Press Tour today and Wednesday. Other big names at the Beverly Hilton in Beverly Hills, Calif., include rapper and songwriter Nas, director Spike Lee, Oscar winner Geena Davis, actor Nathan Lane and television legend Dick Cavett. The twice-yearly tour is a chance for broadcasters to woo more than 200 reporters with news of their upcoming schedules, deploying sizzle reels, high-profile appearances, question-and-answer sessions and, of course, food and drinks. PBS President Paula Kerger will greet journalists during her executive session at 10 a.m. Pacific time. Later today, the press conference for Season 5 of Downton Abbey, PBS’s blockbuster series on Masterpiece, will feature Lady Edith (Laura Carmichael), Lady Mary (Michelle Dockery), Anna Bates (Joanne Froggatt) and Tom Branson (Allen Leech), as well as Executive Producer Gareth Neame and Masterpiece’s Rebecca Eaton.

Programs/Content

New digital offerings from NPR, PBS promise closer look at how users consume content

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New digital offerings from NPR and PBS aim to give public media additional platforms for building online audiences while gaining insights into how listeners and viewers interact with digital content. These digital initiatives — PBS’s Membership Video on Demand service and NPR’s long-awaited NPR One app — were demonstrated and discussed during the Public Media Development & Marketing Conference in Denver July 9-12. The frequent name-changes for NPR’s mobile app during its development — it has been variously referred to as “Project Carbon,” “Infinite Player” and “MPX” — prompted laughter among PMDMC attendees when recounted by Zach Brand, NPR’s v.p. of digital media. But the roulette wheel has stopped, and the name NPR One is now locked in. The app, which will be released in a soft launch later this month, uses an algorithm and user feedback to create an audio stream fusing NPR content with newscasts and segments provided by stations.

Development

PBS to track behavior of viewers pledging to core-schedule programs

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In an experiment signaling public TV’s resolve to address concerns about the long-term effects of transactional pledging on its donor base, PBS plans to test whether fundraising around regularly scheduled signature series can convert more viewers into loyal members and donors. Though traditional fundraising programs generate more cash for stations, many development professionals believe that pledging around core programs could yield better-quality donors who are committed to public TV’s mission. Stations such as Maryland Public Television and PBS SoCal in Orange County, Calif., have successfully pledged series from PBS’s National Program Service, as well as popular British dramas and comedies acquired from other distributors. Their results prompted PBS to take a deeper dive into the approach. “As we transition from a goal of gross dollars into a broader philosophy of the long-term value of donors, this seemed like a great time to look seriously at best practices with emphasis on sustaining donations,” said Joe Campbell, v.p. of fundraising programming.

Tech

Pubcasters welcome Supreme Court decision against Aereo

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PBS and New York’s WNET joined major commercial networks Wednesday in hailing a U.S. Supreme Court decision that found the business model of Internet TV service Aereo in violation of the 1967 Copyright Act. In a 6-3 decision, the high court held that Aereo’s business model of charging subscribers for access to an individual antenna and DVR service for over-the-air broadcasts violates the 1967 Copyright Act. The majority found Aereo’s operations more akin to those of a cable company, regardless of the technology it employs, binding the company to the same rules governing broadcast transmissions. Those rules require cable companies to pay networks for the content they transmit. The majority comprised Chief Justice John G. Roberts Jr. and Justices Anthony M. Kennedy, Stephen G. Breyer, Ruth Bader Ginsburg, Sonia Sotomayor and Elena Kagan.

Development

Expanded budget buoys plans for PBS’s revamped development division

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Betsy Gerdeman, who took over as senior vice president of PBS Development in February, is busy rebuilding that staff while focusing on three priorities for stations: planned giving, local corporate support and on-air fundraising. “I still have my station hat firmly on my head, and I hope I always will,” said Gerdeman, who has worked at KLRU and KLRN in San Antonio and WETA in Arlington, Va. “The success in this department comes from walking in the shoes of the stations we serve.”

PBS trimmed its fundraising staff in June 2010, eliminating four staffers who specialized in station fundraising. Director of Station Development Services Valerie Pletcher joined in November 2010 to focus on informational and training needs and best practices; she left in April 2014. But development is now on an upswing.

System/Policy

In radio appearance, ‘Citizen Koch’ filmmakers allege self-censorship in public TV

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The filmmakers behind a new documentary briefly discussed their “deeply troubling” experience with public TV in an appearance on public radio’s On Point Wednesday. Tia Lessin and Carl Deal directed Citizen Koch, now hitting theaters after vying for grant funding and a broadcast commitment from PBS’s Independent Lens. The film examines the influence of wealthy conservatives such as David and Charles Koch on Republican politics. A May 2013 article by the New Yorker’s Jane Mayer suggested that ITVS, Independent Lens’s producer, backed away from the film due to pressure from New York’s WNET, where David Koch sat on the board. Appearing on On Point, Lessin and Deal said ITVS asked them to remove content related to the Kochs from their film and to change the name.

Programs/Content

Downton Abbey creator calls PBS delay in season scheduling ‘madness’

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Downton Abbey creator Julian Fellowes has weighed in on PBS’s decision to delay airing the Masterpiece megahit for months after each season premieres in Britain. And as his countryfolk might say, he is cheesed off. “I want to have simultaneous transmission in America and Britain,” he tells the Telegraph of London. “The difficulty that we have is that people are discussing the series as it happens online before America’s seen it and on the internet we’re all in the same company. It’s madness.”

Then he adds: “It’s what I’d like, but who cares what I think?”

Scheduling Downton is a tricky subject for PBS. The blockbuster costume drama has always premiered in January on PBS, two months after the British airing.

Quick Takes

Tuesday roundup: Pubmedia inspires poetry volume; ESPN prez responds to Kirk’s “whining”

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• I think that I shall never see
A poem lovely as Wait Wait … Don’t Tell Me! Granted, that’s probably not among the verses in The Liberal Media Made Me Do It!, a new collection of poems based on public broadcasting stories and shows. But the book does contain pubmedia-centric contributions from more than 50 poets who were inspired by Radiolab, Performance Today, A Prairie Home Companion and other fare. “For me, the greatest delight in receiving these pieces has been to recognize the stories I have heard on the radio, with the added dimension of another’s perception added in,” writes editor Robbi Nester. “This brings home the truth that each of us could start with the same raw material and yet produce finished products that resemble one another only in incidental ways.”

The book is now available from Lummox Press.

Children's programming

PBS’s live-action Odd Squad aims to ‘make math relevant’ for kids

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PBS Kids will expand the footprint of its math-focused programs with Odd Squad, a live-action TV series for school-aged children. The new show, which follows the fall 2013 debut of Peg + Cat, a preschool series presenting math concepts, will debut Nov. 26. Creators Tim McKeon and Adam Peltzman, who previously collaborated as television writers on another PBS Kids series for school-aged children, The Electric Company, are producing Odd Squad through Toronto-based Sinking Ship Entertainment and the Fred Rogers Company (which also produces Peg + Cat and Daniel Tiger’s Neighborhood for PBS). Odd Squad stars sleuths Olive and Otto, members of a detective agency who use math concepts to solve unusual mysteries around their town.

Ken Burns

Masterpiece Trust secures $3 million gift from San Diego donor

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SAN FRANCISCO – Amid previews of upcoming programming at the PBS Annual Meeting, including a groundbreaking 14-hour series on the Roosevelt family from Ken Burns, came extraordinary news of a record-setting donation for Masterpiece. Executive Producer Rebecca Eaton told attendees that the icon strand, through its Masterpiece Trust, will receive $3 million from longtime supporter Darlene Shiley on behalf of herself and her late husband Donald. Shiley’s local station, KPBS in San Diego, will share a portion of the contribution. The gift triples Shiley’s previously unprecedented $1 million donation in 2012. Since its inception in 2011, the trust has raised nearly $10 million for Masterpiece and local stations designated by donors.