Documentaries
For doc funders, broadcast on public TV remains key
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Foundation funders have plenty at stake in PBS’s pending decisions about scheduling and promoting independent films.
Current (https://current.org/tag/ford-foundation/)
Foundation funders have plenty at stake in PBS’s pending decisions about scheduling and promoting independent films.
The Association of Independents in Radio announced that three projects from the first round of its Localore initiative will receive additional funding for expanding their work.
Frontline, public television’s investigative news showcase, announced two major donations Wednesday, including the largest grant from individuals in its 30-year history. Most of the $5 million from Jon and Jo Ann Hagler, longtime supporters of producing station WGBH, will create a reporting endowment for the program to ensure the series’ long-term sustainability. The remaining $1.5 million will support existing programming and digital efforts over four years. Meanwhile, a two-year, $800,000 gift from the Ford Foundation will back a new cross-platform Enterprise Journalism Group. The funds will pay for initial recruits for the in-house group of digital journalists and producers.
The Ford Foundation has awarded Public Radio International a two-year, $500,000 grant to support Global Nation, a project that will cover social-justice issues affecting immigrants to the U.S. and their children. Launched last year, Global Nation uses partnerships with ethnic media, independent producers and local public radio stations to find social-justice stories affecting immigrants. The resulting stories air on PRI’s The World. The initiative was initially supported by the Rita Allen Foundation. Using the Ford support, PRI will expand the initiative’s reach with enterprise reporting and an online community of people and civic organizations concerned about immigration issues.
New York Public Radio has applied to the FCC to acquire 90.3 FM in Ossining, N.Y., from community licensee Hudson Valley Community Radio for $400,000. The broadcaster plans to use the new signal as a repeater for WQXR, its classical music station airing on 105.9 FM in New York City. Ossining is about 40 miles north of the city, on the eastern bank of the Hudson River. The addition of 90.3 FM would expand WQXR’s reach to areas of Westchester County that were within its coverage area when it was owned by the New York Times. NYPR’s 2009 purchase of WQXR was a three-way transaction with Spanish-language broadcaster Univision that involved moving the classical station to a weaker signal.
A recent Ford Foundation grant to the Los Angeles Times highlights the heightened competition pubcasters face for philanthropic dollars in a fast-changing media world. The $1.04 million two-year grant to the newspaper, a subsidiary of the Tribune Company media conglomerate, marks the first time Ford has directly supported a major for-profit daily. The money will be used to hire staff members to cover new and expanded beats, including immigration and California’s prison system. The decision to pay for additional reporters, Ford spokesman Alfred Ironside explains in an email, resulted from the grantmaker’s exploration of “new models for sustaining quality, independent journalism that reaches more people at a time when newsrooms are under stress.” Ford is considering similar grants to other for-profit news organizations, he writes. Such developments worry observers of public broadcasting.
By giving two seminal news-related grants last year, the Pittsburgh Foundation broke from what chief executive Grant Oliphant described as the foundation’s history of “generic support” for public media. Answering the call from the Knight Foundation for matching grants to address gaps in local news coverage …
The Ford Foundation was noncommercial television’s first big funder, years before Congress contributed large sums — supporting efforts to acquire reserved channels, helping to start stations in major cities, and backing National Educational Television, the system’s major production and distribution organization in its early years.
… Friendly began toying with an idea for a permanent source of funding for noncommercial television. In the spring of 1966 he began considering the possibility that synchronous satellites might provide the magic potion for the fourth network….
Fred W. Friendly, the legendary CBS News producer who tried to bring innovation to public TV in the 1960s and later developed a celebrated series of televised seminars on major public policy issues, died March 3 at his home in New York City. He was 82. “He was a great broadcaster, a great innovator, a great friend of public television,” observed PBS President Ervin Duggan in a release. At CBS, Friendly worked for years with Edward R. Murrow, producing many of his appearances, including the milestone 1954 report that questioned Sen. Joseph McCarthy’s anti-communist campaign and the famous CBS Reports: “Harvest of Shame” on the lives of migrant workers, aired in 1960. He was named president of the news division in 1964 and quit two years later when the network carried an I Love Lucy rerun instead of a Senate hearing on the Vietnam war.
Summary and Recommendations
This study — partially funded by CPB during its first year and released in April 1969 — recommended creation of a public radio network and a national production center (a year before the founding of NPR), restructuring of the noncommercial FM band, and formation of a radio division at CPB to look out for public radio’s interests. The study was headed by Samuel C.O. Holt, who later served as programming chief at NPR. Jump to Recommendations
The Public Radio Study was funded by the Corporation for Public Broadcasting and The Ford Foundation at an important time for the medium. We have tried to gain a feeling for noncommercial educational radio and its problems, to get from the station managers and others who work in the medium something of their attitudes toward their field and its future, and to make recommendations to meet some of the problems we encountered in our field work. First, we tried to put noncommercial radio in perspective in a period which has seen great changes in the roles of media.