WKGC dropping NPR affiliation, picking up BBC, APM shows

WKGC in Panama City, Fla., will replace NPR’s newsmagazines with BBC news programs distributed by American Public Media. The station, which is also dropping its NPR membership, cited duplication of NPR programs in the market as the reason for the schedule change, which takes effect Oct. 1, reports the local News Herald. During morning and afternoon drive times, BBC World News and NewsHour will air on the WKGC instead of NPR’s Morning Edition and All Things Considered. WKGC is licensed to Gulf Coast State Community College and shares its service area with WFSU in Tallahassee, operated by Florida State University.

PBS taps BBC’s Midwife to boost Sunday viewership

PBS’s yearlong effort to build more audience flow in its primetime schedule moves into new territory with the Sept. 30 U.S. broadcast premiere of Call the Midwife, a limited-run BBC drama that will attempt to draw in Masterpiece fans and keep them watching an hour longer on Sunday nights.

APM displaces PRI as BBC World Service distributor

American Public Media will begin distributing the BBC World Service to U.S. pubradio stations July 1 [2012], ending the British network’s 26-year distribution relationship with Public Radio International. A five-year BBC-PRI contract is expiring, but the two networks will still collaborate on their co-productions such as The World and The Takeaway. Portions of the World Service air on 521 stations in the U.S.

“BBC World Service radio has been enjoying record audiences in the U.S., and we are delighted to be working with American Public Media to ensure that more U.S. listeners have access to the BBC’s impartial international journalism and programming across public radio,” said Richard Porter, controller, English, for the BBC, in a statement to Current. APM declined comment.  

Al Rose

Al Rose, 70

Albert E. Rose, former program director of New Jersey Network and later the program distributor who brought nightly British news programs to U.S. public TV, died of lung cancer June 16, 2010, at a hospice in Newtown, Pa.

Alistair Cooke, 95

Just five weeks after filing his last Letter from America for the BBC, Alistair Cooke died March 30 [2004] at his home in Manhattan. He was 95 and had heart disease. Cooke had delivered the Letter for 58 years, far exceeding his 26 years as a U.S. correspondent for Britain’s Guardian newspaper or the mere 22 years he hosted Masterpiece Theatre.

An Age of Kings: an import becomes public TV’s first hit

It was public TV’s first unqualified national success, a smash hit. Before Masterpiece Theatre, American Playhouse or Hollywood Television Theatre, there was An Age of Kings, Shakespeare’s history plays in 15 parts, a chronicle of Britain’s monarchs from Richard II (1399) to Richard III (1484).

Master of talks: Cooke, in his Letter from America

Masterpiece Theatre was a relatively short run for Alistair Cooke, and his intros mere appetizers. For more of Cooke, as he turns 90, sample some of his half-century of BBC essays. Some journalists make reporting seem easy, almost effortless. They express wise and frequently complicated ideas with directness, intelligence and wit. Their manner is both straightforward and entertaining — and above all, informative.

Funny and civilized Frank Muir: patron of Pythons and radio games

Hands-up, all those who listen regularly to My Music, the half-hour radio panel game produced by the BBC and distributed by WFMT-FM in Chicago to about 60 public radio stations in the U.S.

Ah, I see a hand there in the back. It’s all right, you may remain anonymous. How many, then, have heard of its companion program, My Word!? Two more. Let the four of us leave the room to recall some favorite segments from these superb series, two of the most civilized radio programs on the air today.

Teletubby on a happy walk

Eh-oh!

Over the hills and far away, Teletubbies come to play. In Teletubbyland, a lush green landscape of undulating hills spotted with clumps of bright flowers, the world is safe and fun — a place to explore and learn through play. We know this because the sun baby, who rises over the set at the beginning of each episode, gurgles, coos and shrieks with pleasure at the adventures of the Teletubbies, four alien yet adorable, toddlerlike beings who live there, cared for and entertained by otherworldly gadgets. Teletubbies, the groundbreaking BBC children’s series that’s prompted both an outcry and a massive consumer craze since its debut last March debut in Britain, is about to arrive in the PBS schedule, April 6. The series is based on the premise — already much-debated in Britain — that very young children are watching television but don’t understand it, so they might as well have a show that’s designed for them.

Teletubbies in Britain: craze, controversy and consumer frenzy

Teletubbies haven’t officially landed in the U.S. public TV schedule yet, but they’ve already roused controversy in Britain and landed a great big licensing deal over here. Hasbro, makers of Playskool Baby and other major toy brands, will introduce a range of Teletubbies products–soft toys, figures, games, puzzles, bath toys and other items–by next fall. “It was important to find a partner who understands that young children need to be nurtured, not exploited,” said Kenn Viselman, president of the itsy bitsy Entertainment Co., which holds licensing rights to Teletubbies in the U.S. and Canada. Teletubbies, the children’s TV program that sparked both a craze and outrage in Britain with its debut on BBC2 this year, will begin airing on PBS’s Ready to Learn Service in April. If the British response to the show is any indication of what to expect from U.S. audiences, brace yourselves for a consumer grabfest of purple dinosaur proportions.

Rock ’n roll pilgrimage

Admired series disappears into copyright limbo
Followup, 2008

The series contained so many musical clips that the producers apparently didn’t want to spend what it would take to extend their broadcast rights. For years, as a result, the series has not been available for broadcast or for purchase on DVD or videocassette. As a result, PBS’s online store began selling videos of Time-Warner’s rock history series not originally made for public TV, The History of Rock ‘N Roll. New York Times critic John O’Connor preferred the BBC/WGBH series. Buying extensive new rights to resume broadcasts of the famed doc series Eyes on the Prizecost hundreds of thousands of dollars in 2006.