Quick Takes

Tuesday roundup: Pat Harrison dishes; ACL opens Hall of Fame

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• CPB CEO Pat Harrison sat down with the Pittsburgh Post-Gazette Monday for an interview about her background in advance of a visit to WQED for the station’s 60th anniversary. Harrison chatted about her beginnings as a freelance writer and as the founder of the National Women’s Economic Alliance and about how her Brooklyn upbringing influenced her leadership abilities. “You would go from one block to the other at that time, and you were in a different country,” she said. “You didn’t want to be fighting on the playground all the time, so you had to find a way to connect with some sort of common denominator, or you wouldn’t survive third grade.” • Writers for Canada.com and The Atlantic have criticized a discussion of the concept of “rape culture” that aired on the Canadian Broadcasting Corp.

People

StoryCorps’ multiplatform production on the anniversary of 9/11 earned a prize for public radio and TV.

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The Peabody-winning segment aired on NPR’s Morning Edition and featured interviews that had been adapted as animated shorts for PBS’s POV. The award, one of nine presented for pubcasting programs this year, recognized the oral history project’s treatment of interviews with the relatives of 9/11 victims in commemoration of the 10th anniversary of the 2001 attacks on New York’s World Trade Center. NPR received two additional trophies for its radio reporting. Judges cited “Arab Spring from Egypt to Libya” by foreign correspondent Lourdes Garcia-Navarro for “exemplary coverage throughout the Middle East,” and “Native Foster Care: Lost Children, Shattered Families,” a three-part NPR News Investigation by Laura Sullivan and Amy Walters. POV received another Peabody for “My Perestroika,”a doc following five young Russians over several years after the collapse of communism.

Development

Austin City Limits rides its brand downtown

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Austin City Limits is a hot commodity based on a cool brand built over 33 years on PBS. In two years it moves its entire production site downtown in the Texas capital city to a cornerstone 2,500-seat theater in a $300 million redevelopment.