Programs/Content
CPB grant will help expand Indigenous programming
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The grant will support the daily “ICT Newscast with Aliyah Chavez.”
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The grant will support the daily “ICT Newscast with Aliyah Chavez.”
Stations are continuing to reinforce their datacasting efforts as the initial urgency of the pandemic has given way to longer-term planning.
Sarah Gilbert’s last day with NPR will be next month.
Producers of the weekly radio magazine that debuted in 1987 are excavating recordings stored in closets and in obsolete formats.
Copeland has worked for the station since 1997.
“This series is something I’ve waited to do my whole career,” says Steves, host and writer of the APT-distributed series.
CPB hired Cheraine Stanford as SVP of television content strategy. She previously worked for WPSU in State College, Pa.
Summers begins on air June 27.
Disruption and dislocation allowed some public media stations to plan — and even finish — upgrades to their headquarters.
Adriano Schmid will join PBS Kids as VP of content, and Laura Barrón-López will report for “PBS NewsHour.”
Public TV stations fared better than radio in key fundraising categories during fiscal year 2021.
Top execs have signaled plans for reorganization and possible job cuts for the award-winning investigative unit.
NPR named Edith Chapin VP and executive editor at large and promoted Terence Samuel to succeed her as executive editor.
WYPR and The Baltimore Banner plan to collaborate on news coverage while exploring ways to integrate their operations.
“There are no roads to here, so the only way you get in is by airplane or ship, or if you have a snow machine,” says Pierre Lonewolf, chief engineer of KOTZ in Kotzebue, Alaska.
Woodruff has been an anchor for the “PBS NewsHour” since 2011.
Antolini became interim executive director last year.
The station raised more than $26,000 to help equip its headquarters with bird-safety features.
The endowment provided nearly $880,000 to public media organizations and other nonprofits that create or support media projects centered on the arts.
Under the proposed contract, KERA would take over management of 100-year-old WRR and convert it to a noncommercial license.