System/Policy
How stations are enhancing statehouse journalism with CPB funding
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With its latest round of funding, CPB has invested $4.9 million in its state government initiative.
Current (https://current.org/page/536/)
With its latest round of funding, CPB has invested $4.9 million in its state government initiative.
The petition accuses GBH, WNET Group and PBS SoCal of delaying their response to the union’s demands.
Plus: A Mississippi reporter discusses his difficult past, and Carl Kasell assists with a marriage proposal.
The FCC recently released the entire text of its Report and Order detailing rules for the upcoming broadcast spectrum auctions, making it clear that it intends to make no effort to preserve public TV signal coverage. The 484-page report, “Expanding the Economic and Innovation Opportunities of Spectrum Through Incentive Auctions,” rejects the proposal supported by CPB and other leading broadcast organizations to preserve at least one station per geographic market. If you dive into this ponderous document, I recommend paragraph 367 and footnote 1090 (unfortunately, not a typo — there really are over 1,000 footnotes). In paragraph 367, the FCC states that it declines to “restrict acceptance of such bids based on the potential loss of television service or specific programming.”
The FCC further states that any such restrictions “could reduce the amount of spectrum available” to carry out the auction and undermine the “goal of allowing market forces to determine the highest and best use of spectrum.” The long and short of it is that if the entities that hold America’s 289 UHF public TV licenses decide to sell their underlying spectrum in the forthcoming “incentive” auction, that spectrum will be lost to noncommercial television forever. It need not be so.
PBS’s 43 nominations for News and Documentary Emmys topped all networks. Its programs will compete against each other in many categories. In some categories, including those for outstanding investigative journalism, best documentary and coverage of a current event, PBS earned more than half of the nominations. Frontline, the documentary series produced by WGBH in Boston, led with 11 nominations, including three of the six nominations for investigative reporting. Those went to “A Death in St.
The stars of Downton Abbey aren’t the only luminaries whom journalists will chat with during PBS’s portion of the Television Critics Association Summer Press Tour today and Wednesday. Other big names at the Beverly Hilton in Beverly Hills, Calif., include rapper and songwriter Nas, director Spike Lee, Oscar winner Geena Davis, actor Nathan Lane and television legend Dick Cavett. The twice-yearly tour is a chance for broadcasters to woo more than 200 reporters with news of their upcoming schedules, deploying sizzle reels, high-profile appearances, question-and-answer sessions and, of course, food and drinks. PBS President Paula Kerger will greet journalists during her executive session at 10 a.m. Pacific time. Later today, the press conference for Season 5 of Downton Abbey, PBS’s blockbuster series on Masterpiece, will feature Lady Edith (Laura Carmichael), Lady Mary (Michelle Dockery), Anna Bates (Joanne Froggatt) and Tom Branson (Allen Leech), as well as Executive Producer Gareth Neame and Masterpiece’s Rebecca Eaton.
Plus: Beat Making Lab returns to PBS Digital Studios, and John Oliver joins Muppet-like creatures to sing about prisons.
The pubcaster is restructuring its news division, with little effect on programs airing on stateside pubmedia.
Public media employees have increasingly sought to organize unions during the past two years, spurred by expanding newsrooms, shifting management priorities and a desire for more influence in strategic planning.
Plus: Roger Ebert’s hand-picked protege on why PBS’s At the Movies reboot failed.
New digital offerings from NPR and PBS aim to give public media additional platforms for building online audiences while gaining insights into how listeners and viewers interact with digital content. These digital initiatives — PBS’s Membership Video on Demand service and NPR’s long-awaited NPR One app — were demonstrated and discussed during the Public Media Development & Marketing Conference in Denver July 9-12. The frequent name-changes for NPR’s mobile app during its development — it has been variously referred to as “Project Carbon,” “Infinite Player” and “MPX” — prompted laughter among PMDMC attendees when recounted by Zach Brand, NPR’s v.p. of digital media. But the roulette wheel has stopped, and the name NPR One is now locked in. The app, which will be released in a soft launch later this month, uses an algorithm and user feedback to create an audio stream fusing NPR content with newscasts and segments provided by stations.
A rejiggered phone booth from New York Public Radio, a mobile app produced by StoryCorps and a public-records data tool from the founder of FOIA Machine are among the 16 recipients of grants from this year’s Knight Foundation Prototype Fund. The foundation’s annual contest awards six-month, $35,000 grants to help recipients develop early-stage media ideas. Winners were announced Thursday. “While six months and a $35,000 grant might not always be enough to finish version one of a project, it can go a long way towards validating an assumption, developing a minimum viable product or identifying a need to revise an approach,” Chris Barr, a media innovation associate with Knight, wrote in a release. This year’s pubmedia and nonprofit media prototype grant winners include:
Talk Box, a New York Public Radio project to turn select New York City phone booths into “a direct, two-way line to the New York Public Radio newsroom.”
DIY StoryCorps, a mobile app from StoryCorps that will allow users to record and upload stories on their own, without visiting a StoryCorps booth.