Chicago Public Media is paying $450,000 to buy Radio Arte, a low-power station programmed by and for Latino youth and operated by the National Museum of Mexican Art in Chicago. CPM also plans to buy programming from Radio Arte to add to its Vocalo service. “This is a natural partnership,” said Silvia Rivera, Vocalo’s managing director, whose career in public media began in 1998 after taking part in Radio Arte’s media training program. “This partnership between two youth-driven public radio stations builds on a collaborative history and their complementary community missions,” the new partners said in a June 22 press release.

The CPB Board of Directors approved a supplementary grant of $575,000 June 14 to the Independent Television Service for completion of its Online Video Engagement Experience (OVEE), a digital platform that allows moderated interactive online screenings of video content streamed through PBS.org. CPB had backed development of the technology in 2010 with $954,000. The additional funding will support development of technical capabilities to run OVEE on mobile devices and stream live events, such as debates and town-hall meetings — enhancements requested by all five OVEE pilot stations. CPB management presented the grant request to the board at its June 4 meeting, but approval was postponed after Chair Bruce Ramer questioned whether the corporation should take an ownership stake in innovative projects such as OVEE (Current, June 11).

NPR and KMBH in Harlingen, Texas, have received donations from a devoted listener who passed away in 2009. Wallace Cameron, a former professor of languages at Ohio University, left NPR $600,000 in his will. Cameron retired from Ohio University in 1992 after a 36-year career at the school. He lived in the Rio Grande Valley and was a fan of KMBH and NPR, says Robert Gutierrez, g.m. of KMBH. The station and network learned of the gift earlier this year. “This is definitely a blessing from up above,” Gutierrez says. The unrestricted gift supported the station’s operations and is one of the biggest donations KMBH has received from an individual donor, he says.

WMFE-TV in Orlando, Fla., the former PBS flagship that had been set for sale to religious broadcasters, has a new buyer. The University of Central Florida announced June 21 that it plans to purchase WMFE for $3.3 million. The boards of UCF and WMFE, a community licensee that also operates a radio station, must approve the sale contract before it goes to the FCC. UCF, also in Orlando, played a role in preserving PBS service to the market last year when WMFE moved to sell its TV operation and focus on its public radio station. UCF partnered with Brevard Community College in Cocoa to convert WBCC, a pubTV station licensed to the community college, into a full-service PBS station broadcasting as WUCF.

John Goberman has produced more than 200 live national telecasts since launching the PBS performance series more than three decades ago. Goberman was cited by Symphony Magazine as one of the 50 most important individuals making a difference in American music. He pioneered the video and audio technology by which concerts, opera, ballets and plays could be telecast during live performances without disruption of performers and audiences. His television work has garnered 13 national Emmy Awards, three Peabodys and the first Television Critics Circle Award for Achievement in Music. Goberman plans to focus on producing another type of performance that he helped to pioneer — “Symphonic Cinema,” in which orchestral scores are performed live to the films for which they were originally commissioned.

A new configuration of public TV stations in Alaska will begin sharing a single programming feed July 1 under the name Alaska Public Television, a move that shifts distribution duties from KUAC in Fairbanks to KAKM in Anchorage. The change disbands AlaskaOne, a network operated by KUAC for 17 years that excluded Anchorage. KUAC will not participate in Alaska Public Television but will attempt to make it on its own with a renewed focus on programming tailored to its local community. Viewers in Anchorage will receive much the same programming from Alaska Public Television as before, while viewers of Bethel’s KYUK and Juneau’s KTOO may notice some changes.

I enjoy Car Talk. I like those guys. And as a public radio lifer, I’m grateful for what Tom and Ray Magliozzi did to bring a vast audience to public radio, year after year.. ... But — with all respect to Doug Berman and my colleagues at Car Talk Plaza — I think when they stop making new episodes in October, they should be pulled from Saturday mornings.

What if Congress stopped allocating federal aid to pubcasting? The latest bleak financial analysis from CPB, released last week, adds some specifics about how service would be affected in dozens of congressional districts across the land. Fifty-four public TV licensees in 19 states and 76 public radio operators in 38 states would be “at high risk of no longer being able to sustain operations” if federal aid ends, CPB asserts in a report backed by Booz & Co. and delivered to the appropriation committees June 20. Congress asked CPB for a report on the field’s economic options when lawmakers approved the most recent advance appropriation in December.

The FCC took another step March 19 toward licensing more low-power FM stations, a move long advocated by community radio leaders. The agency will work through a backlog of thousands of applications for FM translators under a new system that it formally adopted, modifying a proposal floated last summer (Current, July 25, 2011). The pending translator apps must be processed before any new LPFM licenses can be awarded. The commission will toss out FM translator apps in larger markets to make way for LPFMs in those areas while continuing to process requests for translators in less-populous areas. Applicants can seek no more than 50 translator licenses nationwide, a new limitation cracking down on speculative filings seen in the past (Current, March 28, 2005).

CPB has awarded a $500,000 grant to NPR to support the network’s international news coverage. The grant, announced at a March 26 awards dinner honoring NPR correspondent Lourdes Garcia-Navarro, will support salaries and travel costs for reporters and producers in Jerusalem, Cairo, Beirut, Shanghai and Beijing. Last year NPR spent more than it had anticipated covering the Arab uprisings and the earthquake and nuclear disaster in Japan. As NPR’s foreign desk steps up its reporting from the Middle East, Asia and Africa, reporters are putting themselves “on the front line of historic news events,” said CPB Chair Bruce Ramer, who announced the grant.

It was raining in Baltimore Sept. 23 when independent producer Jay Allison delivered his “benediction,” the traditional closing speech of the Public Radio Program Directors annual conference. The bleary, conferenced-out audience listened closely. Allison, who learned the nonfiction radio craft when NPR was a startup and went on to start up a few radio institutions himself, reminded attendees why perseverance matters. They gave Allison a standing ovation before dispersing under the dark sky. In the 1970s, a guy at NPR loaned me a tape recorder, and I just made myself at home on M Street, producing pieces, editing day and night.